The War Film: Rutgers Depth of Field Series
Autor Robert Eberwein Contribuţii de Professor Andrew Kelly, Professor Jeanine Basinger, Professor Robert Burgoyne, Professor Michael Rogin, Professor Brian Woodman, Professor Guerric DeBona, Professor Tania Modleski, Professor Yvonne Tasker, Professor Mimi White, Professor Albert Auster, Professor Thomas Doherty, Susan Jeffords, Dana Polanen Limba Engleză Paperback – 28 sep 2004
War has had a powerful impact on the film industry. But it is not only wars that affect films; films influence war-time behavior and incisively shape the way we think about the battles that have been waged.
In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western Front, Bataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the Brave, Platoon,and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of Courage, Rambo, Dogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the Riveter, Saving Private Ryan, and We Were Soldiers.
Drawing attention to the dynamic interrelationships among politics, nationalism, history, gender, and film, this comprehensive anthology is bound to become a classroom favorite.
In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western Front, Bataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the Brave, Platoon,and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of Courage, Rambo, Dogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the Riveter, Saving Private Ryan, and We Were Soldiers.
Drawing attention to the dynamic interrelationships among politics, nationalism, history, gender, and film, this comprehensive anthology is bound to become a classroom favorite.
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Specificații
ISBN-13: 9780813534978
ISBN-10: 0813534976
Pagini: 240
Ilustrații: 23 b&w illustrations
Dimensiuni: 178 x 254 x 18 mm
Greutate: 0.53 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Rutgers Depth of Field Series
ISBN-10: 0813534976
Pagini: 240
Ilustrații: 23 b&w illustrations
Dimensiuni: 178 x 254 x 18 mm
Greutate: 0.53 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Rutgers Depth of Field Series
Notă biografică
ROBERT EBERWEIN is Distinguished Professor of English at Oakland University, Rochester, Michigan, where he teaches courses in film history, theory, and appreciation. He is the author of Sex Ed: Film, Video, and the Framework of Desire.
Cuprins
Acknowledgments
Introduction
Genre
Race
Gender
History
Selected Bibliography
Contributors
Index
Introduction
Genre
Race
Gender
History
Selected Bibliography
Contributors
Index
Descriere
In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western Front, Bataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the Brave, Platoon, and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of Courage, Rambo, Dogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the Riveter, Saving Private Ryan, and We Were Soldiers.