This book recovers and explores an important tradition of nineteenth-century women's poetry from Felicia Hemans to Charlotte Mew. Angela Leighton not only discusses the work of neglected poets such as Augusta Webster and ""Michael Field,"" but also charts the development of women's poetry from sentimentalism of Hemans and L.E.L. (Letitia Elizabeth Landon) to the various strategies of self-displacement employed by the best of the Victorians, especially Elizabeth Barrett Browning and Christina Rossetti. Combining biographical material with theoretical readings of the poems, Angela Leighton offers a reinterpretation not only of some original and intriguing literature, but also of the very canon of Victorian poetry. Impressive in scope and highly original in its aims, this study will serve as the main critical work in this area for many years to come.