The Routledge Companion to Narrative Theory: Routledge Literature Companions
Editat de Paul Dawson, Maria Mäkeläen Limba Engleză Hardback – 18 iul 2022
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Specificații
ISBN-13: 9780367569730
ISBN-10: 0367569736
Pagini: 596
Ilustrații: 5 Tables, black and white; 8 Line drawings, black and white; 23 Halftones, black and white; 31 Illustrations, black and white
Dimensiuni: 178 x 254 x 33 mm
Greutate: 1.04 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Literature Companions
Locul publicării:Oxford, United Kingdom
ISBN-10: 0367569736
Pagini: 596
Ilustrații: 5 Tables, black and white; 8 Line drawings, black and white; 23 Halftones, black and white; 31 Illustrations, black and white
Dimensiuni: 178 x 254 x 33 mm
Greutate: 1.04 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Literature Companions
Locul publicării:Oxford, United Kingdom
Public țintă
AcademicCuprins
Introduction - Narrative Today: Telling Stories in a Post-Truth World
Paul Dawson (University of New South Wales) and Maria Mäkelä (Tampere University)
I Narrative and Its Others
1. My Story, Your Narrative: Scholarly Terms and Popular Usage
Maria Mäkelä (Tampere University) and Samuli Björninen (Tampere University)
2. Non-Narrative Genres: Exposition, Lists, Lyric, etc
Monika Fludernik (University of Freiburg)
3. Narrative and Economic Modelling
Lindsay Holmgren (McGill University)
4. Data Narratives: Visualization and Interactivity in Representations of Covid-19
Madeleine Sorapure (UC Santa Barbara)
II Narrative and the Public Sphere
5. What is ‘the Narrative’? Conspiracy Theories and Journalistic Emplotment in the Age of Social Media
Paul Dawson (University of New South Wales)
6. Rodney King, The Fugitive, and the Cogency of Cultural Narratives
Alan Nadel (University of Kentucky)
7. Personal Storytelling in Social Movements
Francesca Polleta (University of California Irvine)
III Narrative and Social Media
8. Co-tellership in Social Media Storytelling
Ruth Page (University of Birmingham)
9. (Small) Stories as Features on Social Media: Toward Formatted Storytelling
Alex Georgakopoulou (King’s College London)
10. Quantified Storytelling: How the Tellable and the Countable Intermingle on Digital Platforms
Alex Georgakopoulou (King’s College London), Stefan Iversen (Aarhus University), and Carsten Stage (Aarhus University)
11. Networks, Interfaces, Digital Media Infrastructure, and Their Implications for Fictional World Theory
Dan Punday (Mississippi State University)
IV Narrative Truth
12. Legal Facts, Affective Truths, and Changing Narratives in Trials Involving Sexual Assault: Harvey Weinstein and #MeToo
Greta Olson (Justus-Liebig-University Giessen)
13. My Mouth, Your Story: On Co-Witnessing
Irene Kacandes (Dartmouth College)
14. Playing Games with the Truth: Tabloid Stories, Urban Legends, Tall Tales, and Bullshit
Marie-Laure Ryan (independent scholar)
V Narrative and the Novel
15. The Undead Novel: A History of Realism or a History of Prose Fiction?
Paul Dawson (University of New South Wales)
16. This is Not a Novel: Some Varieties of Anti-Novel
Brian McHale (The Ohio State University)
17. Panexperientiality, Media, and Narrative’s Time Management Problem
David Ciccoricco (University of Otago)
18. Chinese Narratology: Tradition, Developments, and Perspectives
Biwu Shang (Shanghai Jiao Tong University)
VI Narrative and Selfhood
19. Life and Narrative
Hanna Meretoja (University of Turku)
20. Just the Facts? Nonfictionality and Life Writing
Julie Rak (University of Alberta)
21. Toward a Rhetorical Narrative Medicine: Or, Corpus, Close Reading, and the Cases of Oates’s "Hospice/Honeymoon" and Ward’s "On Witness and Respair"
James Phelan (The Ohio State University)
22. Reading Celebrity Autofiction: Fictionality, Authorship, and Reader Responses in Narrative Theory
Alison Gibbons (Sheffield Hallam University)
VII Narrative and Social Change
23. It Gets Better vs. To This Day: Queerness, Causality, Narrativity
Jesse Matz (Kenyon College)
24. What Does It Mean to #BelieveWomen? Popular Feminism and Survivor Narratives
Tanya Serisier (Birbeck, University of London)
25. Narrating Eighteenth-Century Black Lives: Abolition and the Politics of Form
Susan S. Lanser (Brandeis University)
VIII Narrative and Cognition
26. Human Cognition and Narrative Form
Richard Walsh (University of York)
27. Adaptationism, Postmodernism, and a Biocultural Narratology
H. Porter Abbott (University of California, Santa Babara)
28. The Experience of Narrative: Aesthetics and Embodiment
Karin Kukkonen (University of Oslo)
IX Narrative and Complex Systems
29. Video Games as Complex Narratives and Embodied Metalepsis
Astrid Ensslin (University of Bergen)
30. Perspectives on Causality in Sciences and Arts: On the Limits and Benefits of Narrative Representation
Marina Grishakova (University of Tartu)
31. Concepts and Aspects of an Integrated Narrative Generation Approach Based on Post-Narratology
Takashi Ogata (Iwate Prefectural University)
32. Storytelling and Narrative Capital in Organizations: Bringing Boje and Bourdieu into Conversation
Klarissa Lueg (University of Southern Denmark)
X Narrative and International Relations
33. Narrative in Politics and the Politics of Narrative
Monika Barthwal-Datta (University of New South Wales), Roxani Krystalli (University of St Andrews), and Laura J. Shepherd (University of Sydney)
34. The Narrative Turn in European Studies: A Synergic Approach
Luis Bouza Garcia (Universidad Autónoma de Madrid) and Carmen Sancho Guinda (Universidad Politécnica de Madrid)
35. Migration and Narrative Dynamics
Roy Sommer (University of Wuppertal)
36. Deconstructing the ‘Hollow Man’: Visual Narrative Analysis and World Politics
Katja Freistein (University of Duisburg-Essen) and Frank Gadinger (University of Duisburg-Essen)
XI Narrative and the Environment
37. Fables for Tomorrow: Narrating Net Zero
Genevieve Lively (University of Bristol)
38. Storying the Anthropocene: Narrative Challenges and Opportunities in Times of Climate Change
Marco Caracciolo (Ghent University)
39. Narrative’s Environments
Eric Morel (University of Delaware)
Paul Dawson (University of New South Wales) and Maria Mäkelä (Tampere University)
I Narrative and Its Others
1. My Story, Your Narrative: Scholarly Terms and Popular Usage
Maria Mäkelä (Tampere University) and Samuli Björninen (Tampere University)
2. Non-Narrative Genres: Exposition, Lists, Lyric, etc
Monika Fludernik (University of Freiburg)
3. Narrative and Economic Modelling
Lindsay Holmgren (McGill University)
4. Data Narratives: Visualization and Interactivity in Representations of Covid-19
Madeleine Sorapure (UC Santa Barbara)
II Narrative and the Public Sphere
5. What is ‘the Narrative’? Conspiracy Theories and Journalistic Emplotment in the Age of Social Media
Paul Dawson (University of New South Wales)
6. Rodney King, The Fugitive, and the Cogency of Cultural Narratives
Alan Nadel (University of Kentucky)
7. Personal Storytelling in Social Movements
Francesca Polleta (University of California Irvine)
III Narrative and Social Media
8. Co-tellership in Social Media Storytelling
Ruth Page (University of Birmingham)
9. (Small) Stories as Features on Social Media: Toward Formatted Storytelling
Alex Georgakopoulou (King’s College London)
10. Quantified Storytelling: How the Tellable and the Countable Intermingle on Digital Platforms
Alex Georgakopoulou (King’s College London), Stefan Iversen (Aarhus University), and Carsten Stage (Aarhus University)
11. Networks, Interfaces, Digital Media Infrastructure, and Their Implications for Fictional World Theory
Dan Punday (Mississippi State University)
IV Narrative Truth
12. Legal Facts, Affective Truths, and Changing Narratives in Trials Involving Sexual Assault: Harvey Weinstein and #MeToo
Greta Olson (Justus-Liebig-University Giessen)
13. My Mouth, Your Story: On Co-Witnessing
Irene Kacandes (Dartmouth College)
14. Playing Games with the Truth: Tabloid Stories, Urban Legends, Tall Tales, and Bullshit
Marie-Laure Ryan (independent scholar)
V Narrative and the Novel
15. The Undead Novel: A History of Realism or a History of Prose Fiction?
Paul Dawson (University of New South Wales)
16. This is Not a Novel: Some Varieties of Anti-Novel
Brian McHale (The Ohio State University)
17. Panexperientiality, Media, and Narrative’s Time Management Problem
David Ciccoricco (University of Otago)
18. Chinese Narratology: Tradition, Developments, and Perspectives
Biwu Shang (Shanghai Jiao Tong University)
VI Narrative and Selfhood
19. Life and Narrative
Hanna Meretoja (University of Turku)
20. Just the Facts? Nonfictionality and Life Writing
Julie Rak (University of Alberta)
21. Toward a Rhetorical Narrative Medicine: Or, Corpus, Close Reading, and the Cases of Oates’s "Hospice/Honeymoon" and Ward’s "On Witness and Respair"
James Phelan (The Ohio State University)
22. Reading Celebrity Autofiction: Fictionality, Authorship, and Reader Responses in Narrative Theory
Alison Gibbons (Sheffield Hallam University)
VII Narrative and Social Change
23. It Gets Better vs. To This Day: Queerness, Causality, Narrativity
Jesse Matz (Kenyon College)
24. What Does It Mean to #BelieveWomen? Popular Feminism and Survivor Narratives
Tanya Serisier (Birbeck, University of London)
25. Narrating Eighteenth-Century Black Lives: Abolition and the Politics of Form
Susan S. Lanser (Brandeis University)
VIII Narrative and Cognition
26. Human Cognition and Narrative Form
Richard Walsh (University of York)
27. Adaptationism, Postmodernism, and a Biocultural Narratology
H. Porter Abbott (University of California, Santa Babara)
28. The Experience of Narrative: Aesthetics and Embodiment
Karin Kukkonen (University of Oslo)
IX Narrative and Complex Systems
29. Video Games as Complex Narratives and Embodied Metalepsis
Astrid Ensslin (University of Bergen)
30. Perspectives on Causality in Sciences and Arts: On the Limits and Benefits of Narrative Representation
Marina Grishakova (University of Tartu)
31. Concepts and Aspects of an Integrated Narrative Generation Approach Based on Post-Narratology
Takashi Ogata (Iwate Prefectural University)
32. Storytelling and Narrative Capital in Organizations: Bringing Boje and Bourdieu into Conversation
Klarissa Lueg (University of Southern Denmark)
X Narrative and International Relations
33. Narrative in Politics and the Politics of Narrative
Monika Barthwal-Datta (University of New South Wales), Roxani Krystalli (University of St Andrews), and Laura J. Shepherd (University of Sydney)
34. The Narrative Turn in European Studies: A Synergic Approach
Luis Bouza Garcia (Universidad Autónoma de Madrid) and Carmen Sancho Guinda (Universidad Politécnica de Madrid)
35. Migration and Narrative Dynamics
Roy Sommer (University of Wuppertal)
36. Deconstructing the ‘Hollow Man’: Visual Narrative Analysis and World Politics
Katja Freistein (University of Duisburg-Essen) and Frank Gadinger (University of Duisburg-Essen)
XI Narrative and the Environment
37. Fables for Tomorrow: Narrating Net Zero
Genevieve Lively (University of Bristol)
38. Storying the Anthropocene: Narrative Challenges and Opportunities in Times of Climate Change
Marco Caracciolo (Ghent University)
39. Narrative’s Environments
Eric Morel (University of Delaware)
Notă biografică
Paul Dawson is the author of two monographs, The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction (2013) and Creative Writing and the New Humanities (Routledge, 2005). Paul is also a poet and the author of Imagining Winter (2006). He teaches Literary Studies and Creative Writing at the University of New South Wales, Australia.
Maria Mäkelä is Senior Lecturer in Comparative Literature at Tampere University, Finland. Her publications deal with storification and the storytelling boom; the neoliberal logic of narrative and fiction; exemplarity; consciousness, voice, and realism across media; the literary tradition of adultery; authorial ethos; and critical applications of postclassical narratologies.
Maria Mäkelä is Senior Lecturer in Comparative Literature at Tampere University, Finland. Her publications deal with storification and the storytelling boom; the neoliberal logic of narrative and fiction; exemplarity; consciousness, voice, and realism across media; the literary tradition of adultery; authorial ethos; and critical applications of postclassical narratologies.
Descriere
The Routledge Companion to Narrative Theory brings together top scholars in the field to explore the significance of narrative to pressing social, cultural and theoretical issues.