Visions of the East: Orientalism in Film
Editat de Matthew H. Bernstein, Gaylyn Studlaren Limba Engleză Paperback – 1997
The Sheik. Pépé le Moko. Casablanca. Aladdin. Some of the most popular and frequently discussed titles in movie history are imbued with orientalism, the politically-charged way in which western artists have represented gender, race, and ethnicity in the cultures of North Africa and Asia. This is the first anthology to address and highlight orientalism in film from pre-cinema fascinations with Egyptian culture through the "Whole New World" of Aladdin. Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism. Other films discussed includeThe Letter, Caesar and Cleopatra, Lawrence of Arabia, Indochine, and several films of France's cinéma colonial.
Preț: 310.02 lei
Nou
Puncte Express: 465
Preț estimativ în valută:
59.35€ • 61.78$ • 48.86£
59.35€ • 61.78$ • 48.86£
Carte tipărită la comandă
Livrare economică 01-15 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780813522951
ISBN-10: 0813522951
Pagini: 344
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.57 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
ISBN-10: 0813522951
Pagini: 344
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.57 kg
Ediția:None
Editura: Rutgers University Press
Colecția Rutgers University Press
V-ar putea interesa
-
The Oxford Handbook of Dance and the Popular ScreenMelissa Blanco Borelli-14%Preț: 926.31 lei1077.10 lei -
Lady in the Dark – Iris Barry and the Art of FilmRobert SittonPreț: 237.27 lei -
Preț: 224.85 lei -
Titanic: Anatomy of a BlockbusterKevin S. SandlerPreț: 288.80 lei -
Preț: 285.18 lei -
William Faulkner in HollywoodStefan SolomonPreț: 369.83 lei -
Picture This: How Pictures WorkMolly Bang-7%Preț: 108.39 lei116.53 lei -
Music Soothes the SoulMatthew Bernstein-7%Preț: 163.92 lei176.23 lei
Notă biografică
MATTHEW BERNSTEIN is an associate professor of film studies at Emory University. He is the author of Walter Wanger: Hollywood Independent and a former coordinating editor of The Velvet Light Trap.
GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.
GAYLYN STUDLAR is a professor of English and film and video studies at the University of Michigan. She is the author of In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic and This Mad Masquerade: Masculinity in the Jazz Age.
Cuprins
Acknowledgments
Introduction - Matthew Bernstein
Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella Shohat
PART ONE HISTORICAL AND GENERIC CONTEXTS
The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant
``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn Studlar
The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLean
The Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina Heung
A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan Nadel
PART TWO NATIONAL CINEMAS
The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'Brien
Praying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley Andrew
In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice Morgon
Timeless Histories: A British Dream of Cleopatra - Mary Hamer
Reading The Letter in a Postcolonial World - Phebe Shih Chao
Orientalism in Film: A Select Bibliography
About the Contributors
Index
Introduction - Matthew Bernstein
Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema - Ella Shohat
PART ONE HISTORICAL AND GENERIC CONTEXTS
The Curse of the Pharaoh, or How Cinema Contracted Egyptomania - Antonia Lant
``Out-Salomeing Salome'': Dance, the New Woman, and Fan Magazine Orientalism - Gaylyn Studlar
The Thousand Ways There Are to Move: Camp and Oriental Dance in the Hollywood Musicals of Jack Cole - Andrienne L. McLean
The Family Romance of Orientalism: From Madame Butterfly to Indochine - Marina Heung
A Whole New (Disney) World Order: Aladdin, Atomic Power, and the Muslim Middle East - Alan Nadel
PART TWO NATIONAL CINEMAS
The ``Cinema colonial'' of 1930s France: Film Narration as Spatial Practice - Charles O'Brien
Praying Mantis: Enchantment and Violence in French Cinema of the Exotic - Dudley Andrew
In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pepe le Moko - Janice Morgon
Timeless Histories: A British Dream of Cleopatra - Mary Hamer
Reading The Letter in a Postcolonial World - Phebe Shih Chao
Orientalism in Film: A Select Bibliography
About the Contributors
Index
Recenzii
A superb collection of essays which amply demonstrates that multiculturally oriented studies of cinema have come of age.
Challenges the reader to confront the ideological bias buried within Western film-making. Professors Bernstein and Studlar have assembled a significant collection of original essays which utilize broad theoretical concepts to illuminate particular films. The result, an engaging and stimulating book, makes an invaluable contribution to the study of cinema history, theory, and criticism.
The first major collection of essays on Orientalism in American and European cinema... is indispensable reading for anyone interested in the politics of visual culture.
In Visions of the East, eleven cultural theorists use film as a point of departure for elaborating on Edward SaidÆs initial articulation of orientalism as a regime of knowledge constructed and maintained by Western hegemonies. . . . A superb, much needed, and timely text for anyone interested not only in understanding the historical contexts for such films but also in deconstructing their political and cultural ideologies.
Challenges the reader to confront the ideological bias buried within Western film-making. Professors Bernstein and Studlar have assembled a significant collection of original essays which utilize broad theoretical concepts to illuminate particular films. The result, an engaging and stimulating book, makes an invaluable contribution to the study of cinema history, theory, and criticism.
The first major collection of essays on Orientalism in American and European cinema... is indispensable reading for anyone interested in the politics of visual culture.
In Visions of the East, eleven cultural theorists use film as a point of departure for elaborating on Edward SaidÆs initial articulation of orientalism as a regime of knowledge constructed and maintained by Western hegemonies. . . . A superb, much needed, and timely text for anyone interested not only in understanding the historical contexts for such films but also in deconstructing their political and cultural ideologies.
Descriere
Eleven illuminating and well-illustrated essays utilize the insights of interdisciplinary cultural studies, psychoanalysis, feminism, and genre criticism.