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The Winter's Tale: Shakespeare Folios

Autor William Shakespeare Editat de Kenneth Branagh, Ron Ashford
en Limba Engleză Paperback – 28 mar 2016
A jealous king, an abandoned daughter, a prince hopelessly in love. Shakespeare’s timeless tragicomedy of obsession and redemption is reimagined in a new production codirected by Rob Ashford and Kenneth Branagh. It was performed at the Garrick Theatre in 2015, starring Judi Dench and Kenneth Branagh. This official tie-in edition features exclusive additional content including cast interviews, articles, and more.
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Specificații

ISBN-13: 9781848425408
ISBN-10: 1848425406
Pagini: 112
Dimensiuni: 127 x 197 x 13 mm
Greutate: 0.16 kg
Editura: Theatre Communications Group
Colecția Nick Hern Books
Seria Shakespeare Folios

Locul publicării:United Kingdom

Descriere

Shakespeare’s timeless tragicomedy of obsession and redemption is reimagined in a new production co-directed by Rob Ashford and Kenneth Branagh.

Cuprins

Introduction: Genre and title; Iterative patterns: sameness with a difference; Leontes' jealousy in criticism and performance; 'Exit pursued by a bear'; The figure of Time; Act 5 and the triumphs of Time; The Winter's Tale's sense of an ending: happiness qualified; Date; Sources; Note on the text; List of characters; The play; Supplementary notes; Textual analysis; Appendices: A. Simon Forman's notes on The Winter's Tale; B. Some doubling possibilities in The Winter's Tale; C. The Winter's Tale in performance: selected issues, scenes, and passages; D. The Winter's Tale: a select performance chronology; Reading list.

Notă biografică

JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as 'the best modern book on Shakespeare.' In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'.

ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the Arden Shakespeare and Oxford World's Classics series. He is the General Textual Editor of the Internet Shakespeare Editions project - one of the most visited Shakespeare websites in the world. For over nine years he has written the annual review of editions and textual studies for the Shakespeare Survey.

Recenzii

The Winter's Tale is a kind of miracle play in which performance is of the essence of an exciting, imaginative, and inspiring plot embodied in visionary dialogue. In creating a course in Shakespeare Performed (2010) with his students staging an abridged Winter's Tale, Mark Muggli was in an ideal position to edit the play especially from the perspective of performance, as he did. This is a twenty-first-century edition up-to-date enough to include the Guthrie Theater's production of 2011 together with the solid twentieth-century scholarship of G. L. Kittredge. Kittredge's introduction, lightly edited, begins with Muggli's "Spoiler Alert" about plot revelations the reader might prefer to experience first in the play itself. His notes are designed less to interpret than "to facilitate the reader's interpretation," and the reader and the play are primary in this presentation of The Winter's Tale. Tom Clayton, Regents Professor, University of Minnesota
"No edition gives such equal balance to the play as it appears on the page, the stage, and the screen as does the New Kittredge Shakespeare. This edition of Winter's Tale begins that balancing act with Mark Muggli's engaging introduction and continues it throughout the text of the play per se with considerations of stage choices, abundant photographs, and a concluding essay on the play as performance. The result is that the reader is always in touch with the work in its multiple dimensions as a literary, theatrical, and cultural phenomenon. That approach makes Muggli's edition an excellent introduction to the play and equally an ally of the teacher and the director." Ralph Alan Cohen, Mary Baldwin College

Textul de pe ultima copertă

Neither comedy nor tragedy, The Winter’s Tale contains elements of each genre, and defies easy classification. It experiments, like many of Shakespeare’s late plays, with different styles and tones, and draws on a wide range of sources and inspirations. Full of mysteries and miracles, grief and dark humour, this strange play has fascinated critics and theatregoers for centuries.

Theatrical and cinematic productions have tried to capture the range of interpretations and staging possibilities presented by The Winter’s Tale, and the introduction to this edition explores the play’s long histories in performance and in criticism. Illustrations and extended notes interleaved throughout the text discuss the echoes of religious, scientific, and mythological texts found in the play.


Caracteristici

This is the first edition of The Winter's Tale to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history, at the RSC and elsewhere
Interviews with important Shakespearean directors Dominic Cooke, Adrian Noble and Gregory Doran discussing key productions at the RSC