U.S. Latino Literature: A Critical Guide for Students and Teachers
Editat de Margarite Fernández Olmos, Harold Augenbraumen Limba Engleză Hardback – 29 sep 2000 – vârsta până la 17 ani
Preț: 303.58 lei
Preț vechi: 585.52 lei
-48% Nou
Puncte Express: 455
Preț estimativ în valută:
58.10€ • 60.53$ • 48.31£
58.10€ • 60.53$ • 48.31£
Carte tipărită la comandă
Livrare economică 10-24 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780313311376
ISBN-10: 0313311374
Pagini: 232
Dimensiuni: 156 x 235 x 22 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
ISBN-10: 0313311374
Pagini: 232
Dimensiuni: 156 x 235 x 22 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
Notă biografică
HAROLD AUGENBRAUM is director of the Mercantile Library of New York and its Center for World Literature./e Among his publications are Latinos in English (1992), Growing Up Latino: Memories and Stories (1993) and The Latino Reader: An American Literary Tradition from 1542 to the Present (1997). He is also an editor of the forthcoming Norton Anthology of Latino Literature of the United States.MARGARITE FERNÁNDEZ OLMOS is Professor of Spanish at Brooklyn College of the City University of New York. She has lectured and written extensively on Caribbean and Latin American literatures. She is co-editor of Contemporary Women Authors of Latin America:New Translations and Introductory Essays (1983) and Remaking a Lost Harmony:Stories from the Hispanic Caribbean (1997, co-edited and translated with Lizabeth Paravisini-Gebert). Her other publications include The Latino Reader: An American Literary Tradition from 1542 to the Present (1997) co-edited with Harold Augenbraum, and Rudolfo A. Anaya: A Critical Companion (Greenwood, 1999).
Cuprins
Introduction by Harold Augenbraum and Margarite Fernández OlmosLiterary Strategies in Alvar Núñez Cabeza de Vaca's The Account by Harold AugenbraumTrials and Tribulations: The Life and Works of María Amparo Ruiz de Burton by Beatrice PitaPiri Thomas' Down These Mean Streets: Writing as a Nuyorican/Puerto Rican Strategy for Survival by Asela Rodríguez de LagunaUn Mundo Entero: ToMÁs Rivera and His World by Evangelina Vigil-PiñónHistorical and Magical, Ancient and Contemporary: The World of Rudolfo Anaya's Bless Me, Ultima by Margarite Fernández OlmosThe Self as Cultural Metaphor: Oscar "Zeta" Acosta's The Autobiography of a Brown Buffalo by Genaro M. PadillaAdapting, Not Assimilating: Edward Rivera's Family Installments by Alfredo Villanueva-ColladoRichard Rodriguez's Hunger of Memory and the Rejection of the Private Self by Lizabeth Paravisini-GebertTeaching Oscar Hijuelos' Our House in the Last World by Gustavo Perez-FirmatFemale Voices in Sandra Cisneros' The House on Mango Street by Myrna-Yamil GonzálezThe Dominican-American Bildungsroman: Julia Alvarez' How the Garcia Girls Lost Their Accents by Heather Rosario-SievertThe Dialect(ic)s of Mestizaje in Gloria Anzaldúa's Borderlands/La Frontera: The New Mestiza by Hector A. TorresWriting a Life: When I was Puerto Rican by Esmeralda Santiago by Aileen SchmidtJudith Ortiz Cofer's The Latin Deli by Rafael OcasioCristina García's Dreaming in Cuban: The Contested Domains of Politics, Family, and History by Iraida H. LópezJunot Diaz's Drown Revisiting "Those Mean Streets" by Lizabeth Paravisini-GebertUsing Latina Poetry in the Classroom by Bryce MilliganBorders and Birthrights: Watching Cheech Marin's Born in East LA by Chon A. NoriegaAppendicesIndex