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The Routledge Handbook of Indigenous Film de Ernie Blackmore

The Routledge Handbook of Indigenous Film: Routledge Media and Cultural Studies Handbooks

Editat de Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, Corina Wieser-Cox
en Limba Engleză Hardback – 31 oct 2024
The Routledge Handbook of Indigenous Film is dedicated to bringing the work of Indigenous filmmakers around the world to a larger audience. By giving voice to transnational and transcultural Indigenous perspectives, this collection makes a significant contribution to the discourse on Indigenous filmmaking and provides an accessible overview of the contemporary state of Indigenous film.
Comprising 37 chapters by an international team of contributors, the Handbook is divided into six parts:
  • Decolonial Intermedialities and Revisions of Western Media
  • Colonial Histories, Trauma, Resistances
  • Indigenous Lands, Communities, Bodies
  • Queer Cultures and Border Crossings
  • Youth Cultures and Emancipation
  • Art, Comedy, and Music.
Within these sections Indigenous and non-Indigenous experts from around the world examine various aspects of Indigenous film cultures, analyze the works of Indigenous directors and producers worldwide, and focus on readings (contextual, historical, political, aesthetic, and activist) of individual Indigenous films. The Handbook specifically explores Indigenous film in Canada, Mexico, the United States, Central and South America, Northern Europe, Australia, New Zealand, the Pacific, and the Philippines.
This richly interdisciplinary volume is an essential resource for students and scholars of Indigenous Studies, Cultural Studies, Area Studies, Film and Media Studies, Feminist and Queer Studies, History, and anyone interested in Indigenous cultures and cinema.
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Specificații

ISBN-13: 9781032300085
ISBN-10: 1032300086
Pagini: 622
Ilustrații: 100
Dimensiuni: 174 x 246 mm
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Media and Cultural Studies Handbooks

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate, Undergraduate, and Undergraduate Advanced

Cuprins

Introduction: Indigenous Filmmaking throughout the World Ernie Blackmore, Kerstin Knopf, Wendy Gay Pearson, and Corina Wieser-Cox  Part 1: Decolonial Intermedialities and Revisions of Western Media  1. MooNaHaTihKaaSiWew / Unearthing Spirit Framework Jules A. Koostachin  2. Telling Time: Confronting Ethnography in Alanis Obomsawin’s Documentaries Tia Wong  3. Barry Barclay’s Ngāti (1987) and Merata Mita’s Mauri (1988): A Whakapapa/Genealogy of Indigenous Māori Fiction Film in Aotearoa, New Zealand Deborah Walker-Morrison  4. Waru (2017) and Vai (2019): South Pacific Sisters Doing It for Themselves, Each Other, and Their Communities Marina Alofagia McCartney and Deborah Walker-Morrison  5. ’We are not Dead’: Decolonizing the Frame Jeni Thornley  6. Acts of Translation in Ten Canoes Corinn Columpar  Part 2: Colonial Histories, Trauma, Resistances  7. Yolanda Cruz’s 2501 Migrants: A Journey: Possibilities and Limitations of Cultural Activism  Annette L. Rukwied  8. Recipes for Survival: Muffins for Granny and the Legacy of Residential Schooling Susan Knabe and Wendy Gay Pearson  9. ’It’s Going to be Chief’: Sterlin Harjo’s Barking Water Lee Schweninger  10. ’For Spirits, Time Doesn’t Exist’: Haunting and Homecoming in Chris Eyre’s Thriller Imprint Manuela Müller  11. Pathfinder and Pathbreaker: Nils Gaup's Ofelas as Indigenous Cinema Martin Holtz  12. 'The World is Disintegrating' – Eco-trauma and the Representation of Mining in Catriona McKenzie’s Satellite Boy Victoria Herche  13. ’Two Parts Broken Heart and One Part Hope’: Violence and Historical Trauma in Skins, Bearwalker and Once Were Warriors Wendy Gay Pearson  Part 3: Indigenous Lands, Communities, Bodies  14. Generational Bonds, Language and Community in the Films of Angeles Cruz and Nicolas Rojas Itandehui Jansen  15. Making Accented Indigenous Transnational Community Cinema: Tiempo de Lluvia/In Times of Rain by Itandehui Jansen Deborah Shaw  16. Therapeutic and Bodily Politics in Busong (Palawan Fate) Adam Szymanski  17. The Land Has Eyes: Letter from the Island – Rotuma Gerd Becker  18. Romancing the Land: The Journals of Knud Rasmussen and the Circumvention of Colonial Landscapes Erin Morton and Taryn Sirove  19. After the Apocalypse: Self, Place and Movement in Liselotte Wajstedt’s Documentaries Stefan Holander  20. Nuummioq and Anori – Greenlanders and Land, Mythic Past, Modernity Kerstin Knopf  Part 4: Queer Cultures and Border Crossings  21. Constellating Bakla Desire in Auraeus Solito’s The Blossoming of Maximo Oliveros Christian Ylagan  22. Captive Audience: Erotohistoriography in Kent Monkman’s Group of Seven Inches Kevin Shaw  23. Moving Again: Realism, (Indigi)Queer Hope, and Fire Song" Josh Morrison  24. Power in the Blood: Boundary Crossing and Bloodletting in Randy Redroad’s The Doe Boy Joshua B. Nelson  25. Transgressing the Borders of Being: Hacktivism, Posthumanism and Technological Paradoxes in Alex Rivera’s Sleep Dealer Corina Wieser-Cox   Part 5: Youth Cultures and Emancipation  26. Rhymes for Young Ghouls: The Stolen Letter André Dudemaine  27. ‘It is No Longer a Guilt Game’: Anger, Empowerment and Intercultural Dialogue in Tracy Deer’s Mohawk Girls Natália Pinazza  28. Yandiawish: The Great Turtle’s Account of Mesnak Guy Sioui Durand  29. Who We Are Now’: Iñupiaq Youth On the Ice Joanna Hearne  30. Running Up Heartbreak Hill on The Edge of America: The Struggle to Make Life Liveable Ralph Armbruster-Sandoval  31. Establishing Global Affinities in Katja Gauriloff’s Canned Dreams (2012) Kate Moffat  32. “Schism of a Nation: Echoes of Silenced Voices in Toomelah” Emme Devonish  Part 6: Art, Comedy, and Music  33. Shelley Niro’s Kissed by Lightning and its Painted Series ‘Peacemaker’s Journey’ as Forms of Indigenous Resistance through Artistic Expression Stephanie Pratt  34. Reggae Sounds in Maori Cinema Nele Rein  35. Joints, Rocks, and Slapstick: Decolonizing Humor in Stone Bros Geoffrey Rodoreda  36. Singing the Songs of our Era in Bran Nue Day Felicity Collins  37. ‘Love and Affection, to the Bone’: Identity and Reconciliation in Wayne Blair’s The Sapphires Susan Knabe and Ernie Blackmore.  Filmography  Index

Recenzii

"Comprehensive in scope and profound in intellectual incisiveness, this book explores, in very accessible writing, a 'global' Indigenous cinema that needs more visibility. A must-read for film scholars and students." 
Anthony Adah, Minnesota State University Moorhead, USA

Notă biografică

Ernie Blackmore is a retired Lecturer in Aboriginal Studies at the University of Wollongong, Australia.
Kerstin Knopf is Professor for North American and Postcolonial Literary and Cultural Studies at the University of Bremen, Germany.
Wendy Gay Pearson is an Associate Professor at the Department of Gender, Sexuality, and Women’s Studies at the University of Western Ontario, Canada.
 
Corina Wieser-Cox is a Ph.D. candidate in Queer Mexican and Latinx film and research assistant at the University of Bremen, Germany.

Descriere

A significant contribution to the discourse on Indigenous filmmaking and provides an accessible overview of the contemporary state of Indigenous film. Essential reading for students and scholars of Indigenous Studies, Cultural Studies, Film Studies, Feminist & Queer Studies, and anyone interested in Indigenous cultures and cinema.