The Twilight of the Idols
Autor Friedrich Nietzsche Traducere de Anthony M. Ludovicien Limba Engleză Paperback
Written while Nietzsche was at the peak of his powers, less than a year before the onset of the insanity that gripped him until his death in 1900, this work's proximity to the end of the author's career renders it a distinctive portrait from his later period. The source of the famous dictum, "Whatever does not kill me makes me stronger," it blazes with provocative, inflammatory rhetoric that challenges readers to reexamine what they worship and why.
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (4) | 20.77 lei 3-4 săpt. | +7.18 lei 6-12 zile |
Dover Publications Inc. – 29 sep 2019 | 20.77 lei 3-4 săpt. | +7.18 lei 6-12 zile |
– | 38.50 lei 3-5 săpt. | |
OUP OXFORD – 8 oct 2008 | 56.45 lei 3-5 săpt. | +5.59 lei 6-12 zile |
Hackett Publishing Company – 31 mai 1997 | 91.65 lei 3-5 săpt. |
Preț: 37.89 lei
Nou
Puncte Express: 57
Preț estimativ în valută:
7.25€ • 7.63$ • 6.06£
7.25€ • 7.63$ • 6.06£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781537323596
ISBN-10: 1537323598
Pagini: 48
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.08 kg
ISBN-10: 1537323598
Pagini: 48
Dimensiuni: 152 x 229 x 3 mm
Greutate: 0.08 kg
Notă biografică
German philosopher Friedrich Wilhelm Nietzsche (1844-1900) ranks among the most influential of modern thinkers. His explorations of the motives underlying Western philosophy, religion, and morality have exercised a profound effect on generations of writers, theologians, philosophers, and psychologists. Although Nietzsche was strongly opposed to nationalism and anti-Semitism, his works were appropriated by Fascists to support the very concepts he deplored.
Descriere
Descriere de la o altă ediție sau format:
`Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
`Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.