Too Late To Stop Now: More Rock’n’Roll War Stories
Autor Allan Jonesen Limba Engleză Paperback – 24 mai 2023
Preț: 84.25 lei
Preț vechi: 108.54 lei
-22% Nou
Puncte Express: 126
Preț estimativ în valută:
16.12€ • 16.96$ • 13.35£
16.12€ • 16.96$ • 13.35£
Carte disponibilă
Livrare economică 24 decembrie 24 - 07 ianuarie 25
Livrare express 10-14 decembrie pentru 54.84 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781448218257
ISBN-10: 144821825X
Pagini: 384
Dimensiuni: 153 x 234 x 29 mm
Greutate: 0.5 kg
Ediția:Completă
Editura: Bloomsbury Publishing
Colecția Bloomsbury Caravel
Locul publicării:London, United Kingdom
ISBN-10: 144821825X
Pagini: 384
Dimensiuni: 153 x 234 x 29 mm
Greutate: 0.5 kg
Ediția:Completă
Editura: Bloomsbury Publishing
Colecția Bloomsbury Caravel
Locul publicării:London, United Kingdom
Caracteristici
Can't Stand Up For Falling Down was the Sunday Times' Music Book of the Year 2017 and sold 15,000 copies across all formats
Notă biografică
Allan Jones is an award-winning British music journalist and editor. He was editor of Melody Maker from 1984 to 1997 then launched Uncut magazine and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a prosperous time for the music press. His book, Can't Stand Up For Falling Down, was the Sunday Times' Music Book of the Year 2017.
Cuprins
Introduction: Are We Rolling?Elton JohnRoy HarperChris FarloweScreaming Lord SutchLittle FeatLoudon Wainwright IIIPeter GabrielIan AndersonLou ReedWreckless EricThe DamnedPeter CookGuy ClarkJoe CockerJoe ElyRockpileJuke Box JurySting | The PoliceBryan FerryJerry DammersJoe 'King' CarrascoJon AndersonThe Fabulous ThunderbirdsNick Lowe And The Confederate Air ForceThe BlastersThe Rolling StonesCaptain SensibleJohn CaleNick LoweDr FeelgoodElmore LeonardElvis CostelloBob GeldofR.E.M.LambchopJohn CarpenterOliver StoneChrissie HyndeRobert PlantJohn CaleWilko JohnsonThe ClashThe 101'ersThe Aftershow
Recenzii
Music fans looking for more vintage fare will enjoy Too Late To Stop Now.
The old-school drinking and industrial drug abuse remain, as does the author's decisive indiscretion... many of the chapters unfold at greater length, leaving room for more nuanced reflection on the consequences of all the excessive ribaldry... But mostly, there is comedy... It's ridiculous fun.
This unputdownable book ... is rammed with finely recounted anecdotes. This is a first-class Rolls Royce Phantom of a book.
That the book's subtitle is More Rock'N'Roll War Stories speaks volumes. Because if you want blood, Allan Jones has got it.
Jones turns it up to 11 with his latest collection. These are captivating and absolutely delightful tales of rock's wonder and power.
There's unexpected music in Jones's sentences. (Genesis reminded him "less of a rock band than the bell-bottomed equivalent of the school chess team on an outing to an owl sanctuary.") Also unexpected: the disclosure that concludes Too Late to Stop Now. It's 2021, and Jones is invited to tag along on one last gig but realizes that, although "[f]orty-five years ago... I would have jumped on the bus without a second thought," he would prefer to go home to his memories. How lucky for rock diehards that he shares those memories here.
[Jones] knows when to joyfully exploit a glib moment and when to relent to the darkness, like when he goes into extensive detail with Chrissie Hynde about the tragic collapse of the original Pretenders. And there are times when he dead centers the bullseye while taking the measure of his subject. [... If you are looking for a book that gives] a real sense of what real rock and roll was like on either side of the Punk detonation, then look no further.
Seldom has a rock 'n' roll memoir been so falling-down funny. Jones doesn't sit there politely with his notebook and write down the same rote publicist-approved quotes. He waits until they're completely sloshed, without inhibitions, and then the truth comes out.
[The book's best pieces] combine Jones' intimate interactions with his interview subjects over time with the sodden interviews recounting them to create insightful portraits of individuals and informed histories of their bands.
The old-school drinking and industrial drug abuse remain, as does the author's decisive indiscretion... many of the chapters unfold at greater length, leaving room for more nuanced reflection on the consequences of all the excessive ribaldry... But mostly, there is comedy... It's ridiculous fun.
This unputdownable book ... is rammed with finely recounted anecdotes. This is a first-class Rolls Royce Phantom of a book.
That the book's subtitle is More Rock'N'Roll War Stories speaks volumes. Because if you want blood, Allan Jones has got it.
Jones turns it up to 11 with his latest collection. These are captivating and absolutely delightful tales of rock's wonder and power.
There's unexpected music in Jones's sentences. (Genesis reminded him "less of a rock band than the bell-bottomed equivalent of the school chess team on an outing to an owl sanctuary.") Also unexpected: the disclosure that concludes Too Late to Stop Now. It's 2021, and Jones is invited to tag along on one last gig but realizes that, although "[f]orty-five years ago... I would have jumped on the bus without a second thought," he would prefer to go home to his memories. How lucky for rock diehards that he shares those memories here.
[Jones] knows when to joyfully exploit a glib moment and when to relent to the darkness, like when he goes into extensive detail with Chrissie Hynde about the tragic collapse of the original Pretenders. And there are times when he dead centers the bullseye while taking the measure of his subject. [... If you are looking for a book that gives] a real sense of what real rock and roll was like on either side of the Punk detonation, then look no further.
Seldom has a rock 'n' roll memoir been so falling-down funny. Jones doesn't sit there politely with his notebook and write down the same rote publicist-approved quotes. He waits until they're completely sloshed, without inhibitions, and then the truth comes out.
[The book's best pieces] combine Jones' intimate interactions with his interview subjects over time with the sodden interviews recounting them to create insightful portraits of individuals and informed histories of their bands.