The Poets of Rapallo: How Mussolini's Italy shaped British, Irish, and U.S. Writers
Autor Lauren Arringtonen Limba Engleză Hardback – 8 iul 2021
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Specificații
ISBN-13: 9780198846543
ISBN-10: 0198846541
Pagini: 250
Dimensiuni: 141 x 222 x 19 mm
Greutate: 0.41 kg
Ediția:1
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198846541
Pagini: 250
Dimensiuni: 141 x 222 x 19 mm
Greutate: 0.41 kg
Ediția:1
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
The Poets of Rapallo is a work that students and established scholars of modernism will never fail to find less than stimulating ... Without a doubt, it will provoke lively debate and discussion within academic circles for some time to come: between those who agree with, and those who dispute some of its contentions.
A fresh, insightful literary history.
Meticulously researched and clearly and comprehensibly written.
The most valuable reading Arrington offers is of the works by Pound's long-neglected wife, Dorothy... Arrington convincingly draws out the parallels between Dorothy's paintings of Roman architecture and the fascist ideal of a 'return to order'.
[A] beautifully produced and meticulously researched book ... The weight of material associated with the women of the group is valuable and fascinating [and] an important balance to the misogynistic, homophobic and masculinist influence of Pound.
a fascinating, intricate study of Pound's first steps on the road to perdition, and the cast of fellow travelers, Yeats among them, who went part of the way with him and then covered their tracks.
This book has a depth of detail and breadth of reference that will make it invaluable for those already familiar with intellectual currents between the wars... the theme of friendship disavowed speaks painfully to our times. Arrington brilliantly traces the toing and froing between rage and affectionate loyalty, and the way members of the group accommodated eccentricity, suspending judgement - until they couldn't.
A fresh, insightful literary history. Highly recommended.
Lauren Arrington is a careful, nuanced scholar, weighing words carefully.
Arrington's archival research is especially impressive, and the unpublished correspondence and other drafts that she has uncovered flesh out the frequently fractious relationships between her protagonists... [The Poets of Rapallo is] a sharp, controlled study of an influential literary network, and of shifting debates about art and politics, in a country descending into political hell.
Lauren Arrington writes a literary history at once super-informed and consistently surprising, even to those who think they know the territory. Ezra Pound's colony-village-retreat-beachhead-Utopia-publishing venture at Rapallo, under Arrington's scholarly scrutiny—and in her welcome, lucid prose—turns out to be the semi-hidden hinge for modernist journals, for Basil Bunting (who did more work there than Bunting fans suppose), and above all for the later intellectual and artistic developments in the work of W. B. Yeats. Ballads, collaborations, the afterlife of Robert Burns, and—most of all—the still-contested legacies of Italian fascism shape Arrington's persuasive introductions and discussions, while contested or underappreciated artists and writers—Aldington, Stokes, and especially Dorothy (Shakespeare) Pound—receive their moments in the Italian sun. This is a book to recommend.
This is essential reading on Ezra Pound and W. B. Yeats. It is also indispensable in its balanced approach to the wider coterie drawn to Pound in Rapallo, including Richard Aldington and the younger poets Zukofsky and Bunting. Of particular value is the book's focus on the women of the group—Dorothy Pound and George Yeats, among others, are given their due as individuals—as culpable as the men in their engagement with fascist aesthetics. Arrington deftly balances lively biography with an astute contribution to debates on Late Modernism. This book presents its impressive and extensive research in a clear and scrupulous manner, offering valuable arguments and opening doors to an objective and fuller understanding of fascism and modern art. The result is often discomforting, at times devastating, and always enormously readable.
The Poets of Rapallo was a pleasure to read. Wonderful phrasings punctuate Arrington's prose throughout.
The Poets of Rapallo, it is worth mentioning that it is alive with literary gossip and intriguing background stories of affairs and friendships, rumours and scandals, offering comic relief from the serious matters of racism, sexism, anti-semitism, and rightwing politics that the book is otherwise preoccupied with... This broad-based approach to a niche subject makes the book appealing to a wide range of readership.
A fresh, insightful literary history.
Meticulously researched and clearly and comprehensibly written.
The most valuable reading Arrington offers is of the works by Pound's long-neglected wife, Dorothy... Arrington convincingly draws out the parallels between Dorothy's paintings of Roman architecture and the fascist ideal of a 'return to order'.
[A] beautifully produced and meticulously researched book ... The weight of material associated with the women of the group is valuable and fascinating [and] an important balance to the misogynistic, homophobic and masculinist influence of Pound.
a fascinating, intricate study of Pound's first steps on the road to perdition, and the cast of fellow travelers, Yeats among them, who went part of the way with him and then covered their tracks.
This book has a depth of detail and breadth of reference that will make it invaluable for those already familiar with intellectual currents between the wars... the theme of friendship disavowed speaks painfully to our times. Arrington brilliantly traces the toing and froing between rage and affectionate loyalty, and the way members of the group accommodated eccentricity, suspending judgement - until they couldn't.
A fresh, insightful literary history. Highly recommended.
Lauren Arrington is a careful, nuanced scholar, weighing words carefully.
Arrington's archival research is especially impressive, and the unpublished correspondence and other drafts that she has uncovered flesh out the frequently fractious relationships between her protagonists... [The Poets of Rapallo is] a sharp, controlled study of an influential literary network, and of shifting debates about art and politics, in a country descending into political hell.
Lauren Arrington writes a literary history at once super-informed and consistently surprising, even to those who think they know the territory. Ezra Pound's colony-village-retreat-beachhead-Utopia-publishing venture at Rapallo, under Arrington's scholarly scrutiny—and in her welcome, lucid prose—turns out to be the semi-hidden hinge for modernist journals, for Basil Bunting (who did more work there than Bunting fans suppose), and above all for the later intellectual and artistic developments in the work of W. B. Yeats. Ballads, collaborations, the afterlife of Robert Burns, and—most of all—the still-contested legacies of Italian fascism shape Arrington's persuasive introductions and discussions, while contested or underappreciated artists and writers—Aldington, Stokes, and especially Dorothy (Shakespeare) Pound—receive their moments in the Italian sun. This is a book to recommend.
This is essential reading on Ezra Pound and W. B. Yeats. It is also indispensable in its balanced approach to the wider coterie drawn to Pound in Rapallo, including Richard Aldington and the younger poets Zukofsky and Bunting. Of particular value is the book's focus on the women of the group—Dorothy Pound and George Yeats, among others, are given their due as individuals—as culpable as the men in their engagement with fascist aesthetics. Arrington deftly balances lively biography with an astute contribution to debates on Late Modernism. This book presents its impressive and extensive research in a clear and scrupulous manner, offering valuable arguments and opening doors to an objective and fuller understanding of fascism and modern art. The result is often discomforting, at times devastating, and always enormously readable.
The Poets of Rapallo was a pleasure to read. Wonderful phrasings punctuate Arrington's prose throughout.
The Poets of Rapallo, it is worth mentioning that it is alive with literary gossip and intriguing background stories of affairs and friendships, rumours and scandals, offering comic relief from the serious matters of racism, sexism, anti-semitism, and rightwing politics that the book is otherwise preoccupied with... This broad-based approach to a niche subject makes the book appealing to a wide range of readership.
Notă biografică
Lauren Arrington is Professor of English at Maynooth University, where she also serves as Head of Department. She has held distinguished visiting fellowships at Boston College, Trinity College Dublin's Long Room Hub Arts and Humanities Research Institute, the Harry Ransom Center at the University of Texas at Austin, and Cambridge University's Centre for Research in the Arts, Social Sciences, and Humanities. From 2009 to 2019, she worked at the University of Liverpool, where she reached the rank of Professor of Modern Literature. She was Adrian Research Fellow in English at Darwin College Cambridge from 2008 to 2009. Her doctorate is from Oxford University. In addition to her scholarly books with Oxford University Press, Clemson University Press, and Princeton University Press, her writing has appeared in TLS and the Irish Times.