Women, Film, and Law: Cinematic Representations of Female Incarceration: Law and Society
Autor Suzanne Bouclinen Limba Engleză Paperback – 14 noi 2021
Films and shows about incarcerated women stir conflicting feelings in audiences, producing empathy toward the inmates and troubled feelings about the crimes for which they have been convicted. Surveying the women-in-prison genre from 1933 to the present, Women, Film, and Law explores how television and film shape perceptions of incarcerated women. Suzanne Bouclin argues that feature films, on-demand streaming, music videos, and television series such as Orange Is the New Black reveal the legal, economic, and political structures that criminalize women differently from men, especially women who have already been marginalized.
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Specificații
ISBN-13: 9780774865876
ISBN-10: 0774865873
Pagini: 224
Ilustrații: 7 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.32 kg
Editura: University of British Columbia Press
Colecția University of British Columbia Press
Seria Law and Society
ISBN-10: 0774865873
Pagini: 224
Ilustrații: 7 halftones
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.32 kg
Editura: University of British Columbia Press
Colecția University of British Columbia Press
Seria Law and Society
Recenzii
"Tracing filmic and television portrayals of women in prison, Suzanne Bouclin situates these representations within the current discourse of how women inmates are treated in real life. This is a very important conversation that is overlooked at times.”—Yvonne D. Sims, South Carolina State University
"Bouclin’s Women, Film, and Law makes an important contribution to legal and film/television studies by offering an excellent analysis of the social significance of the women-in-prison genre."
Tracing filmic and television portrayals of women in prison, Suzanne Bouclin situates these representations within the current discourse of how women inmates are treated in real life. This is a very important conversation that is overlooked at times.
Notă biografică
Suzanne Bouclin is associate professor of law at the University of Ottawa
Cuprins
Introduction
1 A Genre of One’s Own
2 Reforming Prisons, Transforming Women: Ann Vickers
3 The Unattainability of Reform: Caged!
4 Recuperating Exploitation: Caged Heat
5 Representing Incarcerated Black Women: Stranger Inside and Civil Brand
6 Representation and Recalibrating the WIP Genre: Orange Is the New Black
Conclusion
Notes; Selected Filmography; Index
1 A Genre of One’s Own
2 Reforming Prisons, Transforming Women: Ann Vickers
3 The Unattainability of Reform: Caged!
4 Recuperating Exploitation: Caged Heat
5 Representing Incarcerated Black Women: Stranger Inside and Civil Brand
6 Representation and Recalibrating the WIP Genre: Orange Is the New Black
Conclusion
Notes; Selected Filmography; Index