W. S. Graham: Critical Essays
Editat de Ralph Pite, Hester Jonesen Limba Engleză Paperback – mai 2004
Graham’s work was published by T. S. Eliot in the 1940s and 50s, but as a major post-war poet, his work has received astonishingly little critical attention given its prestige and influence. This collection of essays covers all aspects of Graham’s work – its critical reception, recent influence and its relations with other developments in the arts, in particular the work of the St Ives School of visual artists. It includes some biographical material (brief reminiscences by and interviews with those who knew him) and discussions of the material contained in several collections of manuscripts. Nothing so far published has paid attention to these manuscript collections or to the large number of uncollected poems published since his death. Neither has enough been written about Graham’s importance to poets of the 1980s and 1990s.
"The ten essays in this book are all extremely competent studies of Graham’s work [...] constantly aware of the subtleties of Graham’s very individual attitudes to his art. The book will make an excellent companion for many readers and students."—PNReview
"The ten essays in this book are all extremely competent studies of Graham’s work [...] constantly aware of the subtleties of Graham’s very individual attitudes to his art. The book will make an excellent companion for many readers and students."—PNReview
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Specificații
ISBN-13: 9780853235798
ISBN-10: 0853235791
Pagini: 256
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.34 kg
Editura: Liverpool University Press
Colecția Liverpool University Press
ISBN-10: 0853235791
Pagini: 256
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.34 kg
Editura: Liverpool University Press
Colecția Liverpool University Press
Cuprins
Notes on Contributors
Acknowledgements
Abbreviations
1. Introduction: Contacting Graham - Ralph Pite and Hester Jones
"Listen, Put on Morning"
2. 'Listen': W.S. Graham - Ian Sansom
from "The White Threshold"
3. Graham and the 1940s - Tony Lopez
from "The Nightfishing"
4. 'Roaring between the lines': W.S. Graham and the White Threshold of Line-Breaks - Adam Piette
from "The Dark Dialogues"
5. Abstract, Real and Particular: Graham and Painting - Ralph Pite
from "Implements in their Places"
6. Syntax Gram and the Magic Typewriter: W. S. Graham's Automatic Writing - Matthew Francis
from "To My Wife at Midnight"
7. Dependence in the Poetry of W.S. Graham - Peter Robinson
from "Dear Bryan Wynter"
8. Achieve Further through Elegy - Fiona Green
"Letter X - My Dear So Many Times"
9. Graham and the Numinous: The 'Centre Aloneness' and the 'Unhailed Water' - Hester Jones
from "Johann Joachim Quantz's Five Lessons"
10. The Poetry of W.S. Graham - Edwin Morgan
Further Reading
General Index
Index of Graham's Works
Acknowledgements
Abbreviations
1. Introduction: Contacting Graham - Ralph Pite and Hester Jones
"Listen, Put on Morning"
2. 'Listen': W.S. Graham - Ian Sansom
from "The White Threshold"
3. Graham and the 1940s - Tony Lopez
from "The Nightfishing"
4. 'Roaring between the lines': W.S. Graham and the White Threshold of Line-Breaks - Adam Piette
from "The Dark Dialogues"
5. Abstract, Real and Particular: Graham and Painting - Ralph Pite
from "Implements in their Places"
6. Syntax Gram and the Magic Typewriter: W. S. Graham's Automatic Writing - Matthew Francis
from "To My Wife at Midnight"
7. Dependence in the Poetry of W.S. Graham - Peter Robinson
from "Dear Bryan Wynter"
8. Achieve Further through Elegy - Fiona Green
"Letter X - My Dear So Many Times"
9. Graham and the Numinous: The 'Centre Aloneness' and the 'Unhailed Water' - Hester Jones
from "Johann Joachim Quantz's Five Lessons"
10. The Poetry of W.S. Graham - Edwin Morgan
Further Reading
General Index
Index of Graham's Works