The Sting: Deep Focus
Autor Matthew Specktor Editat de Sean Hoween Limba Engleză Paperback – 30 apr 2011
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Specificații
ISBN-13: 9781593762797
ISBN-10: 1593762798
Pagini: 111
Dimensiuni: 120 x 169 x 9 mm
Greutate: 0.09 kg
Editura: SOFT SKULL PRESS
Seria Deep Focus
ISBN-10: 1593762798
Pagini: 111
Dimensiuni: 120 x 169 x 9 mm
Greutate: 0.09 kg
Editura: SOFT SKULL PRESS
Seria Deep Focus
Recenzii
Praise for Deep Focus
"Soft Skull hits the likely appeal perfectly." —Mark Asch, The L Magazine
"A spectacular idea for a series." —Paul Constant, The Stranger
"Soft Skull hits the likely appeal perfectly." —Mark Asch, The L Magazine
"A spectacular idea for a series." —Paul Constant, The Stranger
Notă biografică
Descriere
From Melville to Madoff, the Confidence Man is an essential American archetype. George Roy Hill’s 1973 film The Sting treats this theme with a characteristic dexterity. The movie was warmly received in its time, winning seven Academy Awards, but there were some who thought the movie was nothing more than a slight throwback. Pauline Kael, among others, felt Hill’s film was mechanical and contrived: a callow and manipulative attempt to recapture the box-office success of Robert Redford and Paul Newman’s prior pairing, Butch Cassidy &The Sundance Kid.
Matthew Specktor’s passionate, lyric meditation turns The Sting on its head, on its side, and right-side-up in an effort to unpack the film’s giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opens The Sting up to disclose the subtle and stunning dimensions—sexual, political, and aesthetic—of Hill’s best film. Through Specktor’s lens, The Sting reveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.
Matthew Specktor’s passionate, lyric meditation turns The Sting on its head, on its side, and right-side-up in an effort to unpack the film’s giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opens The Sting up to disclose the subtle and stunning dimensions—sexual, political, and aesthetic—of Hill’s best film. Through Specktor’s lens, The Sting reveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.