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Victorian Comedy and Laughter: Conviviality, Jokes and Dissent

Editat de Louise Lee
en Limba Engleză Hardback – 6 aug 2020
This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.
      
               
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Specificații

ISBN-13: 9781137578815
ISBN-10: 1137578815
Pagini: 357
Ilustrații: XIV, 359 p. 11 illus., 7 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.6 kg
Ediția:1st ed. 2020
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

1.Introduction:Victorian Comedy & Laughter: Conviviality, Jokes and Dissent.- 2. Chapter 2: Malcolm Andrews, ‘Laughter & Conviviality’. - 3. Chapter 3: Jonathan Buckmaster, ‘Brutal Buffoonery and Clown Atrocity: Dickens’s Pantomime Violence’. - 4. Chapter 4: Peter Swaab, ‘Edward Lear’s Travels in Nonsense and Europe’.- 5. Chapter 5: Bob Nicholson, ‘“Capital Company”: Writing and Telling Jokes in Victorian Britain’.- 6. Chapter 6: Louise Lee, ‘George Eliot’s Jokes’.- 7. Chapter 7: Ann Featherstone, ‘The Game of Words: A Victorian Clown’s Gag-book and Circus Performance’. - 8. Chapter 8: Louise Wingrove, ‘“Sassin’ back”: Victorian Serio-Comediennes and Their Audiences’.- 9. Chapter 9: Oliver Double, ‘“Deliberately Shaped for Fun by the High Gods”: Little Tich, Size and Respectability in the Music Hall’. - 10. Chapter 10: Peter Jones, ‘Laughing Out of Turn: Fin de Siècle Literary Realism and the Vernacular Humours of the Music Hall’. - 11. Chapter 11: Jonathan Wild, ‘What was New about the “New Humour”?: Barry Pain’s “Divine Carelessness”’. - 12. Chapter 12: Matthew Kaiser, ‘Just Laughter: Neurodiversity in Oscar Wilde’s “Pen, Pencil and Poison”


       

Recenzii

“This volume is an enjoyable read and a comfortable entry point into the field of Victorian comedy and laughter, both for those familiar with the subject and for those new to it. I hope that readers of Victorian Studies will take up its invitation. … this book will furnish you with conviviality, jokes, and just the right amount of dissent.” (Laura Kasson Fiss, Victorian Studies, Vol. 65 (1), 2022)

Notă biografică

Louise Lee is Senior Lecturer in Victorian Literature at Roehampton University, UK.


     




           

Textul de pe ultima copertă

'A sparkling collection — at once authoritative and intrepid. Louise Lee has assembled a remarkable set of essays, shedding fresh light on the many lives of comedy at work and play in nineteenth-century culture (from poetry to fiction, circus to music hall, and beyond). This volume is a welcome contribution to Victorian studies; but, more importantly, it’s a reminder—in Lee’s words—that “laughter is good to think with.”' - Matthew Bevis, University of Oxford & author of Wordsworth's Fun (2019)




This innovative collection of essays is the first to situate comedy and laughter as central
rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality,
Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear,
George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved
Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing
three consecutive and interlocking moods in the period, all of the contributors engage with the
crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic
form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print
culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone,
Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke — both on
the page and the stage — while Peter Jones, Jonathan Wild and Matthew Kaiser consider the
impassioned debates concerning old and new forms of laughter that took place at the end of
the century.

Caracteristici

Provides a new theoretical framework for the development of comedy studies in the Victorian period
Charts the falling-up of the joke as part of nineteenth century modernity
Argues that the Victorians, in an age of exploding print and stage culture, experienced laugh-out-loud moments similar to our own today