When That Rough God Goes Riding: Listening to Van Morrison
Autor Greil Marcusen Limba Engleză Paperback – 5 apr 2011
Preț: 108.17 lei
Nou
Puncte Express: 162
Preț estimativ în valută:
20.70€ • 21.50$ • 17.20£
20.70€ • 21.50$ • 17.20£
Carte disponibilă
Livrare economică 13-27 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781586489526
ISBN-10: 1586489526
Pagini: 208
Ilustrații: none
Dimensiuni: 127 x 206 x 13 mm
Greutate: 0.2 kg
Editura: PublicAffairs
Colecția PublicAffairs
ISBN-10: 1586489526
Pagini: 208
Ilustrații: none
Dimensiuni: 127 x 206 x 13 mm
Greutate: 0.2 kg
Editura: PublicAffairs
Colecția PublicAffairs
Notă biografică
Greil Marcus is the author of Bob Dylan by Greil Marcus, When that Rough God Goes Riding, The Shape of Things to Come, Mystery Train, Dead Elvis, In the Fascist Bathroom, Double Trouble, Like a Rolling Stone, and The Old Weird America; a twentieth anniversary edition of his book Lipstick Traces was published in 2009.
With Werner Sollors he is the editor of A New Literary History of America, published last year by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column "Real Life Rock Top 10" appears regularly in the Believer. He has lectured at U Cal, Berkeley, The Whitney Museum of Art, and Princeton University. He lives in Berkeley.
With Werner Sollors he is the editor of A New Literary History of America, published last year by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column "Real Life Rock Top 10" appears regularly in the Believer. He has lectured at U Cal, Berkeley, The Whitney Museum of Art, and Princeton University. He lives in Berkeley.
Descriere
This book is a quest to understand Van Morrison's particular genius through a close look at the most extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day: sometimes entire songs, sometimes single words or even the guttural spaces between words that become musical events in themselves.