The Underground Is Massive: How Electronic Dance Music Conquered America
Autor Michaelangelo Matosen Limba Engleză Paperback – 4 apr 2016
It is the sound of the millennial generation, the music “defining youth culture of the 2010s” (Rolling Stone). Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and inThe Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture.
Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet—message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy—(Molly, as it’s know today) an empathic drug that heightens sensory pleasure—was the narcotic fueling this alternative movement.
Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars—from early break-in parties to Skrillex and Daft Punk—The Underground Is Massivecaptures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.
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Specificații
ISBN-13: 9780062271792
ISBN-10: 0062271792
Pagini: 464
Dimensiuni: 135 x 203 x 27 mm
Greutate: 0.32 kg
Editura: HARPERCOLLINS;
Colecția Dey Street Books
ISBN-10: 0062271792
Pagini: 464
Dimensiuni: 135 x 203 x 27 mm
Greutate: 0.32 kg
Editura: HARPERCOLLINS;
Colecția Dey Street Books
Textul de pe ultima copertă
“The
Underground
Is
Massiveis
a
book
about
the
rise
of
electronic
music,
but
let
me
be
very
clear:
anyone
who
cares
even
a
little
about
music
will
love
this
book.
Dance
music’s
growth
took
place
largely
away
from
the
spotlight,
in
cross-pollinating
scenes
around
the
globe;
Michaelangelo
Matos
tells
these
hidden
histories
with
the
love,
care,
and
joy
of
a
seasoned
mage
passing
down
spells
to
a
trusted
novice.
Every
detail,
every
page,
every
where-things-changed
anecdote
hums
with
life.
This
book
is
a
genuine
service
to
history,
and
I
am
profoundly
grateful
for
it.”—John
Darnielle,
author
ofWolf
in
White
Van,
nominated
for
the
National
Book
Award
The Underground Is Massiveis the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years—from the black, gay underground clubs of Chicago and Detroit’s elite teen-party scene through nineties “electronica” to today’s EDM-festival juggernaut. In telling EDM’s story, Michaelangelo Matos takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business, spotlights its legendary artists—including Frankie Knuckles, Moby, Diplo, Skrillex, Deadmau5, David Guetta, Tiësto, and Daft Punk—and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it.
“A staggering work of research, organization, and synthesis, yet Michaelangelo Matos never loses his wit or his deft way with a sentence. He is the Barbara Tuchman of EDM!”—Luc Sante, author ofLow LifeandThe Other Paris
The Underground Is Massiveis the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years—from the black, gay underground clubs of Chicago and Detroit’s elite teen-party scene through nineties “electronica” to today’s EDM-festival juggernaut. In telling EDM’s story, Michaelangelo Matos takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business, spotlights its legendary artists—including Frankie Knuckles, Moby, Diplo, Skrillex, Deadmau5, David Guetta, Tiësto, and Daft Punk—and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it.
“A staggering work of research, organization, and synthesis, yet Michaelangelo Matos never loses his wit or his deft way with a sentence. He is the Barbara Tuchman of EDM!”—Luc Sante, author ofLow LifeandThe Other Paris