The Shock of the Ancient: Literature and History in Early Modern France
Autor Larry F. Normanen Limba Engleză Hardback – 18 apr 2011
The cultural battle known as the Quarrel of the Ancients and Moderns served as a sly cover for more deeply opposed views about the value of literature and the arts. One of the most public controversies of early modern Europe, the Quarrel has most often been depicted as pitting antiquarian conservatives against the insurgent critics of established authority. The Shock of the Ancient turns the canonical vision of those events on its head by demonstrating how the defenders of Greek literature—rather than clinging to an outmoded tradition—celebrated the radically different practices of the ancient world.
At a time when the constraints of decorum and the politics of French absolutism quashed the expression of cultural differences, the ancient world presented a disturbing face of otherness. Larry F. Norman explores how the authoritative status of ancient Greek texts allowed them to justify literary depictions of the scandalous. The Shock of the Ancient surveys the diverse array of aesthetic models presented in these ancient works and considers how they both helped to undermine the rigid codes of neoclassicism and paved the way for the innovative philosophies of the Enlightenment. Broadly appealing to students of European literature, art history, and philosophy, this book is an important contribution to early modern literary and cultural debates.
At a time when the constraints of decorum and the politics of French absolutism quashed the expression of cultural differences, the ancient world presented a disturbing face of otherness. Larry F. Norman explores how the authoritative status of ancient Greek texts allowed them to justify literary depictions of the scandalous. The Shock of the Ancient surveys the diverse array of aesthetic models presented in these ancient works and considers how they both helped to undermine the rigid codes of neoclassicism and paved the way for the innovative philosophies of the Enlightenment. Broadly appealing to students of European literature, art history, and philosophy, this book is an important contribution to early modern literary and cultural debates.
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Specificații
ISBN-13: 9780226591483
ISBN-10: 0226591484
Pagini: 296
Ilustrații: 2 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.56 kg
Ediția:New.
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226591484
Pagini: 296
Ilustrații: 2 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.56 kg
Ediția:New.
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Larry F. Norman is associate professor of Romance languages and literatures, theater and performance studies, and in the College at the University of Chicago. He is the author of The Public Mirror: Molière and the Social Commerce of Depiction, also published by the University of Chicago Press.
Cuprins
Acknowledgments
Introduction: Experiencing Antiquity
PART 1 Historical Sensibility
1 Whose Ancients and Moderns?
2 Asserting Modernity
3 Splintered Paths of Progress
4 Antiquity without Authority
PART 2 The Shock
5 Why the Scandal?
6 Modernity and Monarchy
7 The Pagan Menace
8 Morality and Sociability
9 The Ancients Respond
PART 3 Aesthetics: The Geometric and the Sublime
10 Philosophy’s Turn
11 The Ineffable Effect
Conclusion: After the Quarrel
Notes
Bibliography
Index
Introduction: Experiencing Antiquity
PART 1 Historical Sensibility
1 Whose Ancients and Moderns?
2 Asserting Modernity
3 Splintered Paths of Progress
4 Antiquity without Authority
PART 2 The Shock
5 Why the Scandal?
6 Modernity and Monarchy
7 The Pagan Menace
8 Morality and Sociability
9 The Ancients Respond
PART 3 Aesthetics: The Geometric and the Sublime
10 Philosophy’s Turn
11 The Ineffable Effect
Conclusion: After the Quarrel
Notes
Bibliography
Index
Recenzii
“The Shock of the Ancient is one of the most intelligent and interesting works on seventeenth-century literature that I have read in the past few years. Well-researched, thought-provoking, and very engaging, Larry F. Norman’s book makes a clear point and makes it compellingly: that the French classical period was far more aware of questions relating to its own historicism than we moderns tend to believe and that the Quarrel of the Ancients and Moderns indeed reflected a protomodern sensibility of self and otherness. Readable and accessible, The Shock of the Ancient will appeal to scholars and students alike.”
“Witty, free of jargon, and filled with an encyclopedic knowledge of sources, as well as an up-to-date view of recent literary and cultural debates, this book will shed vivid new light on this important historical controversy.”
“Larry Norman’s account of the cultural debate known as the querelle des ancients et des modernes is revisionist and lean, yet detailed and with depth. . . . Doing away with a whole range of cherished stereotypes and teleologies, Norman explores the tactics of this debate, combining smart synopsis with in-depth knowledge of a wide range of materials. . . . Norman’s fresh road map is an excellent one.”
“Rich, learned, and nuanced.”
“This study of literary transformations recovers a neoclassical world that had been lost to us, obscured, ironically, by the consequences of a later quarrel—the Romantics’ debate with neoclassicism. Norman makes evident what the Romantics made us forget: just how scandalous those ancients were.”
“Solidly structured and agreeably written, Larry Norman’s book turns all the evidence into a beneficial, even provocative, read, as much for specialists of the seventeenth century and the reception of Antiquity as for those interested in literary history.”
“Luminously written and argued, The Shock of the Ancient is the work of that too-rare being, a literary scholar who writes always to inform rather than simply to impress. . . . The single best, most nuanced account now available of what was at stake in the Quarrel, the one with which all students of the period (and of the origins of modernity in literature) should start.”
“Norman approaches the quarrel like an archaeologist who spots a museum object most visitors would only accord a passing approbatory glance, immediately recognizing its true value, seizing it and scraping away at the surface to reveal its most interesting and valuable features to his fellow museum-goers. Experts in the field, students, and even those with a casual interest in the early modern French period will find his work accessible and appealing.”