Everyone in theatre knows his name but only a few know Stanislavsky's last work. He died before writing any of his final discoveries for print. Only his colleagues and their pupils knew them. They are the ones, since 1938, who have been refining Stanislavsky's final ideas of modern theatre. Now, finally this book summarises these last concepts in an orderly text for teachers and students. In six comprehensive chapters the authors reveal Stanislavsky's method to help actors to transform themselves into believable and fascinating stage characters.