Materiality: Jodi Cranston, Materiality in Titian's Flaying of Marsyas; Daniela Bohde, Light, colour and the body in Titian's San Salvador Annunciation and Naples Danae; Louisa Matthew, Titian and Colore in Renaissance Venice: a report from the intersection of art history and conservation research; Miguel Falomir, Titian 1546. Istoria: Anthony Colantuono, An Embarrassment of Riches: The Reclining Nude, Urinating Infant, and Man with a dog in Titian's Andrians; Paul Joannides, Titian's Repetitions; Luba Freeman, The Imploring Venus in the Prado Painting; Patricia Meilman, Historical Tradition and Political Strategy: Titian's Battle Painting; Una Roan D'Elia, Titian's Mute Poetry. Portraits: Mary Rogers, Man and beast in Titian; Joanna Woods-Marsden, The Mistress as Spectacle.