Who You Think I Am?: Masks in Pop Music
Autor Sebastian Berlichen Limba Engleză Paperback – 28 oct 2023
Pop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music.
The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content.
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Specificații
ISBN-13: 9783662672518
ISBN-10: 3662672510
Pagini: 173
Ilustrații: X, 173 p. 9 illus. in color.
Dimensiuni: 127 x 203 x 18 mm
Greutate: 0.23 kg
Ediția:1st ed. 2024
Editura: Springer Berlin, Heidelberg
Colecția Palgrave Macmillan
Locul publicării:Berlin, Heidelberg, Germany
ISBN-10: 3662672510
Pagini: 173
Ilustrații: X, 173 p. 9 illus. in color.
Dimensiuni: 127 x 203 x 18 mm
Greutate: 0.23 kg
Ediția:1st ed. 2024
Editura: Springer Berlin, Heidelberg
Colecția Palgrave Macmillan
Locul publicării:Berlin, Heidelberg, Germany
Cuprins
From Face to Mask: Introduction.- The Double Persona: Pop Subject and Mask.- The Immobile Face: Coolness.- The Backside of the Mask: Anonymity.- The Mask as Logo: Style Community and Series.- Me and No Mask: Unmaskings.- The Immobile Face II: Mask and Death.- Femininity Instead of Masquerade: Countergendered Masks.- Conclusion: From Face to Mask to Avatar?
Notă biografică
Sebastian Berlich, born in 1991, is doing his doctorate in the Collaborative Research Centre "Transformations of the Popular" at the University of Siegen. He studied cultural poetics, art history and cultural studies in Münster and Saarbrücken. Texts on forms of seriality in Black Mirror, explosions in The Bridge On The River Kwai, and the mythical West Berlin of Kool Savas and Sido are available as part of anthologies.
Textul de pe ultima copertă
Pop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music.
The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content.
Caracteristici
First book on the widespread phenomenon of the mask in pop music, with examples such as Sido or Slipknot With illustrative examples of pop music theory (seriality, new aesthetic categories) Authenticity and storytelling are two important perspectives in pop music marketing