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Tristram Shandy de Laurence Sterne

Tristram Shandy: Classic Fiction

Autor Laurence Sterne
en Limba Engleză Audio – 30 iun 2009

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Audies (2010)
Laurence Sterne's most famous novel is a biting satire of literary conventions and contemporary eighteenth-century values. Renowned for its parody of established narrative techniques, Tristram Shandy is commonly regarded as the forerunner of avant-garde fiction. Tristram's characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain's greatest comic achievements. A cast of strange characters populate this strangest of novels: gentle Uncle Toby, sarcastic Walter and of course, the pompous, garrulous Tristram himself. This edition is read by Anton Lesser in a tour de force performance.
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Specificații

ISBN-13: 9789626349670
ISBN-10: 9626349670
Dimensiuni: 137 x 62 x 137 mm
Greutate: 0.48 kg
Editura: NAXOS Audiobooks
Seria Classic Fiction

Locul publicării:Hong Kong

Recenzii

Naxos audiobooks has just released an unabridged version, read by Anton Lesser with humour and brio. Lesser's light tenor is perfectly suited to the many roles (Parson Yorick, Doctor Slop, et al) who crowd Sterne's narrative. This translates into 15 CDs and about 19 hours of listening. Perfect for a wet summer. -- Robert McCrum, The Observer. This extraordinary novel - precursor of post-modernism by 250 years - would be an unwieldy beast in unabridged form: its 19 hours of whim and wit would be indigestible , if swallowed whole. But at a gentle pace it makes a lovely listen, as Anton Lesser brings characters and situations to life in infectiously unbuttoned style. Massive books like Sterne's don't fit modern lifestyles, but this massive audio-book may well fit in very well. -- Betty Tadman, The Scotsman As a general rule I go along with the advice that if a book doesn't grab you by the end of chapter 4, don't waste your time, there are plenty more. Yes, but not like Tristram Shandy. Nothing I've ever come across is like Sterne's extraordinary comic tour de force published 250 years ago which, I freely admit, I found pretty hard going a long way past chapter 4. And then, suddenly, I got it. Or at least I realised I was coming at it from the wrong direction. It isn't a novel. It has no plot. Chapters break off in mid-sentence because, advises the narrator, 'I would not give a groat for that man's knowledge in pen-craft who does not understand this: That the best plain narrative in the world, tacked very close to the last spirited apostrophe to my Uncle Toby, would have felt both cold and vapid upon the reader's palate; therefore I forthwith put an end to the chapter, though I was in the middle of my story.' And which story might that have been? The one about Uncle Toby's dalliance with the widow Wadman? Or his manservant Corporal Trim's tireless reconstructions of Flanders campaigns, complete with battering rams and catapults on the bowling green behind the vegetable garden? Or of Dr Slop, summoned to assist at the narrator's birth, being thrown from his horse and ... Enough. If you've ever sat spellbound listening to a witty, satirical, outrageous, digressive raconteur regaling you with endless stories about preposterous characters that lead nowhere but keep you hanging on every word, trust me - they learned their craft from Sterne. So did postmodernists such as James Joyce and Flann O'Brien. It is tailor-made for audio, as is Anton Lesser's reading - intelligent, humorous, charming. Dr Johnson admired the book enormously, but opined that 'nothing odd will do long'. For once he was wrong. Tristram Shandy is decidedly odd and extremely long, but it has stayed the course. -- Sue Arnold, The Guardian When I'm in London during the summer, I don't have the car. This is liberating to an extent, but does mean that I can't listen to Tristram Shandy. I bought the unabridged 15-CD set at the best possible place - Shandy Hall, Laurence Sterne's home at Coxwold, in Yorkshire.
On visiting, I became uncomfortably aware that I'd never managed to get through any Sterne. Anton Lesser reads Tristram to perfection. By the time I'd driven back to Ramsgate the next day, I had heard 10 CDs, but what about the remainder? My ears are the wrong shape for an iPod; the little earphones fall out. I can't expect the family to share Sterne in the car. Besides, is he suitable for children?
Eventually, they may take to him more quickly than me always going off at a tangent, with no obvious beginning, middle and end, Tristram should appeal to the internet generation. -- Clive Aslet, Town Mouse Country Life

Notă biografică

Born in Clonmel, Ireland, in 1713, Laurence Sterne spent the first ten years of his life moving from place to place within Ireland and also Yorkshire, as his father, an army ensign, was assigned and reassigned constantly. Educated at a grammar school near Halifax, Sterne took a place at Jesus College, Cambridge in 1733, two years after his father died of a fever in Jamaica. Going on to become a clergyman, he published four sermons during his lifetime - but it was for his literary works that he earned great acclaim, particularlyThe Life and Opinions of Tristram Shandy, his nine-volume masterpiece, which made him a celebrity.

Dogged by ill-health for much of his life, he took various recuperative trips to the continent, which informed his final work,A Sentimental Journey, published barely three weeks before his death in London in 1768 at the age of fifty-four.

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