Visions of Savage Paradise: Albert Eckhout, Court Painter in Colonial Dutch Brazil, 1637-1644
Autor Rebecca Parker Brienenen Limba Engleză Paperback – 14 mai 2007
Visions of Savage Paradise is the first major book-length study of seventeenth-century Dutch artist Albert Eckhout to be published in nearly seventy years. Eckhout, who was court painter to the colonial governor of Dutch Brazil, created life-size paintings of Amerindians, Africans, and Brazilians of mixed race in support of the governor’s project to document the people and natural history of the colony. In this study, Rebecca Parker Brienen provides a detailed analysis of Eckhout’s works, framing them with discussions of both their colonial context and contemporary artistic practices in the Dutch republic.
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Specificații
ISBN-13: 9789053569474
ISBN-10: 9053569472
Pagini: 288
Ilustrații: 17 color plates, 72 halftones
Dimensiuni: 156 x 235 mm
Editura: Amsterdam University Press
Colecția Amsterdam University Press
ISBN-10: 9053569472
Pagini: 288
Ilustrații: 17 color plates, 72 halftones
Dimensiuni: 156 x 235 mm
Editura: Amsterdam University Press
Colecția Amsterdam University Press
Notă biografică
Rebecca Parker Brienen is assistant professor of art history at the University of Miami, Florida.
Cuprins
Acknowledgements
Introduction
Chapter 1
Albert Eckhout (ca. 1607-1665/6)
Portrait and Still-life Painter at Johan Maurits’s Brazilian Court
Chapter 2
‘To Reproduce Nature Itself as Perfectly as Possible’
The Brazilian Natural History Drawings of Albert Eckhout
Chapter 3
Cannibalizing America
From the Ethnographic Impulse to the Ethnographic Portrait
Chapter 4
Between the Savage and the Civilized
Eckhout’s Brasilianen and Tapuyas
Chapter 5
Black, Brown, and Yellow
Eckhout’s Paintings of Africans, Mestizos, and Mulattos
Chapter 6
Eckhout’s Paintings
Location and Interpretation
Conclusion
Colour Plates
Appendix A
Chronological Overview of Albert Eckhout’s Life
Appendix B
Works of Art by Albert Eckhout
Notes
Bibliography
Index of Names
General Index
List of Illustrations
Introduction
Chapter 1
Albert Eckhout (ca. 1607-1665/6)
Portrait and Still-life Painter at Johan Maurits’s Brazilian Court
Chapter 2
‘To Reproduce Nature Itself as Perfectly as Possible’
The Brazilian Natural History Drawings of Albert Eckhout
Chapter 3
Cannibalizing America
From the Ethnographic Impulse to the Ethnographic Portrait
Chapter 4
Between the Savage and the Civilized
Eckhout’s Brasilianen and Tapuyas
Chapter 5
Black, Brown, and Yellow
Eckhout’s Paintings of Africans, Mestizos, and Mulattos
Chapter 6
Eckhout’s Paintings
Location and Interpretation
Conclusion
Colour Plates
Appendix A
Chronological Overview of Albert Eckhout’s Life
Appendix B
Works of Art by Albert Eckhout
Notes
Bibliography
Index of Names
General Index
List of Illustrations