Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera
Autor Sean M. Parren Limba Engleză Hardback – 10 aug 2021
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Specificații
ISBN-13: 9780197542644
ISBN-10: 0197542646
Pagini: 328
Dimensiuni: 236 x 155 x 23 mm
Greutate: 0.62 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0197542646
Pagini: 328
Dimensiuni: 236 x 155 x 23 mm
Greutate: 0.62 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Vocal Virtuosity presents fascinating insight into the French coloratura voice type, one that will dispel any perception of superficiality and dramatic limitation...It is highly recommneded.
The chronology contains mesmerizing descriptions of the cultural and social milieu of nineteenth century France ... Vocal Virtuosity presents fascinating insight into the French coloratura voice type, one that will dispel any perception of superficiality and dramatic limitation. The volume also paints masterful portraits of the singers who established a new genre and created new heroines, both on and off stage. It is highly recommended.
Contributes in important ways to both a performance-centred historical musicology and feminist musicology, reclaiming a space for coloratura sopranos in the history of opera...Sean Parr makes a compelling case for the agency of prima donnas who shaped French operatic life during the nineteenth century, defining a supremely thrilling and moving voice type.
An eye-opener.
Sean Parr's detailed chapters dive into the art and tradition of coloratura singing, its technical and emotional aspects, as well as the history of this most adulated voice type. He explores many facets, in particular, of bel canto and French composers' use of coloratura writing to heighten the interpretative possibilities of demanding soprano roles. I hope that every singer of this repertoire takes time to read this book and discover some of the lesser known gems he describes. With this resource, I feel inspired to explore new facets of my own singing, as well as to empower other singers to do the same.
A provocative, engaging, and thoroughly original chronicle of vocal virtuosity in nineteenth-century French operatic culture. Sean Parr's dexterous embrace of a range of eclectic sources results in a beautifully written account that opens up direct access to the long-lost music of prima donnas whose voices rang gloriously through opera houses prior to the age of recording.
The chronology contains mesmerizing descriptions of the cultural and social milieu of nineteenth century France ... Vocal Virtuosity presents fascinating insight into the French coloratura voice type, one that will dispel any perception of superficiality and dramatic limitation. The volume also paints masterful portraits of the singers who established a new genre and created new heroines, both on and off stage. It is highly recommended.
Contributes in important ways to both a performance-centred historical musicology and feminist musicology, reclaiming a space for coloratura sopranos in the history of opera...Sean Parr makes a compelling case for the agency of prima donnas who shaped French operatic life during the nineteenth century, defining a supremely thrilling and moving voice type.
An eye-opener.
Sean Parr's detailed chapters dive into the art and tradition of coloratura singing, its technical and emotional aspects, as well as the history of this most adulated voice type. He explores many facets, in particular, of bel canto and French composers' use of coloratura writing to heighten the interpretative possibilities of demanding soprano roles. I hope that every singer of this repertoire takes time to read this book and discover some of the lesser known gems he describes. With this resource, I feel inspired to explore new facets of my own singing, as well as to empower other singers to do the same.
A provocative, engaging, and thoroughly original chronicle of vocal virtuosity in nineteenth-century French operatic culture. Sean Parr's dexterous embrace of a range of eclectic sources results in a beautifully written account that opens up direct access to the long-lost music of prima donnas whose voices rang gloriously through opera houses prior to the age of recording.
Notă biografică
Sean M. Parr is Associate Professor of Music at Saint Anselm College where he teaches music history and voice performance, as well as humanities courses in the core curriculum. With a PhD in Historical Musicology from Columbia University, his research interests focus on nineteenth-century opera, the operatic voice, dance, and gender. His work on singers and singing has been published in the Cambridge Opera Journal, 19th-Century Music, and Current Musicology. He also sings professionally as an operatic tenor and has taught voice for fifteen years.