The SAGE Handbook of Digital Dissertations and Theses
Editat de Richard N. L. Andrews, Erik Borg, Stephen N. Davis, Myrrh Domingo, Jude Englanden Limba Engleză Electronic book text – 29 iun 2012
- how to make research more accessible
- the use of search engines and other sources to determine the scope of work
- research training for students
- what will theses, dissertations and research reports look like in ten years' time?
- the storing and archiving of such research
- ethics and methodologies in the field
- intercultural issues
The editors focus on advances in arts and practice-based doctorates, and their application in other fields and disciplines. The contributions chart new territory for universities, research project directors, supervisors and research students regarding the nature and format of Masters and doctoral work, as well as research projects.
This handbook is an essential reference for researchers, supervisors and administrators on how to conduct and evaluate research projects in a digital and multimodal age.
Richard Andrews is Professor in English, Faculty of Children and Learning, Institute of Education.
Erik Borg is a Senior Lecturer at Coventry University's Centre for Academic Writing.
Stephen Boyd Davis is Research Leader in the School of Design, Royal College of Art.
Myrrh Domingo is Visiting Assistant Professor in English Education and Literacy Education at New York University.
Jude England is Head of Social Sciences at the British Library.
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Specificații
ISBN-13: 9781446265581
ISBN-10: 1446265587
Pagini: 548
Dimensiuni: 184 x 246 mm
Ediția:1
Editura: SAGE Publications
Colecția Sage Publications Ltd
Locul publicării:London, United Kingdom
ISBN-10: 1446265587
Pagini: 548
Dimensiuni: 184 x 246 mm
Ediția:1
Editura: SAGE Publications
Colecția Sage Publications Ltd
Locul publicării:London, United Kingdom
Recenzii
'This
handbook
marks
a
major
turning
point
in
the
production
of
dissertation
and
theses.
Scholarly
communication
has
been
changing
rapidly,
embracing
the
latest
in
web
searching,
social
media,
and
online
and
open
access
journals.
Yet,
attention
to
the
dissertation
-
the
hallmark
of
an
academic
education
-
has
been
sorely
missing.
This
handbook
identifies
and
explores
the
multiple
ways
in
which
electronic
means
are
becoming
an
integral
part
of
the
production
of
dissertations
today,
as
well
as
looking
at
the
scope
in
the
future
scope
for
bringing
electronic
and
new
media
forms
into
the
final
form
of
the
dissertation.
The
handbook
first
situates
the
dissertation
in
its
historical
and
institutional
perpectives,
and
then
addresses
the
transformation
from
print
to
digital
in
dissertations
from
supervision
to
production
to
archiving
and
accessibility.
Finally,
the
handbook
wraps
up
with
a
section
on
research
methodologies
and
methods
that
rounds
out
the
book
with
advice
for
prospective
students
on
how
to
be
the
creator
of
a
digital
dissertation
from
inception
to
final
delivery.
This
will
be
essential
reading
for
all
involved
in
contemporary
university
education'
-
Caroline Haythornthwaite, Director and Professor at the School of Library, Archival and Information Studies at the University of British Columbia
Caroline Haythornthwaite, Director and Professor at the School of Library, Archival and Information Studies at the University of British Columbia
Cuprins
Introduction
-
Richard
Andrews,
Erik
Borg,
Stephen
Boyd
Davis,
Myrrh
Domingo
and
Jude
England
PART ONE: INSTITUTIONAL PERSPECTIVES
The Thesis: Texts and Machines - Erik Borg and Stephen Boyd Davis
New Forms of Dissertation - Richard Andrews and Jude England
The Role of Doctoral and Graduate Schools - Richard P.J. Freeman and Andrew Tolmie
Digital Literacies for the Research Institution - Helen Beetham, Allison Littlejohn and Colin Milligan
PART TWO: STUDENT PERSPECTIVES
Media Systems, Multimodality and Post-Humanism - Lesley Gourlay
Reframing the Performing Arts - Zoe Beardshaw Andrews
Complexity Theory - June Elizabeth Parnell
Re-Imagining the Conditions of Possibility of a PhD Thesis - Jude Fransman
Traditional Theses and Multimodal Communication - Dylan Yamada-Rice
PART THREE: ETHICAL AND INTERCULTURAL ISSUES
Ethics and Representation - Bronwyn T. Williams and Mary Brydon-Miller
Copyright Managment Approaches - Brian Fitzgerald and Damien O'Brien
Understanding Identity Representations in Multimodal Research - Pauline Hope Cheong
The Social Life of Digital Texts in Multimodal Research - Myrrh Domingo
PART FOUR: MULTIMODALITY,INCLUDING THE REPRESENTATION AND PRESENTATION OF THESES AND DISSERTATIONS
Researching in Conditions of Provisionality: Reflecting on the PhD in the Digital and Multimodal Era - Gunther Kress
Practice-as-Research in Music Performance - Mine Dogantan-Dack
Translating Lydia Cabrera: A Case Study in Digital (Re)Presentation - Anna-Marjatta Milsom
Disciplinary 'Specificity' and the Digital Submission - Susan Melrose
Digits and Figures: A Manual Drawing Practice and Its Modes of Reproduction - Juliet MacDonald
PART FIVE: ARCHIVING, STORAGE AND ACCESSIBILITY IN THE DIGITAL AGE
The Research Catalogue: A Model for Dissertations and Theses - Michael Schwab
The Changing Role of Library and Information Services - Joanna Newman
Animating the Archive - Martin Rieser
Establishing the Cybertextual in Practice-Based PhDs - Lisa Stansbie
PART SIX: RESEARCH METHODS
A Modern PhD: Doctoral Education in Australian Universities in Digital Times - Ilana Snyder and Denise Beale
How Changes in Representation Can Affect Meaning - Amy Alexandra Wilson
Researching Adoloscents' Literacies Multimodally - Lalitha Vasudevan and Tiffany DeJaynes
Implication for Research Training and Examination for Design PhDs - Joyce S.R. Yee
Uncaged Boxed-up - Ralf Nuhn
Index
PART ONE: INSTITUTIONAL PERSPECTIVES
The Thesis: Texts and Machines - Erik Borg and Stephen Boyd Davis
New Forms of Dissertation - Richard Andrews and Jude England
The Role of Doctoral and Graduate Schools - Richard P.J. Freeman and Andrew Tolmie
Digital Literacies for the Research Institution - Helen Beetham, Allison Littlejohn and Colin Milligan
PART TWO: STUDENT PERSPECTIVES
Media Systems, Multimodality and Post-Humanism - Lesley Gourlay
Reframing the Performing Arts - Zoe Beardshaw Andrews
Complexity Theory - June Elizabeth Parnell
Re-Imagining the Conditions of Possibility of a PhD Thesis - Jude Fransman
Traditional Theses and Multimodal Communication - Dylan Yamada-Rice
PART THREE: ETHICAL AND INTERCULTURAL ISSUES
Ethics and Representation - Bronwyn T. Williams and Mary Brydon-Miller
Copyright Managment Approaches - Brian Fitzgerald and Damien O'Brien
Understanding Identity Representations in Multimodal Research - Pauline Hope Cheong
The Social Life of Digital Texts in Multimodal Research - Myrrh Domingo
PART FOUR: MULTIMODALITY,INCLUDING THE REPRESENTATION AND PRESENTATION OF THESES AND DISSERTATIONS
Researching in Conditions of Provisionality: Reflecting on the PhD in the Digital and Multimodal Era - Gunther Kress
Practice-as-Research in Music Performance - Mine Dogantan-Dack
Translating Lydia Cabrera: A Case Study in Digital (Re)Presentation - Anna-Marjatta Milsom
Disciplinary 'Specificity' and the Digital Submission - Susan Melrose
Digits and Figures: A Manual Drawing Practice and Its Modes of Reproduction - Juliet MacDonald
PART FIVE: ARCHIVING, STORAGE AND ACCESSIBILITY IN THE DIGITAL AGE
The Research Catalogue: A Model for Dissertations and Theses - Michael Schwab
The Changing Role of Library and Information Services - Joanna Newman
Animating the Archive - Martin Rieser
Establishing the Cybertextual in Practice-Based PhDs - Lisa Stansbie
PART SIX: RESEARCH METHODS
A Modern PhD: Doctoral Education in Australian Universities in Digital Times - Ilana Snyder and Denise Beale
How Changes in Representation Can Affect Meaning - Amy Alexandra Wilson
Researching Adoloscents' Literacies Multimodally - Lalitha Vasudevan and Tiffany DeJaynes
Implication for Research Training and Examination for Design PhDs - Joyce S.R. Yee
Uncaged Boxed-up - Ralf Nuhn
Index
Descriere
A
guide
to
undertaking
and
navigating
advanced
research
in
the
arts,
humanities
and
social
sciences
through
digital
research.