Unpopular Culture: Televisual Culture
Autor Martin Luthe, Sascha Pohlmann, Catherine Bouko, Martin Butler, Jeroen Kloeten Limba Engleză Hardback – 13 oct 2016
This volume introduces a new concept, one that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analyzing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies.
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Specificații
ISBN-13: 9789089649669
ISBN-10: 9089649662
Pagini: 340
Ilustrații: 1 line art
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.7 kg
Editura: Amsterdam University Press
Seria Televisual Culture
ISBN-10: 9089649662
Pagini: 340
Ilustrații: 1 line art
Dimensiuni: 156 x 234 x 20 mm
Greutate: 0.7 kg
Editura: Amsterdam University Press
Seria Televisual Culture
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Notă biografică
Martin Luthe is associate professor of North American cultural studies with the John F. Kennedy Institute at the Freie Universität Berlin. Sascha Pöhlmann is associate professor of American literary history at the Ludwig-Maximilians-Universität München.
Cuprins
Introduction
What is Unpopular Culture?
Martin Lüthe & Sascha Pöhlmann
Why We Talk the Talk We Talk
On the Emptiness of Terms, the Processual Un/Popular, and Benefits of Distinction—Some Auto-Ethnographical Remarks
Martin Butler
Big Fish
On the Relative Popularity of Zane Grey and Ernest Hemingway
Dominika Ferens
How (Not) to Make People Like You
The Anti-Popular Art of David Foster Wallace
James Dorson
Dissenting Commodities
Negotiations of (Un)popularity in Publications Critical of Post-9/11 U.S.-America
Elizabeth Kovach
Secrets, Lies and The Real Housewives
The Death of an (Un)Popular Genre
Dan Udy
Karaoke Americanism Gangnam Style
K-pop, Wonder Girls, and the Asian Unpopular
Jeroen de Kloet and Jaap Kooijman
‘When order is lost, time spits’
The Abject Unpopular Art of Genesis (Breyer) P-Orridge
Florian Zappe
‘Famous in a Small Town’
The Authenticity of Unpopularity in Contemporary Country Music
Christian Schmidt
Making Christianity Cool
Christian Pop Music’s Quest for Popularity
Bärbel Harju
Listening to Bad Music
White Power and (Un)Popular Culture
C. Richard King
Hipster Black Metal?
Deafheaven’s Sunbather and the Evolution of an (Un)popular Genre
Paola Ferrero
Unpopular Culture and the American Reception of Tinariwen
Barry Shank
Cultural Studies and the Un/Popular
How the Ass-Kicking Work of Steven Seagal May Wrist-Break Our Paradigms of Culture
Dietmar Meinel
Unpopular Sport Teams and the Social Psychology of ‘Anti-Fans’
Karsten Senkbeil
Popular, Unpopular
When First World War Museums Meet Facebook
Catherine Bouko
Unpopular American Natural Calamities and the Selectivity of Disaster Memory
Susanne Leikam
The Unpopular Profession?
Graduate Studies in the Humanities and the Genre of the ‘Thesis Hatement’
Sebastian M. Herrmann
Contributors
Index
What is Unpopular Culture?
Martin Lüthe & Sascha Pöhlmann
Why We Talk the Talk We Talk
On the Emptiness of Terms, the Processual Un/Popular, and Benefits of Distinction—Some Auto-Ethnographical Remarks
Martin Butler
Big Fish
On the Relative Popularity of Zane Grey and Ernest Hemingway
Dominika Ferens
How (Not) to Make People Like You
The Anti-Popular Art of David Foster Wallace
James Dorson
Dissenting Commodities
Negotiations of (Un)popularity in Publications Critical of Post-9/11 U.S.-America
Elizabeth Kovach
Secrets, Lies and The Real Housewives
The Death of an (Un)Popular Genre
Dan Udy
Karaoke Americanism Gangnam Style
K-pop, Wonder Girls, and the Asian Unpopular
Jeroen de Kloet and Jaap Kooijman
‘When order is lost, time spits’
The Abject Unpopular Art of Genesis (Breyer) P-Orridge
Florian Zappe
‘Famous in a Small Town’
The Authenticity of Unpopularity in Contemporary Country Music
Christian Schmidt
Making Christianity Cool
Christian Pop Music’s Quest for Popularity
Bärbel Harju
Listening to Bad Music
White Power and (Un)Popular Culture
C. Richard King
Hipster Black Metal?
Deafheaven’s Sunbather and the Evolution of an (Un)popular Genre
Paola Ferrero
Unpopular Culture and the American Reception of Tinariwen
Barry Shank
Cultural Studies and the Un/Popular
How the Ass-Kicking Work of Steven Seagal May Wrist-Break Our Paradigms of Culture
Dietmar Meinel
Unpopular Sport Teams and the Social Psychology of ‘Anti-Fans’
Karsten Senkbeil
Popular, Unpopular
When First World War Museums Meet Facebook
Catherine Bouko
Unpopular American Natural Calamities and the Selectivity of Disaster Memory
Susanne Leikam
The Unpopular Profession?
Graduate Studies in the Humanities and the Genre of the ‘Thesis Hatement’
Sebastian M. Herrmann
Contributors
Index
Descriere
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In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.
In tracing the efforts of a large number of artists to disrupt the hegemony of high culture, Bart Beaty raises important questions about cultural value and its place as an important structuring element in contemporary social processes.