The Portrait of a Lady: Tantor Unabridged Classics
Autor Jr. James, Henry Wanda McCaddonen Limba Engleză CD-Audio – 30 iun 2008 – vârsta de la 14 până la 18 ani
The Portrait of a Lady is the most stunning achievement of Henry James's early period-in the 1860s and '70s, when he was transforming himself from a talented young American into a resident of Europe, a citizen of the world, and one of the greatest novelists of modern times. A kind of delight at the success of this transformation informs this masterpiece. When Isabel Archer, a young American woman with looks, wit, and imagination, arrives in Europe, she sees the world as "a place of brightness, of free expression, of irresistible action." She turns aside from suitors who offer her their wealth and devotion to follow her own path. But that way leads to disillusionment and a future as constricted as "a dark narrow alley with a dead wall at the end." In one of the most moving conclusions in modern fiction, Isabel makes her final choice.
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Specificații
ISBN-13: 9781400106974
ISBN-10: 1400106974
Dimensiuni: 164 x 137 x 43 mm
Greutate: 0.44 kg
Ediția:Completă
Editura: TANTOR MEDIA INC
Seria Tantor Unabridged Classics
ISBN-10: 1400106974
Dimensiuni: 164 x 137 x 43 mm
Greutate: 0.44 kg
Ediția:Completă
Editura: TANTOR MEDIA INC
Seria Tantor Unabridged Classics
Recenzii
"Wanda McCaddon's distinguished British accent provides a smooth narration of one of Henry James's most-loved novels." ---AudioFile
Notă biografică
American-born writer Henry James (1843ߝ1916) authored 20 novels, 112 stories, 12 plays, and a number of literary criticisms.James was born in New York City into a wealthy family. In his youth, James traveled back and forth between Europe and America. He studied with tutors in Geneva, London, Paris, Bologna, and Bonn. At the age of nineteen, he briefly attended Harvard Law School, but he was more interested in literature than law. James published his first short story, "A Tragedy of Errors," two years later and then devoted himself entirely to literature. In the late 1860s and early 1870s, he was a contributor to the Nation and Atlantic Monthly. His first novel, Watch and Ward, first appeared serially in the Atlantic.After living in Paris, where he was a contributor to the New York Tribune, James moved to England. During his first years in Europe, James wrote novels that portrayed Americans living abroad. Between 1906 and 1910, he revised many of his tales and novels for the so-called New York edition of his complete works. Between 1913 and 1917, his three-volume autobiography-A Small Boy and Others, Notes of a Son and Brother, and The Middle Years (released posthumously)-was published. His last two novels, The Ivory Tower and The Sense of the Past, were left unfinished at his death.Among James's masterpieces are Daisy Miller, The Portrait of a Lady, The Bostonians, and The Wings of the Dove. In addition, James considered his 1903 work The Ambassadors his most "perfect" work of art. Wanda McCaddon began recording books for the fledgling audiobook industry in the early 1980s and has since narrated well over six hundred titles for major audio publishers, as well as abridging, narrating, and coproducing classic titles for her own company, Big Ben. Audiobook listeners may be familiar with her voice under one of her two "nom de mikes," Donada Peters and Nadia May. The recipient of an Audie Award and more than twenty-five Earphones Awards, AudioFile magazine has named her one of recording's Golden Voices. Wanda also appears regularly on the professional stage in the San Francisco Bay Area.
Descriere
Spirited, beautiful young American Isabel Archer journeys to Europe to, in modern terms, "find herself." But what she finds there may prove to be her undoing, especially when an infinitely sophisticated lady plots against her. Unabridged. 20 CDs.
Extras
Chapter 1
Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do,—the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shad- ows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one’s enjoyment of such a scene at such an hour. From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned. The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house. His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch.
It stood upon a low hill, above the river—the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers. The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night’s hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell’s wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real æsthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances—which fell so softly upon the warm, weary brickwork—were of the right measure. Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior. The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water.
The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest. He had a narrow, clean-shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure. He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-brushed black; but a shawl was folded upon his knees, and his feet were encased in thick, embroidered slippers. A beautiful collie dog lay upon the grass near his chair, watching the master’s face almost as tenderly as the master took in the still more magisterial physiognomy of the house; and a little bristling, bustling terrier bestowed a desultory attendance upon the other gentlemen.
One of these was a remarkably well-made man of five-and-thirty, with a face as English as that of the old gentleman I have just sketched was something else; a noticeably handsome face, fresh-coloured, fair and frank, with firm, straight features, a lively grey eye and the rich adornment of a chestnut beard. This person had a certain fortunate, brilliant exceptional look—the air of a happy temperament fertilised by a high civilisation—which would have made almost any observer envy him at a venture. He was booted and spurred, as if he had dismounted from a long ride; he wore a white hat, which looked too large for him; he held his two hands behind him, and in one of them—a large, white, well-shaped fist—was crumpled a pair of soiled dog-skin gloves.
His companion, measuring the length of the lawn beside him, was a person of quite a different pattern, who, although he might have excited grave curiosity, would not, like the other, have provoked you to wish yourself, almost blindly, in his place. Tall, lean, loosely and feebly put together, he had an ugly, sickly, witty, charming face, furnished, but by no means decorated, with a straggling moustache and whisker. He looked clever and ill—a combination by no means felicitous; and he wore a brown velvet jacket. He carried his hands in his pockets, and there was something in the way he did it that showed the habit was inveterate. His gait had a shambling, wandering quality; he was not very firm on his legs. As I have said, whenever he passed the old man in the chair he rested his eyes upon him; and at this moment, with their faces brought into relation, you would easily have seen they were father and son. The father caught his son’s eye at last and gave him a mild, responsive smile.
“I’m getting on very well,” he said.
“Have you drunk your tea?” asked the son.
“Yes, and enjoyed it.”
“Shall I give you some more?”
The old man considered, placidly. “Well, I guess I’ll wait and see.” He had, in speaking, the American tone.
“Are you cold?” the son enquired.
The father slowly rubbed his legs. “Well, I don’t know. I can’t tell till I feel.”
“Perhaps some one might feel for you,” said the younger man, laughing.
“Oh, I hope some one will always feel for me! Don’t you feel for me, Lord Warburton?”
“Oh yes, immensely,” said the gentleman addressed as Lord Warburton, promptly. “I’m bound to say you look wonderfully comfortable.”
“Well, I suppose I am, in most respects.” And the old man looked down at his green shawl and smoothed it over his knees. “The fact is I’ve been comfortable so many years that I suppose I’ve got so used to it I don’t know it.”
“Yes, that’s the bore of comfort,” said Lord Warburton. “We only know when we’re uncomfortable.”
“It strikes me we’re rather particular,” his companion remarked.
“Oh yes, there’s no doubt we’re particular,” Lord Warburton murmured. And then the three men remained silent a while; the two younger ones standing looking down at the other, who presently asked for more tea. “I should think you would be very unhappy with that shawl,” Lord Warburton resumed while his companion filled the old man’s cup again.
“Oh no, he must have the shawl!” cried the gentleman in the velvet coat. “Don’t put such ideas as that into his head.”
“It belongs to my wife,” said the old man simply.
“Oh, if it’s for sentimental reasons—” And Lord Warburton made a gesture of apology.
“I suppose I must give it to her when she comes,” the old man went on.
“You’ll please to do nothing of the kind. You’ll keep it to cover your poor old legs.”
“Well, you mustn’t abuse my legs,” said the old man. “I guess they are as good as yours.”
“Oh, you’re perfectly free to abuse mine,” his son replied, giving him his tea.
“Well, we’re two lame ducks; I don’t think there’s much difference.”
“I’m much obliged to you for calling me a duck. How’s your tea?”
“Well, it’s rather hot.”
“That’s intended to be a merit.”
“Ah, there’s a great deal of merit,” murmured the old man, kindly. “He’s a very good nurse, Lord Warburton.”
“Isn’t he a bit clumsy?” asked his lordship.
“Oh no, he’s not clumsy—considering that he’s an invalid himself. He’s a very good nurse—for a sick-nurse. I call him my sick-nurse because he’s sick himself.”
“Oh, come, daddy!” the ugly young man exclaimed.
“Well, you are; I wish you weren’t. But I suppose you can’t help it.”
“I might try: that’s an idea,” said the young man.
“Were you ever sick, Lord Warburton?” his father asked.
Lord Warburton considered a moment. “Yes, sir, once, in the Persian Gulf.”
“He’s making light of you, daddy,” said the other young man. “That’s a sort of joke.”
“Well, there seem to be so many sorts now,” daddy replied, serenely. “You don’t look as if you had been sick, any way, Lord Warburton.”
“He’s sick of life; he was just telling me so; going on fearfully about it,” said Lord Warburton’s friend.
“Is that true, sir?” asked the old man gravely.
“If it is, your son gave me no consolation. He’s a wretched fel- low to talk to—a regular cynic. He doesn’t seem to believe in anything.”
“That’s another sort of joke,” said the person accused of cynicism.
“It’s because his health is so poor,” his father explained to Lord Warburton. “It affects his mind and colours his way of looking at things; he seems to feel as if he had never had a chance. But it’s almost entirely theoretical, you know; it doesn’t seem to affect his spirits. I’ve hardly ever seen him when he wasn’t cheerful—about as he is at present. He often cheers me up.”
The young man so described looked at Lord Warburton and laughed. “Is it a glowing eulogy or an accusation of levity? Should you like me to carry out my theories, daddy?”
“By Jove, we should see some queer things!” cried Lord Warburton.
“I hope you haven’t taken up that sort of tone,” said the old man.
“Warburton’s tone is worse than mine; he pretends to be bored. I’m not in the least bored; I find life only too interesting.”
“Ah, too interesting; you shouldn’t allow it to be that, you know!”
“I’m never bored when I come here,” said Lord Warburton. “One gets such uncommonly good talk.”
“Is that another sort of joke?” asked the old man. “You’ve no excuse for being bored anywhere. When I was your age I had never heard of such a thing.”
“You must have developed very late.”
“No, I developed very quick; that was just the reason. When I was twenty years old I was very highly developed indeed. I was working tooth and nail. You wouldn’t be bored if you had something to do; but all you young men are too idle. You think too much of your pleasure. You’re too fastidious, and too indolent, and too rich.”
“Oh, I say,” cried Lord Warburton, “you’re hardly the person to accuse a fellow-creature of being too rich!”
“Do you mean because I’m a banker?” asked the old man.
“Because of that, if you like; and because you have—haven’t you?—such unlimited means.”
“He isn’t very rich,” the other young man mercifully pleaded. “He has given away an immense deal of money.”
“Well, I suppose it was his own,” said Lord Warburton; “and in that case could there be a better proof of wealth? Let not a public benefactor talk of one’s being too fond of pleasure.”
From the Trade Paperback edition.
Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do,—the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shad- ows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one’s enjoyment of such a scene at such an hour. From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned. The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house. His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch.
It stood upon a low hill, above the river—the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers. The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night’s hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell’s wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real æsthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances—which fell so softly upon the warm, weary brickwork—were of the right measure. Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior. The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water.
The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest. He had a narrow, clean-shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure. He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-brushed black; but a shawl was folded upon his knees, and his feet were encased in thick, embroidered slippers. A beautiful collie dog lay upon the grass near his chair, watching the master’s face almost as tenderly as the master took in the still more magisterial physiognomy of the house; and a little bristling, bustling terrier bestowed a desultory attendance upon the other gentlemen.
One of these was a remarkably well-made man of five-and-thirty, with a face as English as that of the old gentleman I have just sketched was something else; a noticeably handsome face, fresh-coloured, fair and frank, with firm, straight features, a lively grey eye and the rich adornment of a chestnut beard. This person had a certain fortunate, brilliant exceptional look—the air of a happy temperament fertilised by a high civilisation—which would have made almost any observer envy him at a venture. He was booted and spurred, as if he had dismounted from a long ride; he wore a white hat, which looked too large for him; he held his two hands behind him, and in one of them—a large, white, well-shaped fist—was crumpled a pair of soiled dog-skin gloves.
His companion, measuring the length of the lawn beside him, was a person of quite a different pattern, who, although he might have excited grave curiosity, would not, like the other, have provoked you to wish yourself, almost blindly, in his place. Tall, lean, loosely and feebly put together, he had an ugly, sickly, witty, charming face, furnished, but by no means decorated, with a straggling moustache and whisker. He looked clever and ill—a combination by no means felicitous; and he wore a brown velvet jacket. He carried his hands in his pockets, and there was something in the way he did it that showed the habit was inveterate. His gait had a shambling, wandering quality; he was not very firm on his legs. As I have said, whenever he passed the old man in the chair he rested his eyes upon him; and at this moment, with their faces brought into relation, you would easily have seen they were father and son. The father caught his son’s eye at last and gave him a mild, responsive smile.
“I’m getting on very well,” he said.
“Have you drunk your tea?” asked the son.
“Yes, and enjoyed it.”
“Shall I give you some more?”
The old man considered, placidly. “Well, I guess I’ll wait and see.” He had, in speaking, the American tone.
“Are you cold?” the son enquired.
The father slowly rubbed his legs. “Well, I don’t know. I can’t tell till I feel.”
“Perhaps some one might feel for you,” said the younger man, laughing.
“Oh, I hope some one will always feel for me! Don’t you feel for me, Lord Warburton?”
“Oh yes, immensely,” said the gentleman addressed as Lord Warburton, promptly. “I’m bound to say you look wonderfully comfortable.”
“Well, I suppose I am, in most respects.” And the old man looked down at his green shawl and smoothed it over his knees. “The fact is I’ve been comfortable so many years that I suppose I’ve got so used to it I don’t know it.”
“Yes, that’s the bore of comfort,” said Lord Warburton. “We only know when we’re uncomfortable.”
“It strikes me we’re rather particular,” his companion remarked.
“Oh yes, there’s no doubt we’re particular,” Lord Warburton murmured. And then the three men remained silent a while; the two younger ones standing looking down at the other, who presently asked for more tea. “I should think you would be very unhappy with that shawl,” Lord Warburton resumed while his companion filled the old man’s cup again.
“Oh no, he must have the shawl!” cried the gentleman in the velvet coat. “Don’t put such ideas as that into his head.”
“It belongs to my wife,” said the old man simply.
“Oh, if it’s for sentimental reasons—” And Lord Warburton made a gesture of apology.
“I suppose I must give it to her when she comes,” the old man went on.
“You’ll please to do nothing of the kind. You’ll keep it to cover your poor old legs.”
“Well, you mustn’t abuse my legs,” said the old man. “I guess they are as good as yours.”
“Oh, you’re perfectly free to abuse mine,” his son replied, giving him his tea.
“Well, we’re two lame ducks; I don’t think there’s much difference.”
“I’m much obliged to you for calling me a duck. How’s your tea?”
“Well, it’s rather hot.”
“That’s intended to be a merit.”
“Ah, there’s a great deal of merit,” murmured the old man, kindly. “He’s a very good nurse, Lord Warburton.”
“Isn’t he a bit clumsy?” asked his lordship.
“Oh no, he’s not clumsy—considering that he’s an invalid himself. He’s a very good nurse—for a sick-nurse. I call him my sick-nurse because he’s sick himself.”
“Oh, come, daddy!” the ugly young man exclaimed.
“Well, you are; I wish you weren’t. But I suppose you can’t help it.”
“I might try: that’s an idea,” said the young man.
“Were you ever sick, Lord Warburton?” his father asked.
Lord Warburton considered a moment. “Yes, sir, once, in the Persian Gulf.”
“He’s making light of you, daddy,” said the other young man. “That’s a sort of joke.”
“Well, there seem to be so many sorts now,” daddy replied, serenely. “You don’t look as if you had been sick, any way, Lord Warburton.”
“He’s sick of life; he was just telling me so; going on fearfully about it,” said Lord Warburton’s friend.
“Is that true, sir?” asked the old man gravely.
“If it is, your son gave me no consolation. He’s a wretched fel- low to talk to—a regular cynic. He doesn’t seem to believe in anything.”
“That’s another sort of joke,” said the person accused of cynicism.
“It’s because his health is so poor,” his father explained to Lord Warburton. “It affects his mind and colours his way of looking at things; he seems to feel as if he had never had a chance. But it’s almost entirely theoretical, you know; it doesn’t seem to affect his spirits. I’ve hardly ever seen him when he wasn’t cheerful—about as he is at present. He often cheers me up.”
The young man so described looked at Lord Warburton and laughed. “Is it a glowing eulogy or an accusation of levity? Should you like me to carry out my theories, daddy?”
“By Jove, we should see some queer things!” cried Lord Warburton.
“I hope you haven’t taken up that sort of tone,” said the old man.
“Warburton’s tone is worse than mine; he pretends to be bored. I’m not in the least bored; I find life only too interesting.”
“Ah, too interesting; you shouldn’t allow it to be that, you know!”
“I’m never bored when I come here,” said Lord Warburton. “One gets such uncommonly good talk.”
“Is that another sort of joke?” asked the old man. “You’ve no excuse for being bored anywhere. When I was your age I had never heard of such a thing.”
“You must have developed very late.”
“No, I developed very quick; that was just the reason. When I was twenty years old I was very highly developed indeed. I was working tooth and nail. You wouldn’t be bored if you had something to do; but all you young men are too idle. You think too much of your pleasure. You’re too fastidious, and too indolent, and too rich.”
“Oh, I say,” cried Lord Warburton, “you’re hardly the person to accuse a fellow-creature of being too rich!”
“Do you mean because I’m a banker?” asked the old man.
“Because of that, if you like; and because you have—haven’t you?—such unlimited means.”
“He isn’t very rich,” the other young man mercifully pleaded. “He has given away an immense deal of money.”
“Well, I suppose it was his own,” said Lord Warburton; “and in that case could there be a better proof of wealth? Let not a public benefactor talk of one’s being too fond of pleasure.”
From the Trade Paperback edition.
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The Portrait Of A Lady (1881) is the most stunning achievement of Henry James's early period-- in the 1860s and '70s when he was transforming himself from a talented young America into a resident of Europe, a citizen of the world, and on of greatest novelists of modern times.