Tracing the Visual Language of Raphael’s Circle to 1527: Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History, cartea 313/46
Autor Alexis R. Culottaen Limba Engleză Hardback – 25 iun 2020
Shedding new light on the important, yet often-overshadowed, figures within this network, this book calls upon key case studies to convincingly illustrate how this visual language and its recombination evolved during Raphael’s Roman career and subsequently served as a springboard for artistic innovation for these close associates as they collaborated in the years following Raphael’s death.
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Specificații
ISBN-13: 9789004430143
ISBN-10: 9004430148
Pagini: 230
Dimensiuni: 155 x 235 mm
Greutate: 0.59 kg
Editura: Brill
Colecția Brill
Seria Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History
ISBN-10: 9004430148
Pagini: 230
Dimensiuni: 155 x 235 mm
Greutate: 0.59 kg
Editura: Brill
Colecția Brill
Seria Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History
Cuprins
Acknowledgments
List of Illustrations
Introduction
1Reclaiming Raphael’s Workshop
2Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination
3Recombination in Light of Competition and Collaboration
4Revisiting Recombination within the Workshop
5Continuing the Conversation
1 Origins of a Visual Language
1The Prevalent Language of the Classical
2The Visual Language of the Papacy
3The Visual Language of Raphael
4The Language of Recombination in the Stanza della Segnatura
2 Visual Language through the Lens of Competition at the Villa Farnesina
1Commissions from Agostino Chigi
2Raphael, Sebastiano, and Competition
3 Collaborative Practice and Emerging Workshop Mentalities
1Partnering with Peruzzi
2Raphael’s Workshop Takes Form
3The Capstone of Chigi’s Villa
4Revisiting the “Raphael Rooms”
5The Stanza dell’Incendio
6The Vatican Loggie
7Sala di Costantino
8Beyond the Vatican
4 Giovanni da Udine, Perino del Vaga, and Polidoro da Caravaggio, at the Palazzo Baldassini
1Melchiorre Baldassini (1470–1522)
2Sangallo’s Designs
3Giovanni da Udine and the Quotation of Antiquity
4Perino del Vaga, Polidoro da Caravaggio, and the Piano Nobile
5 Giulio Romano, Gianfrancesco Penni, and Polidoro da Caravaggio at the Villa Lante al Gianicolo
1Baldassarre Turini (1486–1543)
2A Challenge of Attribution and Dating
3Giulio’s Designs
4The Lateral Sale
5The Grand Salone
6 Polidoro da Caravaggio and Maturino da Firenze from the Frescoed Facade to the Fetti Chapel
1Fra Mariano Fetti (d. 1531)
2A Complicated History
3Peruzzi, Polidoro, and Painted Illusion
4Illusions of Landscape in the Fetti Chapel
7 Santa Maria Della Pace and a Pastiche by Peruzzi
1Filippo Sergardi (1466–1541)
2A Pastiche of Figures
3A Pastiche of Architecture
Epilogue
Bibliography
Index
List of Illustrations
Introduction
1Reclaiming Raphael’s Workshop
2Mechanics of a Visual Language: Imitation/Emulation/Repetition/Recombination
3Recombination in Light of Competition and Collaboration
4Revisiting Recombination within the Workshop
5Continuing the Conversation
1 Origins of a Visual Language
1The Prevalent Language of the Classical
2The Visual Language of the Papacy
3The Visual Language of Raphael
4The Language of Recombination in the Stanza della Segnatura
2 Visual Language through the Lens of Competition at the Villa Farnesina
1Commissions from Agostino Chigi
2Raphael, Sebastiano, and Competition
3 Collaborative Practice and Emerging Workshop Mentalities
1Partnering with Peruzzi
2Raphael’s Workshop Takes Form
3The Capstone of Chigi’s Villa
4Revisiting the “Raphael Rooms”
5The Stanza dell’Incendio
6The Vatican Loggie
7Sala di Costantino
8Beyond the Vatican
4 Giovanni da Udine, Perino del Vaga, and Polidoro da Caravaggio, at the Palazzo Baldassini
1Melchiorre Baldassini (1470–1522)
2Sangallo’s Designs
3Giovanni da Udine and the Quotation of Antiquity
4Perino del Vaga, Polidoro da Caravaggio, and the Piano Nobile
5 Giulio Romano, Gianfrancesco Penni, and Polidoro da Caravaggio at the Villa Lante al Gianicolo
1Baldassarre Turini (1486–1543)
2A Challenge of Attribution and Dating
3Giulio’s Designs
4The Lateral Sale
5The Grand Salone
6 Polidoro da Caravaggio and Maturino da Firenze from the Frescoed Facade to the Fetti Chapel
1Fra Mariano Fetti (d. 1531)
2A Complicated History
3Peruzzi, Polidoro, and Painted Illusion
4Illusions of Landscape in the Fetti Chapel
7 Santa Maria Della Pace and a Pastiche by Peruzzi
1Filippo Sergardi (1466–1541)
2A Pastiche of Figures
3A Pastiche of Architecture
Epilogue
Bibliography
Index
Notă biografică
Alexis R. Culotta, Ph.D. (2014), University of Washington, is a lecturer at the School of the Art Institute of Chicago. Other publications on Raphael’s circle include her recent chapter in Breaking with Convention in Italian Visual Culture (Cambridge Scholars Publishing, 2017).
Recenzii
“Despite the vast literature on it, the operation and importance of Raphael’s workshop is still much debated and little understood. This study restores agency and interest in artists and works of art that have long been little considered or overshadowed by Raphael himself. The author demonstrates that Raphael (1483–1520) developed a style of “recombination”— infused with visual quotations from ancient and contemporaneous artists—that proved influential in the development of a shared visual language among members of his entourage. Case studies illustrate how this shared, collaborative style evolved during Raphael’s lifetime and was perpetuated by members of the workshop in the years immediately following the artist’s death.”
W. E. Wallace, Washington University, in CHOICE Connect, a publication of the Association of College and Research Libraries, Volume 58, issue 10
W. E. Wallace, Washington University, in CHOICE Connect, a publication of the Association of College and Research Libraries, Volume 58, issue 10