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The Subject of Violence – The Song of Roland and the Birth of the State

Autor Peter Haidu
en Limba Engleză Hardback – 21 aug 1993
ÒA very thought-provoking work, an important contribution . . . to reflection and criticism on the Chanson de Roland. Its importance goes beyond the Chanson or medieval French literature in general, and raises large questions about medieval civilization, and our own as well.Ó ÑLarry S. CristÒProbably the most sophisticated book ever written on the Song of Roland. . . . It is at once a work of linguistic analysis, of literary theory, of literary history, and, finally, of history. . . . This is a forward looking work of criticism which assesses the dynamic ways in which literature both describes and creates social institutions.Ó ÑR. Howard BlochThe twelfth-century Song of Roland played an essential role in the creation of the nation-state, argues Peter Haidu. This epic narrative transformed the independent and violent warriors of the feudal period into subordinate instruments of the nation-state by enforcing their subjection to the rule of monarchy. Haidu tracks this transformation in the Song employing a semiotics informed both by contemporary theory and by historical research into the bases of material production and the organization of military and political power. He locates the Song of Roland as a crucial step in the evolution of European violence from feudalism to the nation-state.
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Specificații

ISBN-13: 9780253305480
ISBN-10: 0253305489
Pagini: 272
Ilustrații: Illustrations
Dimensiuni: 165 x 240 x 23 mm
Greutate: 0.56 kg
Editura: MH – Indiana University Press

Cuprins

Acknowledgments
Introduction
Violence: Modern Perspectives on the Medieval and the Modern
1. The Semiotization of Death: Open Text or Closed?
2. THe Gaze of the Other
The Sociological Presentation of the Self
The Intertextuality of the Peerage
3. Excursus I: Aesthetics, Economics, Politics
Beauty, Value, Violence
The Noble, the Knight, the Peasant
The Ideology of Knighthood
4. The Subsystem of the Professional Warrior: Courage, Contradiction, Irascibility
Ideological Value (I): The Constitution and Destitution of Subjects
Ideological Value (II): From Subject to Traitor?
Structure of Structures
5. The DestinatorÕs Multiple Roles: Syncretism or Contradiction?
The Culpable Guarantor
From Individual to Role
6. Excursus II: The Play of Absence and Presence in Medieval Kingship
Carles li reis,...
...nostre emperere magnes
Reis and Emperere Textualized
7. Funerary Rituals
The Unreintegrated Mourner
The Death of Aude, or the Refusal of Exchange
The Transformative Performance
8. Textual Coherence and the Dialectics of Ideology
Textual Coherence: The Narrative
Narrative Programs
Actants
9. GanelonÕs Trial, or the MonarchÕs Revolution
The Actorial Level: Inexorable Structure
The Actantial Distribution
10. Conclusion
The Chanson Ends with the Indeterminacy of Non-Exclusive Disjunction
The Chanson Produces Limited and Specifiable Significations
The Subject of Violence
Nomadic Violence, Sedentary Economics, and the Birth of the State
Notes
Bibliography
General Index
Index of Proper Nouns
Index of Foreign Terms and Phrases

Descriere

Proposes a provocative new reading of the medieval French Song of Roland and its role in changing a world of violent independent warriors into the more contemporary world of citizens subjugated to the state. A study of signal importance to literary and historical scholarship of the Song and of the birth of modern Europe.