Vikram Seth's Suitable Boy: A Reader's Guide: Continuum Contemporaries
Autor Angela Atkinsen Limba Engleză Paperback – 31 mai 2002
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Specificații
ISBN-13: 9780826457073
ISBN-10: 082645707X
Pagini: 88
Dimensiuni: 137 x 190 x 9 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Contemporaries
Locul publicării:New York, United States
ISBN-10: 082645707X
Pagini: 88
Dimensiuni: 137 x 190 x 9 mm
Greutate: 0.11 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Contemporaries
Locul publicării:New York, United States
Recenzii
"Study
Aids
Get
Chic
Concerned
about
keeping
up
at
the
book
club?
Stuck
for
something
to
say
when
dinner
party
talk
turns
to
Zadie
Smith?
Or
no
time
to
read
Captain
Corelli's
Mandolin
before
the
movie
comes
out?
Never
fear,
cool
new
study
aids
are
here
in
the
form
of
Continuum
Contemporaries....The
Novel
Approach,
a
series
of
handy
readers'
guides
to
contemporary
fiction.
Launching
in
September,
with
further
waves
in
January
and
May
2002,
they're
much
slicker
than
the
frumpy
cheat-aids
of
yore,
including
everything
from
website
links
to
review
buzz,
and
deliberately
featuring
new
novels
such
as
Bridget
Jones's
Diary,
The
Shipping
News,
Trainspotting,
and
even
the
Harry
Potter
books."
--Time
Out
(London)
"A brilliant idea--short, perceptive books which tell you what you need to know about some of the most vibrant and challenging writing around today--a bit like having a reading group in your pocket."--Ian Rankin
"The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked. The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews. Refreshingly upfront and up-to-date... Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples... An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals. In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond. Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films." -- The Times Higher Education Supplement, May 31, 2002
"A brilliant idea--short, perceptive books which tell you what you need to know about some of the most vibrant and challenging writing around today--a bit like having a reading group in your pocket."--Ian Rankin
"The series comes as near to squaring various circles - popular / academic, 'good read' / 'classic Lit', novel / film of the book as any I know. And at best it goes a fair way towards reshuffling those categories and redrawing the boundaries. With the first volume, I was relieved. After two or three, I was hooked. The books are invaluable for gathering out-of-the-way or ephemeral comment from TV and radio interviews and the web as well as from literary reviews. Refreshingly upfront and up-to-date... Given the space, there are remarkably balanced film/novel comparisons of the most well-known examples... An important feature is the fully referenced bibliographies, including reviews and copious website addresses - the latter ranging from fanzines and authors' and publishers' own sites to academic discussion lists and online journals. In method as in subject matter, these guides move freely on the interface between print culture and multimedia. Highly finished and pleasantly handleable as books in their own right, they gesture accommodatingly to both words and worlds beyond. Taking the series as a whole, it also confirms two things: that narrative nowadays is generically highly hybrid and increasingly cross-media; and that an understanding of the processes of writing and reading 'contemporary classic' (or at least 'currently famous') fiction cannot be separated - yet must be distinguished - from the processes of making and marketing books and films." -- The Times Higher Education Supplement, May 31, 2002