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Tragedy – A Short Introduction: Wiley Blackwell Introductions to Literature

Autor R Bushnell
en Limba Engleză Hardback – noi 2007
Though classical tragedy may seem foreign to the contemporary reader, today's most popular television shows and films thrive on the type of violence, passion, madness, and catastrophe first introduced to the stage in fifth-century Athens. Far from being outdated, the themes of conflict in the writings of Sophocles, Shakespeare, and Racine remain as relevant as ever.Tragedy: A Short Introduction reinvigorates the genre for readers who are eager to embrace it, but who often find the traditional masterpieces too distant from their own language and world. Each chapter focuses on selected case studies that exemplify the compelling qualities of tragedy. The book reviews the history of tragic performance and the qualities of the classic tragic hero, clarifies the role of plot in defining tragedy, and analyzes the difference between a tragedy, a catastrophe, and a mere unhappy ending. Tragedy: A Short Introduction connects classic tragic dramas to the social, political, and cultural worlds that produced them - and that they were designed to challenge.
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Specificații

ISBN-13: 9781405130202
ISBN-10: 1405130202
Pagini: 156
Dimensiuni: 156 x 234 x 12 mm
Greutate: 0.38 kg
Editura: Wiley
Seria Wiley Blackwell Introductions to Literature

Locul publicării:Chichester, United Kingdom

Public țintă

undergraduate and graduate students of literature and theatre

Notă biografică

Rebecca Bushnell is Dean of the School of Arts and Sciences and Professor of English at the University of Pennsylvania. She edited A Companion to Tragedy and authored Green Desire: Imagining Early Modern English Gardens, A Culture of Teaching: Early Modern Humanism in Theory and Practice, Tragedies of Tyrants: Political Thought and Theater in the English Renaissance, and Prophesying Tragedy: Sign and Voice in Sophocles' Theban Plays.

Descriere

Tragedy: A Short Introduction reinvigorates the genre for readers who are eager to embrace it, but who often find the traditional masterpieces too distant from their own language and world.