Women, Biomedical Research and Art – A Relationality in Tension: promotion
Autor Ninette Rothmüller, Kelly Lincolnen Limba Engleză Paperback – 28 feb 2024
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Specificații
ISBN-13: 9783847424390
ISBN-10: 3847424394
Pagini: 370
Dimensiuni: 148 x 210 x 24 mm
Greutate: 0.41 kg
Editura: Columbia University Press
Seria promotion
ISBN-10: 3847424394
Pagini: 370
Dimensiuni: 148 x 210 x 24 mm
Greutate: 0.41 kg
Editura: Columbia University Press
Seria promotion
Notă biografică
Solidarity researcher Ninette Rothmüller is currently based at the Orfalea Center for Global and International Studies at the University of California in Santa Barbara, USA.
Cuprins
Table of Content
1. Prologue
1.1 Introduction
1.1.1 Research Leading to this Study
1.1.2 Embedding my Research in Pedagogy
1.1.3 Content of Chapters
2. On the Matrix of this Study OR How to Soar
2.1 On the Interest in Messiness and Inclusion
2.2 Body/Körper and Leib - an Attempt to Define Relationality through Translation,
Time and Meaning
2.2.1 An Introduction to Spaces of Public Reflections: On Erasing and Connecting
'Semi-real' Bodies
2.2.2 On the Interface of Body/Körper and Leib - the Significance of Translations and
Relationality between Experience and Language
2.2.3 Body/Körper and Leib - Historical Connections - Philosophical and Religious
Framings
2.2.4 On the Interface of Body, Leib and Körper - Phenomenology and Post-structural
Thoughts
2.3 Body/Körper and Leib - Theory and its Application
2.3.1 On the Entwinement of Body/Körper and Leib
2.4 Leib Confrontations
3. The Methodological Conceptualization of the Project
3.1 The Pre-study
3.2 The multi-sited characteristics of this study
3.2.1 Germany and the UK as geographical, political, legal, social and cultural research
sites
3.2.2 Sites of Technological Intersections
3.2.3 Sites of Transdisciplinarity
3.3 Fieldwork
3.3.1 Feminist Ways of Knowing
3.3.2 Locating Visuals in the Field and Social Science Research
3.3.3 Carrying out Conversations
3.3.3.1 On Expert and Expertise
3.3.3.2 Locating and 'Choosing' Conversation Partners
3.3.3.2.1 On the Relationship to Theoretical Sampling
3.3.3.2.2 On the Relationship to Snowball Sampling
3.3.4 On the Shift of Talking of Conversations instead of Interviews and on the Role of
Both Conversation Partners
3.3.5 Incorporating Texts in Fieldwork
3.4 Analysis/Writing
3.4.1 Transcription and Authorization
3.4.2 On the Use of Language as an Analytical Tool
3.4.3 Art as a Tool to Research - 'Of Women'
4. Fragmentations
4.1 Entities in a Chapter about Fragmentation
4.2 Constructing potential Things in Time and Space
4.2.1 Telling the Story - Presenting the Pictures. On Trying to Grasp what is at Stake
4.2.2 Telling the Story - Sensing Women. Contributions to Confusion
4.2.3 Presenting the Picture - Sensing the Female Body. Contributions in Search of
Matter(s)
4.2.4 Preparing the Stage - On Spaces of Separation and Hierarchies
4.2.5 Seeking Company - Speaking, Writing, Seeing
4.3 Bodies at Stake - Visualized, Seduced, taken Apart, but Alive?
4.3.1 Bodies Inside out - Dwelled Space Seduced
4.3.2 The Heartbeat of a Machine and I
4.3.3 On the Organic Colonization of Scotland and England by a Pregnant Woman
4.4 Final Thoughts
5. Body Geographics. Territories, Trades and Mappings in Inequality
5.1 Body Territories under Re-construction - an Introduction
5.1.1 Body Territories under Re-construction - Voices
5.1.2 Body Territories under Re-construction - Actors and Activities
5.1.3 Bodily Substance Transfer and Hierarchies in Organ Transplantations or When
are we dead?
5.1.4 Mapping Sites in Action - On the Creation of Powerful Stories, Marketable
Events and Images
5.1.5 Art and the Skinned and Scanned Human
5.2. Traffics in the Body - Historical Remarks on Substantial Trade Relations
6. Gendered Harvest
6.1 Cells at Stake - Ethical and Legal Approaches
6. 2 Human Recycling - Terms and Conditions
6.2.1 Bodies and Borders - Voices
6.2.2 Body Exchange and Leib Rejection
6.3. Gendered 'Donations'
6.3.1 Rearranging Borders - Organs and Tissue Travel from East to West and from
Bottom to Top
6.3.2 Harvesting the Body during the Gold Rush
6.3.3 Gifts and Commodities - writing Values onto Bodies
6.3.4 Celebrating Christmas during Birth OR How to be a 'Good Citizen'
7. Participatory Art and Public Engagement
7.1 To Create
7.1.1 To Create Here and Now, There and Then
7.1.2 Space, Place, Site, Location - Theoretical Considerations
7.2 It's Best to Take Risks when Nothing is Safe to Start with
7.2.1 Contemporary Social Landscapes of Creation OR Whose Voices Make to not
Create not an Option
7.3 Biomedical Developments as Sites of Action - Investigating and Creating
7.3.1 Focus Creative Works - Time, Space, Travels
7.3.2 Stories of Matter - Sites of Action
7.4 To Conclude
8. Showdown
8.1 Showdown I - Writing on Flesh
8.2 Showdown II - my House
8.3 Showdown III - the Best
8.4 Showdown IV - Play it - Make it a Condition and a Task
8.5 Epilogue
Note on Accessibility
Bibliography
1. Prologue
1.1 Introduction
1.1.1 Research Leading to this Study
1.1.2 Embedding my Research in Pedagogy
1.1.3 Content of Chapters
2. On the Matrix of this Study OR How to Soar
2.1 On the Interest in Messiness and Inclusion
2.2 Body/Körper and Leib - an Attempt to Define Relationality through Translation,
Time and Meaning
2.2.1 An Introduction to Spaces of Public Reflections: On Erasing and Connecting
'Semi-real' Bodies
2.2.2 On the Interface of Body/Körper and Leib - the Significance of Translations and
Relationality between Experience and Language
2.2.3 Body/Körper and Leib - Historical Connections - Philosophical and Religious
Framings
2.2.4 On the Interface of Body, Leib and Körper - Phenomenology and Post-structural
Thoughts
2.3 Body/Körper and Leib - Theory and its Application
2.3.1 On the Entwinement of Body/Körper and Leib
2.4 Leib Confrontations
3. The Methodological Conceptualization of the Project
3.1 The Pre-study
3.2 The multi-sited characteristics of this study
3.2.1 Germany and the UK as geographical, political, legal, social and cultural research
sites
3.2.2 Sites of Technological Intersections
3.2.3 Sites of Transdisciplinarity
3.3 Fieldwork
3.3.1 Feminist Ways of Knowing
3.3.2 Locating Visuals in the Field and Social Science Research
3.3.3 Carrying out Conversations
3.3.3.1 On Expert and Expertise
3.3.3.2 Locating and 'Choosing' Conversation Partners
3.3.3.2.1 On the Relationship to Theoretical Sampling
3.3.3.2.2 On the Relationship to Snowball Sampling
3.3.4 On the Shift of Talking of Conversations instead of Interviews and on the Role of
Both Conversation Partners
3.3.5 Incorporating Texts in Fieldwork
3.4 Analysis/Writing
3.4.1 Transcription and Authorization
3.4.2 On the Use of Language as an Analytical Tool
3.4.3 Art as a Tool to Research - 'Of Women'
4. Fragmentations
4.1 Entities in a Chapter about Fragmentation
4.2 Constructing potential Things in Time and Space
4.2.1 Telling the Story - Presenting the Pictures. On Trying to Grasp what is at Stake
4.2.2 Telling the Story - Sensing Women. Contributions to Confusion
4.2.3 Presenting the Picture - Sensing the Female Body. Contributions in Search of
Matter(s)
4.2.4 Preparing the Stage - On Spaces of Separation and Hierarchies
4.2.5 Seeking Company - Speaking, Writing, Seeing
4.3 Bodies at Stake - Visualized, Seduced, taken Apart, but Alive?
4.3.1 Bodies Inside out - Dwelled Space Seduced
4.3.2 The Heartbeat of a Machine and I
4.3.3 On the Organic Colonization of Scotland and England by a Pregnant Woman
4.4 Final Thoughts
5. Body Geographics. Territories, Trades and Mappings in Inequality
5.1 Body Territories under Re-construction - an Introduction
5.1.1 Body Territories under Re-construction - Voices
5.1.2 Body Territories under Re-construction - Actors and Activities
5.1.3 Bodily Substance Transfer and Hierarchies in Organ Transplantations or When
are we dead?
5.1.4 Mapping Sites in Action - On the Creation of Powerful Stories, Marketable
Events and Images
5.1.5 Art and the Skinned and Scanned Human
5.2. Traffics in the Body - Historical Remarks on Substantial Trade Relations
6. Gendered Harvest
6.1 Cells at Stake - Ethical and Legal Approaches
6. 2 Human Recycling - Terms and Conditions
6.2.1 Bodies and Borders - Voices
6.2.2 Body Exchange and Leib Rejection
6.3. Gendered 'Donations'
6.3.1 Rearranging Borders - Organs and Tissue Travel from East to West and from
Bottom to Top
6.3.2 Harvesting the Body during the Gold Rush
6.3.3 Gifts and Commodities - writing Values onto Bodies
6.3.4 Celebrating Christmas during Birth OR How to be a 'Good Citizen'
7. Participatory Art and Public Engagement
7.1 To Create
7.1.1 To Create Here and Now, There and Then
7.1.2 Space, Place, Site, Location - Theoretical Considerations
7.2 It's Best to Take Risks when Nothing is Safe to Start with
7.2.1 Contemporary Social Landscapes of Creation OR Whose Voices Make to not
Create not an Option
7.3 Biomedical Developments as Sites of Action - Investigating and Creating
7.3.1 Focus Creative Works - Time, Space, Travels
7.3.2 Stories of Matter - Sites of Action
7.4 To Conclude
8. Showdown
8.1 Showdown I - Writing on Flesh
8.2 Showdown II - my House
8.3 Showdown III - the Best
8.4 Showdown IV - Play it - Make it a Condition and a Task
8.5 Epilogue
Note on Accessibility
Bibliography