Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond: Russian History and Culture, cartea 14
Editat de Christina Lodder, Maria Kokkori, Maria Mileevaen Limba Engleză Hardback – 23 oct 2013
Contributors include: John E. Bowlt, Natalia Budanova, David Crowley, Evgeny Dobrenko, Maria Kokkori, Christina Lodder, Muireann Maguire, Nicholas Bueno de Mesquita, Maria Mileeva, John Milner, Nicoletta Misler, Maria Starkova-Vindman, Brandon Taylor, and Maria Tsantsanoglou.
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Specificații
ISBN-13: 9789004263208
ISBN-10: 9004263209
Pagini: 271
Dimensiuni: 155 x 235 x 25 mm
Greutate: 0.59 kg
Editura: Brill
Colecția Brill
Seria Russian History and Culture
ISBN-10: 9004263209
Pagini: 271
Dimensiuni: 155 x 235 x 25 mm
Greutate: 0.59 kg
Editura: Brill
Colecția Brill
Seria Russian History and Culture
Cuprins
List of illustrations
Acknowledgements
Introduction: Utopia and Dystopia: The Impulse of History
Christina Lodder, Maria Kokkori and Maria Mileeva
1.Dreaming of the City: Mikhail Larionov’s Provincial Dandy
John Milner
2.Utopic Sex: The Metamorphosis of Androgynous Imagery in Pre- and Post-Revolutionary Russian Art
Natalia Budanova
3.The Soviet Icarus: From the Dream of Free Flight to the Nightmare of Free Fall
Maria Tsantsanoglou
II
4.Theo van Doesburg and Russia: Utopia Thwarted
Nicholas de Mesquita
5.Fighting for a Utopian Childhood: Militarism in Children’s Periodicals of the Early USSR
Maria Starkova-Vindmann
6.Spectral Geographies of Soviet Russia: Émigré Visions of Impossible Returns
Muireann Maguire
7.Twice removed: Pavel Filonov and Nikolai Glebov-Putilovskii
Nicoletta Misler
8.Exhibiting Kazimir Malevich under Stalin
Maria Kokkori
9.The Old and the New: Solomon Nikritin and Polyrealizm
John E. Bowlt
10.The Ghost in the Machine: The Modernist Architectural Utopia under Stalin
Christina Lodder
11.Petrified Utopia: Socialist Realism and Stasis
Evgeny Dobrenko
12.Utopia in Retreat: The Closure of the State Museum of New Western Art, 1948
Maria Mileeva
III
13.The Body Electric: Cybernetics in East European Art in the 1960s Eastern Bloc
David Crowley
14.Geometry after Utopia
Brandon Taylor
Notes on the Contributors
Index
Acknowledgements
Introduction: Utopia and Dystopia: The Impulse of History
Christina Lodder, Maria Kokkori and Maria Mileeva
1.Dreaming of the City: Mikhail Larionov’s Provincial Dandy
John Milner
2.Utopic Sex: The Metamorphosis of Androgynous Imagery in Pre- and Post-Revolutionary Russian Art
Natalia Budanova
3.The Soviet Icarus: From the Dream of Free Flight to the Nightmare of Free Fall
Maria Tsantsanoglou
II
4.Theo van Doesburg and Russia: Utopia Thwarted
Nicholas de Mesquita
5.Fighting for a Utopian Childhood: Militarism in Children’s Periodicals of the Early USSR
Maria Starkova-Vindmann
6.Spectral Geographies of Soviet Russia: Émigré Visions of Impossible Returns
Muireann Maguire
7.Twice removed: Pavel Filonov and Nikolai Glebov-Putilovskii
Nicoletta Misler
8.Exhibiting Kazimir Malevich under Stalin
Maria Kokkori
9.The Old and the New: Solomon Nikritin and Polyrealizm
John E. Bowlt
10.The Ghost in the Machine: The Modernist Architectural Utopia under Stalin
Christina Lodder
11.Petrified Utopia: Socialist Realism and Stasis
Evgeny Dobrenko
12.Utopia in Retreat: The Closure of the State Museum of New Western Art, 1948
Maria Mileeva
III
13.The Body Electric: Cybernetics in East European Art in the 1960s Eastern Bloc
David Crowley
14.Geometry after Utopia
Brandon Taylor
Notes on the Contributors
Index
Notă biografică
Christina Lodder is Professor of the History and Philosophy of Art at the University of Kent. Her publications include Russian Constructivism (1983), Constructing Modernity: The Art and Career of Naum Gabo (with Martin Hammer, 2000), Gabo on Gabo (co-editor, 2000), Constructive Strands in Russian Art (2005) and Rethinking Malevich (co-editor, 2007).
Maria Kokkori is a research fellow at the Art Institute of Chicago. She received her Ph.D. in 2008 at the Courtauld Institute of Art, where she completed a postdoctoral fellowship with a focus on Russian Constructivism. Her latest research project explores Kazimir Malevich’s teaching activities at the Vitebsk Art School in Belarus between 1919 and 1923.
Maria Mileeva is an Early Career Lecturer at The Courtauld Institute of Art, London, where she completed her PhD in 2011. Her latest research project explores the discourse of centre and periphery in Soviet cultural and institutional history by looking at a network of regional art museums in Tbilisi, Yerevan, Baku, Kiev, Saratov and Kazan.
Maria Kokkori is a research fellow at the Art Institute of Chicago. She received her Ph.D. in 2008 at the Courtauld Institute of Art, where she completed a postdoctoral fellowship with a focus on Russian Constructivism. Her latest research project explores Kazimir Malevich’s teaching activities at the Vitebsk Art School in Belarus between 1919 and 1923.
Maria Mileeva is an Early Career Lecturer at The Courtauld Institute of Art, London, where she completed her PhD in 2011. Her latest research project explores the discourse of centre and periphery in Soviet cultural and institutional history by looking at a network of regional art museums in Tbilisi, Yerevan, Baku, Kiev, Saratov and Kazan.