The Politics of Public Memories of Forced Migration and Bordering in Europe: Palgrave Macmillan Memory Studies
Editat de Karina Horstien Limba Engleză Hardback – 27 noi 2019
Increasingly, the European Union and its member states have exhibited a lack of commitment to protecting the human rights of non-citizens. Thinking beyond the oppressive bordering taking place in Europe requires new forms of scholarship. This book provides such examples, offering the analytical lenses of memory and temporality. It also identifies ways of collaborating with people who experience the violence of borders. Established scholars in fields such as history, anthropology, literary studies, media studies, migration and border studies, arts, and cultural studies offer important contributions to the so-called “European refugee crisis”.
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Specificații
ISBN-13: 9783030305642
ISBN-10: 3030305643
Pagini: 146
Ilustrații: XIV, 144 p. 12 illus.
Dimensiuni: 148 x 210 x 3 mm
Greutate: 0.35 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Pivot
Seria Palgrave Macmillan Memory Studies
Locul publicării:Cham, Switzerland
ISBN-10: 3030305643
Pagini: 146
Ilustrații: XIV, 144 p. 12 illus.
Dimensiuni: 148 x 210 x 3 mm
Greutate: 0.35 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Pivot
Seria Palgrave Macmillan Memory Studies
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: Border Memories.-2. “True Camps of Concentration”? The Uses and Abuses of a Contentious Analogy.-3. Migratory Angels: The Political Aesthetics of Border Trauma.-4. Curating Objects from the European Border Zone: The
“Lampedusa Refugee Boat”.-5. Bearing Witness to Violence at Borders: Intermingling Artistic and Ethnographic Encounters.-6. Resonances of Detention and Migration: Representation Through Sound and Absence in the Installation Retention.-7. Self-Narration, Participatory Video and Migrant
Memories: A (Re)making of the Italian Borders.-8. Tracing the Border Crossings of Forced Migrants in Paris’ 18th Arrondissement: Exploring a Photo-Walk Method.
“Lampedusa Refugee Boat”.-5. Bearing Witness to Violence at Borders: Intermingling Artistic and Ethnographic Encounters.-6. Resonances of Detention and Migration: Representation Through Sound and Absence in the Installation Retention.-7. Self-Narration, Participatory Video and Migrant
Memories: A (Re)making of the Italian Borders.-8. Tracing the Border Crossings of Forced Migrants in Paris’ 18th Arrondissement: Exploring a Photo-Walk Method.
Notă biografică
Karina Horsti is Senior Lecturer at the Department of Social Sciences and Philosophy at the University of Jyväskylä, Finland. Her scholarship focuses on migration, memory, and media. She works across disciplines and experiments with creative methodologies and multiple modalities in her academic practice.
Textul de pe ultima copertă
“A crisis cause by refugees! Unprecedented flows of migrants! This important book offers a corrective against many of the misconceptions that dominate our public debates on borders and mobility. However, more than challenging false and distorted claims, it also tracks the feelings of people who have crossed borders and examines communities where different people have built lives together. This timely collection of essays addresses the aesthetics and politics of border memories and opens new horizons of hope and understanding.”
—Professor Nikos Papastergiadis, University of Melbourne, Australia
“This compelling collection of essays provides insightful perspectives on border regimes and memory practices. Each chapter offers a rich exploration of the complex manner in which memory, aesthetics and mediation shape the politics of bordering practices in Europe. With its theoretical and methodological range, this book significantly extends the interdisciplinary understanding of migration and borders.”
—Professor Radha S. Hegde, New York University, USA and author of Mediating Migration (2016)
Increasingly, the European Union and its member states have exhibited a lack of commitment to protecting the human rights of non-citizens. Thinking beyond the oppressive bordering taking place in Europe requires new forms of scholarship. This book provides such examples, offering the analytical lenses of memory and temporality. It also identifies ways of collaborating with people who experience the violence of borders. Established scholars in fields such as history, anthropology, literary studies, media studies, migration and border studies, arts, and cultural studies offer important contributions to the so-called “European refugee crisis”.
—Professor Nikos Papastergiadis, University of Melbourne, Australia
“This compelling collection of essays provides insightful perspectives on border regimes and memory practices. Each chapter offers a rich exploration of the complex manner in which memory, aesthetics and mediation shape the politics of bordering practices in Europe. With its theoretical and methodological range, this book significantly extends the interdisciplinary understanding of migration and borders.”
—Professor Radha S. Hegde, New York University, USA and author of Mediating Migration (2016)
Increasingly, the European Union and its member states have exhibited a lack of commitment to protecting the human rights of non-citizens. Thinking beyond the oppressive bordering taking place in Europe requires new forms of scholarship. This book provides such examples, offering the analytical lenses of memory and temporality. It also identifies ways of collaborating with people who experience the violence of borders. Established scholars in fields such as history, anthropology, literary studies, media studies, migration and border studies, arts, and cultural studies offer important contributions to the so-called “European refugee crisis”.
Caracteristici
Argues for the critical potential of memory and temporality in the project of resisting the oppressive bordering of Europe Broadens migration and border studies through emphasising their understudied connection to memory studies Examines the potential of arts and cultural production to open new ways of thinking and acting beyond the violent bordering of Europe