Witness in Our Time, Second Edition: Working Lives of Documentary Photographers
Autor Ken Lighten Limba Engleză Paperback – 30 sep 2010
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Specificații
ISBN-13: 9781588342980
ISBN-10: 1588342980
Pagini: 282
Ilustrații: 23 B&W PHOTOS
Dimensiuni: 154 x 227 x 15 mm
Greutate: 0.4 kg
Ediția:Revised
Editura: Smithsonian Books (DC)
ISBN-10: 1588342980
Pagini: 282
Ilustrații: 23 B&W PHOTOS
Dimensiuni: 154 x 227 x 15 mm
Greutate: 0.4 kg
Ediția:Revised
Editura: Smithsonian Books (DC)
Notă biografică
Ken Light is an internationally recognized documentary photographer and the recipient of two National Endowment for the Arts photography fellowships. The author of seven photo books, including Delta Time, Texas Death Row, and Coal Hollow, he is a full-time faculty member and director of the Center for Photography at the Graduate School of Journalism at the University of California, Berkeley.
Kerry Tremain is a writer and editor. The former executive editor of Mother Jones, he was a cofounder and director of the International Fund for Documentary Photography.
Kerry Tremain is a writer and editor. The former executive editor of Mother Jones, he was a cofounder and director of the International Fund for Documentary Photography.
Recenzii
From CHOICE
Light (Univ. of California, Berkeley) uses the phrase "a witness to their time" to describe the social documentary photographers highlighted in this outstanding narrative of the lives and works of photographers, editors, and curators. This collection of interviews with many of the most important social documentary photographers of the late 20th century is an impressive work that records the joys and perils of photographers who attempt to document the world around them. Many of the photographers interviewed are not well-known names, but their images resonate with times and places that instantly will be recognizable to most readers. Only a single image accompanies each narrative, but a quick search of the Internet will bring many more images to light and reinforce the importance of this remarkable collection. This second edition (1st ed., 2000) would be excellent for a course on social documentary photography and a great read for anyone interested in the inner workings of the "mind's eye" of a documentary photographer. Light is in his own right an exceptional social documentary photographer, who has made an outstanding effort in compiling this wonderful collection. Summing Up: Highly recommended. Upper-level undergraduates and above; general readers.--J. M. King, emeritus, University of Georgia
“Photography can change the world. If you have any doubts, read this book. It will change your life.”—Brian Wallis, Chief Curator, International Center of Photography
“Ken Light has managed to get very close to some of the greats in photography: Wayne Miller, Peter Magubane, Susan Meiselas, among others, and in the process created a document that is a guide for all young people who search of the truth.”—Danny Lyon
“Seasoned pro, amateur, or fledgling photo-J school grad awash in the newest technologies, it's worth reading Ken Light's classic Witness in Our Time, which tells it like it is straight from the mouths of the best there ever were.”—Jeffrey D. Smith, Director, Contact Press Images
“For all of us who have complained about how tough things are in these times (and who among us has not complained?), the voices in this book remind us photojournalism and documentary photography were never easy, not even for those included in this book who are generally accepted as stars in the profession.”—Jim McNay, past president of the National Press Photographers Association
Light (Univ. of California, Berkeley) uses the phrase "a witness to their time" to describe the social documentary photographers highlighted in this outstanding narrative of the lives and works of photographers, editors, and curators. This collection of interviews with many of the most important social documentary photographers of the late 20th century is an impressive work that records the joys and perils of photographers who attempt to document the world around them. Many of the photographers interviewed are not well-known names, but their images resonate with times and places that instantly will be recognizable to most readers. Only a single image accompanies each narrative, but a quick search of the Internet will bring many more images to light and reinforce the importance of this remarkable collection. This second edition (1st ed., 2000) would be excellent for a course on social documentary photography and a great read for anyone interested in the inner workings of the "mind's eye" of a documentary photographer. Light is in his own right an exceptional social documentary photographer, who has made an outstanding effort in compiling this wonderful collection. Summing Up: Highly recommended. Upper-level undergraduates and above; general readers.--J. M. King, emeritus, University of Georgia
“Photography can change the world. If you have any doubts, read this book. It will change your life.”—Brian Wallis, Chief Curator, International Center of Photography
“Ken Light has managed to get very close to some of the greats in photography: Wayne Miller, Peter Magubane, Susan Meiselas, among others, and in the process created a document that is a guide for all young people who search of the truth.”—Danny Lyon
“Seasoned pro, amateur, or fledgling photo-J school grad awash in the newest technologies, it's worth reading Ken Light's classic Witness in Our Time, which tells it like it is straight from the mouths of the best there ever were.”—Jeffrey D. Smith, Director, Contact Press Images
“For all of us who have complained about how tough things are in these times (and who among us has not complained?), the voices in this book remind us photojournalism and documentary photography were never easy, not even for those included in this book who are generally accepted as stars in the profession.”—Jim McNay, past president of the National Press Photographers Association
Cuprins
Acknowledgments
Introduction: Seeing and Believing–Kerry Tremain
PHOTOGRAPHERS
Hansel Mieth: The Depression and the Early Days of Life
Walter Rosenblum: Lewis Hine, Paul Strand, and the Photo League
Michelle Vignes: Magnum Photo Agency: The Early Years
Wayne Miller: Word War II and the Family of Man
Peter Magubane: A Black Photographer in Apartheid South Africa
Matt Herron: The Civil Rights Movement and the Southern Documentary Project
Jill Freedman: Resurrection City
Mary Ellen Mark: Streetwise Photographer
Earl Dotter: The United Mine Workers
Eugene Richards: Americans We
Susan Meiselas: Central America and Human Rights
Sebastião Salgado: Workers
Graciela Iturbide: The Indigenous of Mexico
Antonin Kratochvil: The Fall of the Iron Curtain
Donna Ferrato: Living with the Enemy: Domestic Violence
Joseph Rodriguez: In the Barrio
Dayanita Singh: A Truer India
Fazal Sheikh: Portrait of a Refugee
EDITORS AND CURATORS
Gifford Hampshire: The Environmental Protection Agency's Project DOCUMERICA
Peter Howe: Life Magazine and Outtakes
Colin Jacobson: Independent Magazine and Reportage
Anne Wilkes Tucker: The Museum Context
Fred Ritchin: The Fish are Last to Know about the Water: The Emerging Digital Revolution
IN THE FIELD
Ronald Partridge: Dorothea Lange in the Field
Don McCullin: Vietnam: The Battle of Hue, 1968
Bill Owens: Suburbia and a Passion for Seeing His World
Larry Fink: Social Graces
David Goldblatt: Once an Enemy: Apartheid and the New South Africa
Maya Goded: Tierra Negra
Afterword: Witness in Our Time–Ken Light
Bibliography
Important Readings
Index
Introduction: Seeing and Believing–Kerry Tremain
PHOTOGRAPHERS
Hansel Mieth: The Depression and the Early Days of Life
Walter Rosenblum: Lewis Hine, Paul Strand, and the Photo League
Michelle Vignes: Magnum Photo Agency: The Early Years
Wayne Miller: Word War II and the Family of Man
Peter Magubane: A Black Photographer in Apartheid South Africa
Matt Herron: The Civil Rights Movement and the Southern Documentary Project
Jill Freedman: Resurrection City
Mary Ellen Mark: Streetwise Photographer
Earl Dotter: The United Mine Workers
Eugene Richards: Americans We
Susan Meiselas: Central America and Human Rights
Sebastião Salgado: Workers
Graciela Iturbide: The Indigenous of Mexico
Antonin Kratochvil: The Fall of the Iron Curtain
Donna Ferrato: Living with the Enemy: Domestic Violence
Joseph Rodriguez: In the Barrio
Dayanita Singh: A Truer India
Fazal Sheikh: Portrait of a Refugee
EDITORS AND CURATORS
Gifford Hampshire: The Environmental Protection Agency's Project DOCUMERICA
Peter Howe: Life Magazine and Outtakes
Colin Jacobson: Independent Magazine and Reportage
Anne Wilkes Tucker: The Museum Context
Fred Ritchin: The Fish are Last to Know about the Water: The Emerging Digital Revolution
IN THE FIELD
Ronald Partridge: Dorothea Lange in the Field
Don McCullin: Vietnam: The Battle of Hue, 1968
Bill Owens: Suburbia and a Passion for Seeing His World
Larry Fink: Social Graces
David Goldblatt: Once an Enemy: Apartheid and the New South Africa
Maya Goded: Tierra Negra
Afterword: Witness in Our Time–Ken Light
Bibliography
Important Readings
Index