Thresholds of Meaning – Passage, Ritual and Liminality in Contemporary French Narrative
Autor Jean Duffyen Limba Engleză Hardback – 15 iun 2011
Despite a number of broad surveys of contemporary French fiction that have appeared in the last decade or so, the question of the nouveau roman’s literary legacy remains an under-researched field. Thresholds of Meaning offers evidence not only of a reworking of certain traditional themes, but also of a reinstatement of meaning at the center of literary inquiry. Drawing on the fields of sociology, anthropology, and psychology, Jean Duffy argues that this preoccupation with meaning concerns not only the processes of its production within a work, but also the processes by which it is produced in the real world, including the various linguistic and gestural codes by which a community communicates, the customs a community assumes, and the rituals that it observes.
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Specificații
ISBN-13: 9781846316661
ISBN-10: 1846316669
Pagini: 356
Dimensiuni: 163 x 239 x 15 mm
Greutate: 0.72 kg
Editura: Liverpool University Press
ISBN-10: 1846316669
Pagini: 356
Dimensiuni: 163 x 239 x 15 mm
Greutate: 0.72 kg
Editura: Liverpool University Press
Notă biografică
Jean H. Duffy is professor of French at the University of Edinburgh, the general editor of French Studies, and the author of Signs and Designs: Art and Architecture in the Work of Michel Butor.
Cuprins
Acknowledgements
List of illustrations
Introduction
1. At death’s door: illness, ritual and liminality in Darrieussecq, Lenoir, and Mauvignier
2. Suicide and saving face in Bon, Mauvignier and Bergounioux
3. Commemoration, monument and identity in Bergounioux, Darrieussecq and Rouaud
4. Retouching the past: family photographs and documents in Rouaud, Bon and Lenoir
Conclusion: Writing passage and the passage to writing
Notes
Select bibliography
Index
List of illustrations
Introduction
1. At death’s door: illness, ritual and liminality in Darrieussecq, Lenoir, and Mauvignier
2. Suicide and saving face in Bon, Mauvignier and Bergounioux
3. Commemoration, monument and identity in Bergounioux, Darrieussecq and Rouaud
4. Retouching the past: family photographs and documents in Rouaud, Bon and Lenoir
Conclusion: Writing passage and the passage to writing
Notes
Select bibliography
Index