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The Pleasures of Memory – Learning to Read with Charles Dickens

Autor Sarah Winter
en Limba Engleză Hardback – 14 iun 2011
What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Rendering literary history responsive to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways that Dickens's serial fiction shaped not only the popular practice of reading for pleasure and instruction associated with the growth of periodical publication in the nineteenth century but also the school subject we now know as English.Examining the full scope of Dickens's literary production, Winter shows how his serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning and reading founded on the cumulative functioning of memory, Dickens's serial novels consistently lead readers to reflect on their reading as a form of shared experience, thus channeling their personal memories of Dickens's unforgettablescenes and characters into a public reception reaching across social classes. Dickens's celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth-century educational reforms in Britain and the United States consolidated Dickens's heterogeneous constituency of readers into the masspopulations served by national and state school systems, however, Dickens's beloved novels came to embody the socially inclusive and humanizing goals of democratic education.
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Specificații

ISBN-13: 9780823233526
ISBN-10: 0823233529
Pagini: 486
Dimensiuni: 164 x 236 x 36 mm
Greutate: 0.79 kg
Editura: ME – Fordham University Press

Recenzii

It is well known that Dickens established an 'imagined community' founded on his own writing and authorial presence; in her intriguing book, Sarah Winter reveals how he did it. Analyzing the relation between serialization, reading, and memory, and detailing the extraordinary means by which Dickens made himself an institution by appearing to subvert the very nature of institutions, Winter shows how Dickens installed his works, his memories, his authorial presence, and perhaps most influentially, his method of publication---seriality itself--at the center of our collective modern consciousness.-Audrey Jaffe
"A fine contribution to the sociology of literature . . . Highly Recommended."-Choice

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