Tupaia, Captain Cook and the Voyage of the Endeavour: A Material History
Editat de Khadija Von Zinnenburg Carrollen Limba Engleză Hardback – 26 iul 2023
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Specificații
ISBN-13: 9781350157491
ISBN-10: 135015749X
Pagini: 240
Ilustrații: 50 bw illus and 8 colour plates
Dimensiuni: 189 x 246 mm
Greutate: 1.09 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 135015749X
Pagini: 240
Ilustrații: 50 bw illus and 8 colour plates
Dimensiuni: 189 x 246 mm
Greutate: 1.09 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
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Caracteristici
Includes chapters from several senior indigenous researchers, artists, scholars and historians from Tahiti, New Zealand, Australia, Indonesia, Barnabas Island, as well as leading design theorists from the UK
Notă biografică
Khadija von Zinnenburg Carroll is an artist and historian, leading the project REPATRIATES: Artistic Research in Museums and Communities in the Process of Repatriation from Europe. She is Professor at the Central European University, Austria and Honorary Professor and Chair of Global Art at the University of Birmingham, UK.
Cuprins
List of Figures List of ContributorsAcknowledgements 1. Taonga and Tupaia: Introduction to a Material History, Khadija von Zinnenburg Carroll (Central European University, Austria) and Simon Layton (Queen Mary, University of London, UK)2. The Whale and Wave that Washed our Minds: Notes from the Making of a Documentary, Kay Robin, Jody Toroa and Khadija von Zinnenburg Carroll. Featuring words by Emalani Case, Tina Ngata and Hinane Teavai-MurphySection One: The Wave of Tupaia3. Tupaia and the Heva Tupapa'u: Voyages Past, Present and Future, Pauline Reynolds (Norfolk Island Museum) and Julie Adams (British Museum, UK)4. Art and History in Conversation: Tupaia's Drawing of a Marae, Harriet Parsons (University of Melbourne, Australia) and Katerina Teaiwa (Australian National University)5. The Pacific and the Tasman: A Conversation with Alison Bashford, Alison Bashford (University of New South Wales, Australia)6. 'When it's Rough, Don't Pray for Good Weather. Pray for Courage': An Interview with Anne Salmond, Anne Salmond (University of Auckland, New Zealand)7. Rangiiwaho Ihu Ki Te Moana: Encountering the Pacific at the National Maritime Museum, Sylvia Cockburn (Australian War Memorial)8. Western Histories of the Endeavour Voyage: Erasures and Creations Performed, Archived and Activated, Huw Rowlands (Royal Holloway, University of London, UK)Section Two: In the Wake of Tupaia9. I Didn't Know What I Was Doing: Tupaia's Postcolonial Funeral and Ritual Art in Britain, Naomi Vogt (Warwick University, UK)10. Conversation Pieces: Between Creases and Edges, Ruby Hoette (Goldsmiths, University of London, UK)11. Museopiracy and the Vacuum Package: Redressing the Commemoration of the Endeavour's Voyage to the Pacific in Processions for Tupaia, Khadija von Zinnenburg Carroll (Central European University, Austria)12. Fishing for Pirates: Institutional Violence and the Cook Commemoration, Simon Layton (Queen Mary, University of London, UK)13. A New Atlantic: Wayfinding Beyond the Totalizing Claims and Epistemic Violence of Eurocentric Modernity, Tom Trevor (The Atlantic Project, UK)14. Tupaia's New Cloak as Transformative Healing Object, Vita Peacock (Kings College London, UK)15. Look at Me/Don't Look at Me: A Voyage and a Journey Around High-Vis Materials; or Explorations in Fluorescent Matters, Juliette Kristensen (Goldsmiths, University of London, UK)16. Reparation as a Crossing: On the Filming of Procession for Tupaia as a Performative Documentary Process, Ludovica Fales (Kitchen Sink Collective, London17. Rubbishing Counterpoint: An Interview with Johanes (Mo'ong) Santoso Pribadi on Tupaia's Funeral Music in Batavia, Johanes Santoso Pribadi (Independent Composer and Music Writer, Indonesia) and Hana Qugana (University of Sussex, UK)18. Savaging the Sonic: Tupaia, Indigeneity and Commemorative Dissonance, Hana Qugana (University of Sussex, UK)
Recenzii
The book provides an enlightening alternative prism through which we can rediscover the Pacific agency in Tupaia, beyond the gaze of the dominant colonial history, which often revolves around Captain Cook's view of the world. It is a must-read collection of narratives woven together into an intellectually illuminating tapestry of cultural history with a strong Pacific flavour. A highly recommended text.
This set of essays does not result in a history, nor in a re-evaluation of previous histories but instead it is a tapestry of relations, of conversations and reflections on the Ra'iatean navigator Tupaia. This contemporary engagement with Tupaia redresses thin colonial understandings of his role with layers of social fabric that emerge from the multivocality of the volume's authors, including established and emerging artists, scholars, filmmakers and composers. From multiple vantage points, the authors reveal that the strength of material culture, in this case the cloaks of Tupaia and Cook, is in their relationship to the intangible, the cross-temporal, the sonic, the performative, and how these make kin of all involved.
As European institutions remain trapped by their colonial legacies, this book documents a funeral procession for the great navigator Tupaia, that walked from the doors of the National Maritime Museum to the ocean over which he guided Captain Cook, from the bowels of Europe's collections to the air of living Polynesian history.
Using dress to redress historical ignorance about the significance of Tupaia during Cook's Endeavour voyage, this volume is a multivocal assemblage of perspectives and reflections that demonstrate the ongoing challenges and complex legacies that stem from early colonial encounters. Not only do the authors demonstrate the potency of clothing in restoring Tupaia's absence from the historical record, they also address questions of ownership of museum collections. The volume interweaves social relationships in a realm of dialogue in which all voices act as co-interpreters. Divided in two sections, one analysing the manifold histories of Tupaia, the other honouring Tupaia by describing the Cook's New Clothes project, this book presents a mosaic of interpretations that cross geographical, temporal and disciplinary boundaries, as such providing a true testimony to the complexity and command of the figure of Tupaia himself.
This rich and wonderful book exemplifies the explosion of research, reflection and creative practice around European maritime exploration over the last thirty years. Building especially on the work of Anne Salmond, commemorative studies of celebrity navigators such as Captain Cook have been succeeded by critical inquiry into cross-cultural voyaging, the deep histories of collecting, projects to return artefacts from institutions such as the Museum of Archaeology and Anthropology in Cambridge to Australia, Aotearoa and Tahiti, and art practices that re-imagine encounters towards postcolonial futures. The Society Islands priest, artist and navigator Tupaia has been at the heart of these studies. This book offers a key set of debates and contributions that will be widely valued.
This set of essays does not result in a history, nor in a re-evaluation of previous histories but instead it is a tapestry of relations, of conversations and reflections on the Ra'iatean navigator Tupaia. This contemporary engagement with Tupaia redresses thin colonial understandings of his role with layers of social fabric that emerge from the multivocality of the volume's authors, including established and emerging artists, scholars, filmmakers and composers. From multiple vantage points, the authors reveal that the strength of material culture, in this case the cloaks of Tupaia and Cook, is in their relationship to the intangible, the cross-temporal, the sonic, the performative, and how these make kin of all involved.
As European institutions remain trapped by their colonial legacies, this book documents a funeral procession for the great navigator Tupaia, that walked from the doors of the National Maritime Museum to the ocean over which he guided Captain Cook, from the bowels of Europe's collections to the air of living Polynesian history.
Using dress to redress historical ignorance about the significance of Tupaia during Cook's Endeavour voyage, this volume is a multivocal assemblage of perspectives and reflections that demonstrate the ongoing challenges and complex legacies that stem from early colonial encounters. Not only do the authors demonstrate the potency of clothing in restoring Tupaia's absence from the historical record, they also address questions of ownership of museum collections. The volume interweaves social relationships in a realm of dialogue in which all voices act as co-interpreters. Divided in two sections, one analysing the manifold histories of Tupaia, the other honouring Tupaia by describing the Cook's New Clothes project, this book presents a mosaic of interpretations that cross geographical, temporal and disciplinary boundaries, as such providing a true testimony to the complexity and command of the figure of Tupaia himself.
This rich and wonderful book exemplifies the explosion of research, reflection and creative practice around European maritime exploration over the last thirty years. Building especially on the work of Anne Salmond, commemorative studies of celebrity navigators such as Captain Cook have been succeeded by critical inquiry into cross-cultural voyaging, the deep histories of collecting, projects to return artefacts from institutions such as the Museum of Archaeology and Anthropology in Cambridge to Australia, Aotearoa and Tahiti, and art practices that re-imagine encounters towards postcolonial futures. The Society Islands priest, artist and navigator Tupaia has been at the heart of these studies. This book offers a key set of debates and contributions that will be widely valued.