Where No Man has Gone Before: Essays on Women and Science Fiction: Routledge Library Editions: Women, Feminism and Literature
Editat de Lucie Armitten Limba Engleză Hardback – 5 iun 2012
To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics?
What has been the effect of this phenomenon upon the academic establishment and the publishing industry?
These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women’s interest in science fiction is by no means the full story. From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Through a combination of essays on the work of writers such as Doris Lessing and Ursula Le Guin, with others on still-neglected writers such as Katherine Burdekin and C. L. Moore and a wealth of contemporaries including Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton, this anthology takes a step towards redressing the balance.
Perhaps, above all, what this collection demonstrates is that science fiction remains as particularly well-suited to the exploration of woman as ‘alien’ or ‘other’ in our culture today, as it was with the publication of Frankenstein in 1818.
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Specificații
ISBN-13: 9780415521253
ISBN-10: 0415521254
Pagini: 242
Dimensiuni: 156 x 234 mm
Greutate: 0.62 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Library Editions: Women, Feminism and Literature
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415521254
Pagini: 242
Dimensiuni: 156 x 234 mm
Greutate: 0.62 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Library Editions: Women, Feminism and Literature
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Part 1: Writing through the Century: Individual Authors 1. The Loss of the Feminine Principle in Charlotte Haldane’s Man’s World and Katherine Burdekin’s Swastika Night 2. ‘Shambleau...and Others’: The Role of the Female in the Fiction of C. L. Moore 3. Remaking the Old World: Ursula Le Guin and the American Tradition 4. Doris Lessing and the Politics of Violence Part 2: Aliens and Others: A Contemporary Perspective 5. Mary and the Monster: Mary Shelley’s Frankenstein and Maureen Duffy’s Gor Saga 6. Pets and Monsters: Metamorphoses in Recent Science Fiction 7. Between the Boys and their Toys: The Science Fiction Film 8. Your Word is My Command: The Structure of Language and Power in Women’s Science Fiction 9. ‘I’m not in the Business: I am the Business’: Women at Work in Hollywood Science Fiction Part 3: Readers and Writers: SF as Genre Fiction 10. Writing Science Fiction for the Teenage Reader 11. Sex, Sub-atomic Particles and Sociology 12. Maeve and Guinevere: Women’s Fantasy Writing in the Science Fiction Marketplace 13. ‘Goodbye to all That...’
Descriere
How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics?
From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Essays on the work of writers such as Doris Lessing and Ursula Le Guin, Katherine Burdekin, C. L. Moor, Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton demonstrate that science fiction remains as particularly well-suited to the exploration of woman as ‘alien’ or ‘other’ in our culture today, as it was with the publication of Frankenstein in 1818.
From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Essays on the work of writers such as Doris Lessing and Ursula Le Guin, Katherine Burdekin, C. L. Moor, Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton demonstrate that science fiction remains as particularly well-suited to the exploration of woman as ‘alien’ or ‘other’ in our culture today, as it was with the publication of Frankenstein in 1818.