Tremolo: Poems: National Poetry Series
Autor Spencer Shorten Limba Engleză Paperback – 2 iul 2001
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Specificații
ISBN-13: 9780060935689
ISBN-10: 0060935685
Pagini: 96
Dimensiuni: 135 x 203 x 5 mm
Greutate: 0.08 kg
Editura: HarperCollins Publishers
Colecția HarperPerennial
Seria National Poetry Series
ISBN-10: 0060935685
Pagini: 96
Dimensiuni: 135 x 203 x 5 mm
Greutate: 0.08 kg
Editura: HarperCollins Publishers
Colecția HarperPerennial
Seria National Poetry Series
Recenzii
“What a treat to listen to this new voice with its nutty intelligence and its strange authority.” — Billy Collins, Poet Laureate of the United States, 2001
“These are buoyant, agile, and often frightened poems -- poems that would like to outsmart themselves but -- poignantly, thankfully -- cannot.” — Mark Levine, author of Enola Gay and Debt
“Flipping through Tremolo, you immediately confront a prickly stir of humor, philosophy and romantic giddiness; reading this book is something like walking into a kitchen at a party and coming upon a wild charmer you’d never met, mid-gesticulation -- a terrific storyteller, but also one eager to switch gears mid-sentence, mid-phrase, mid-thought...the perfect panacea: a source of wisdom disguised as a thrill ride.” — Emily Nussbaum, The New York Times Book Review
“[Tremolo] brings to mind both T.S. Eliot and McSweeney’s....” — Rebecca Mead, The New Yorker
“These are buoyant, agile, and often frightened poems -- poems that would like to outsmart themselves but -- poignantly, thankfully -- cannot.” — Mark Levine, author of Enola Gay and Debt
“Flipping through Tremolo, you immediately confront a prickly stir of humor, philosophy and romantic giddiness; reading this book is something like walking into a kitchen at a party and coming upon a wild charmer you’d never met, mid-gesticulation -- a terrific storyteller, but also one eager to switch gears mid-sentence, mid-phrase, mid-thought...the perfect panacea: a source of wisdom disguised as a thrill ride.” — Emily Nussbaum, The New York Times Book Review
“[Tremolo] brings to mind both T.S. Eliot and McSweeney’s....” — Rebecca Mead, The New Yorker