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Theater(s) and Public Sphere in a Global and Digital Society, Volume 2: Case Studies: Studies in Critical Social Sciences, cartea 236

Ilaria Riccioni
en Limba Engleză Hardback – 21 dec 2022
This second volume of Theaters and Public Sphere in a Global and Digital Society offers several different case studies in their relationship with society. Also here, the focus is the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfullness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave the meaning of a territory, a context, and a people, but also of the generations who traverse these same cultures.
These forms of meaning interact with the social imagery, mediate marginalization, transform barriers into bridges, and are the indispensable tools for any social coexistence and its continuous rethinking in everyday life.

Contributors are: Claudio Bernardi, Marco Bernardi, Massimo Bertoldi, Martina Guerinoni, Mara Nerbano, Chiara Pasanisi, Benedetta Pratelli, Roberto Prestigiacomo, Ilaria Riccioni, Daniela Salinas Frigerio, Eleonora Sparano, Emanuele Stochino, Matteo Tamborrino, Tiziana Tesauro, Katia Trifirò, Alessandro Tolomelli, and Andrea Zardi.
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Specificații

ISBN-13: 9789004526167
ISBN-10: 9004526161
Pagini: 260
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Critical Social Sciences


Notă biografică

Ilaria Riccioni, Ph.D. (2003) "La Sapienza" University of Rome, is Tenured Researcher of General Sociology at the Free University of Bolzano-Bozen. She has published many monographs and articles of social theory and social impact of artistic phenomena including "Futurism: Anticipating Postmodernism" (Mimesis International, 2019)

Cuprins

Preface

Acknowledgements

List of Figures and Tables

Notes on Contributors

1 The Impact of Theatre in a Multilingual Province The Case of the Teatro Stabile of Bolzano between New and Old Generations
Ilaria Riccioni

2 The Anomaly of the Teatro Stabile of Bolzano A Public Theater on the Border, between Different Languages and Cultures
Marco Bernardi

3 State Theater of Bolzano. 70 years History and Shows in a Book
Massimo Bertoldi

4 The Interviews for the Research on the Teatro Stabile di Bolzano Some Methodological Considerations
Eleonora Sparano

5 Social Theatre, a Polyphonic Dramaturgy of the Community
Claudio Bernardi

6 From the Creative Process to the Relationship with the City The Theatre of the ‘Margin’ by the Carullo-Minasi Company (Messina, 2011–2021)
Katia Trifirò

7 Theatre Festivals and Urban Public Border Crossing Practices in Comparison
Benedetta Pratelli

8 A Relational Theatre Fabrizio Crisafulli’s “Theatre of Places”
Mara Nerbano

9 Introducing Performing Human Rights
Roberto Prestigiacomo

10 On Stage without a Script A Theatrical Workshop for Professional Training
Tiziana Tesauro

11 The Theater of the Oppressed as a Martial Art Theatre, Community, Pedagogy and Politics
Alessandro Tolomelli

12 Pier Paolo Pasolini and the Theatre of the Word
Emanuele Stochino

13 Dramaturgies of Distancing Dance and Public Space in the Covid Era
Andrea Zardi

14 La Trilogia del naufragio by Lina Prosa Dramaturgy and Poetic of Inclusion
Chiara Pasanisi

15 The Lavanderia a Vapore, from Madhouse to Dancehouse A Contemporary Experience of Relationship between Theatrical Space and Territorial Communities
Matteo Tamborrino

16 Performing Arts and Practices for the Inclusion of Migrants in Milan
Martina Guerinoni

17 Teleaudiencias Teatrales Crisis of a Representation
Daniela Salinas Frigerio

Index