Cantitate/Preț
Produs

Touching Feeling – Affect, Pedagogy, Performativity: Series Q

Autor Eve Kosofsky Sedgwick
en Limba Engleză Paperback – 16 ian 2003
A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in "Touching Feeling" her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, "Touching Feeling "interrogates--through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others--emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.
Citește tot Restrânge

Din seria Series Q

Preț: 14377 lei

Nou

Puncte Express: 216

Preț estimativ în valută:
2752 2865$ 2266£

Carte disponibilă

Livrare economică 10-24 ianuarie 25
Livrare express 27 decembrie 24 - 02 ianuarie 25 pentru 3944 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780822330158
ISBN-10: 0822330156
Pagini: 208
Ilustrații: 1 figure, 1 photo
Dimensiuni: 162 x 236 x 23 mm
Greutate: 0.34 kg
Ediția:New.
Editura: MD – Duke University Press
Seria Series Q

Locul publicării:United States

Recenzii

"Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure." Wayne Koestenbaum, author of Andy Warhol"Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic." Lauren Berlant, author of The Queen of America Goes to Washington City “. . . Touching Feeling, [is] a collection of essays dating back to 1992 which [Sedgwick] hasrevised to form an extended theoretical meditation on ‘non-dualistic thought’ . . . The loosely connected essays have suchthemes as shame, theatricality, performativity, the biology of affect, reparative v. paranoidreading, and death. . . . Sedgwick’s courage in speaking openly about her illness and aboutaspects of her self that most academic women would keep private, including being fat, is verymoving.”—Elaine Showalter, London Review of Books 6 March 2003
"Eve Kosofsky Sedgwick's gift is to electrify intellectual communities by reminding them that 'thought' has a temperature, a texture, and an erotics. With a generosity that is at once self-abnegatingly ascetic, and gorgeously, exhibitionistically bravura, she opens door after door onto undiscovered fields of inquiry. There are too many high points in Touching Feeling for me to list them. Sedgwick's language, richly garlanded, syntactically showstopping, gives, everywhere, its characteristic, always surprising pleasure." Wayne Koestenbaum, author of Andy Warhol "Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech-aesthetic, bodily, affective-is its real topic." Lauren Berlant, author of The Queen of America Goes to Washington City "... Touching Feeling, [is] a collection of essays dating back to 1992 which [Sedgwick] has revised to form an extended theoretical meditation on 'non-dualistic thought' ... The loosely connected essays have such themes as shame, theatricality, performativity, the biology of affect, reparative v. paranoid reading, and death... Sedgwick's courage in speaking openly about her illness and about aspects of her self that most academic women would keep private, including being fat, is very moving."--Elaine Showalter, London Review of Books 6 March 2003

Textul de pe ultima copertă

"Eve Kosofsky Sedgwick writes with intense precision, and yet her work directs us toward the domain where meaning is music, unquantifiable, enigmatic, nonlinguistic. If the performative speech act, with all its relation to norms and laws, is central to the reception of her work in queer theory, then the performativity of knowledge beyond speech--aesthetic, bodily, affective--is its real topic."--Lauren Berlant, author of "The Queen of America Goes to Washington City"

Cuprins

Acknowledgments xi
Introduction 1
Interlude, Pedagogic 27
1. Shame, Theatricality, and Queer Performativity: Henry James’s The Art of the Novel 35
2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative 67
3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank) 93
4. Paranoid Reading and Reparative Reading, or, You’re So Paranoid, You Probably Think This Essay Is About You 123
5. Pedagogy of Buddhism 153
Works Cited 183
Index 189

Notă biografică


Descriere

A collection of essays examining theories of affect and how they relate to issues of performance and performativity