Women in Literature: Reading through the Lens of Gender
Editat de Jerilyn Fisher, Ellen Silberen Limba Engleză Hardback – 29 iun 2003 – vârsta până la 17 ani
Preț: 369.52 lei
Preț vechi: 634.63 lei
-42% Nou
Puncte Express: 554
Preț estimativ în valută:
70.74€ • 72.75$ • 58.69£
70.74€ • 72.75$ • 58.69£
Carte tipărită la comandă
Livrare economică 19 februarie-05 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780313313462
ISBN-10: 0313313466
Pagini: 384
Ilustrații: black & white illustrations
Dimensiuni: 178 x 254 x 29 mm
Greutate: 0.99 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
ISBN-10: 0313313466
Pagini: 384
Ilustrații: black & white illustrations
Dimensiuni: 178 x 254 x 29 mm
Greutate: 0.99 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
Notă biografică
JERILYN FISHER is Associate Professor of English at Hostos Community College, City University of New York, where she also teaches Women's Studies. She coordinated NWSA's Service Learning Project, co-editing the Women's Studies Service learning Handbook. She has published articles on feminist pedagogy, fairy tales and feminist theory. She co-edited with Ellen Silber Analyzing the Different Voice: Feminist Psychological Theory and Literary Texts.ELLEN S. SILBER is Professor of French at Marymount College, where she also teaches Women's Studies and is Director of the Marymount Institute for the Education of Women and Girls. She edited Critical Issues in Foreign Language Instruction and co-edited Analyzing the Different Voice: Feminist Pschological Theory and Literary Texts with Jerilyn Fisher. She was an an associate editor for a special issue of Women's Studies Quarterly: Keeping Gender on the Chalkboard. Silber is actively involved with gender equity in education and has a Ford Foundation grant to work with a team on the creation of gender equitable classroom materials for teacher educators.
Cuprins
ForewordIntroductionEssaysSexuality as Rebellion in George Orwell's 1984 by Paul BailWoman's Roles and Influence in Mark Twain's The Adventures of Huckleberry Finn by Melissa PennellThe War Against the Feminine: Remarque's All Quiet on the Western Front by Mary Warner"Doctor She": Helena and Sisterhood in Shakespeare's All's Well that Ends Well by Terry ReillyMother, Wife, Fallen Woman: Marital Choice in Leo Tolstoy's Anna Karenina by Lucy MelbourneRighteous Activist or Confrontational Madwoman: Sophocles' Antigone by Karen BovardFemale Resistance to Gender Conformity in Kate Chopin's The Awakening by Dana KinnisonMothers and Children in Barbara Kingsolver's The Bean Trees by Mary Jean DeMarrFaulkner's Male Myth: The Bear by Kim Martin LongMore Than Skin Deep: Robin McKinley's Beauty: A Retelling of the Story of Beauty and the Beast by Ellen R. SackelmanSylvia Plath's The Bell Jar: Trapped by the Feminist Mystique by Laurie LeachToni Morrison's Beloved: Maternal Possibilities, Sisterly Bonding, by Monika ElbertRichard Wright's Black Boy and Black Women by Kenneth FloreyCulture, Tradition, Family: Gender Roles in Rudolfo Anaya's Bless Me, Ultima by Montye P. FuseGirls into Women: Culture, Nature, and Self-Loathing in Toni Morrison's The Bluest Eye by Barbara Frey WaxmanFounding Women's History: Christine de Pizan Writes The Book of the City of Ladies by Ellen S. SilberA Dystopic Vision of Gender in Aldous Huxley's Brave New World by Cristie L. MarchAn Immigrant Girl's Quest for the American Dream in Anzia Yezierska's Bread Givers by Norah C. ChaseAs My Mother Says: Breath, Eyes, Memory by Edwige Danticat by Eileen BurchellNon-Conformists and Traditionalists: Buchi Emecheta's The Bride Price by Osayimwense OsaThe Symbolic Annihilation of Women in Jack London's The Call of the Wild by Michelle Napierski-PranclGeoffrey Chaucer's Canterbury Tales: Gender in the Middle Ages by Michael G. CorneliusSex, Violence, and Peter Pan: J. D. Salinger's Catcher in the Rye by PaulBailPaths to Liberation in Alice Walker's The Color Purple by Ernece B. KellyThe Women in Dostoevsky's Crime and Punishment by Sydney SchultzeWitchhunting, Thwarted Desire, and Girl Power: Authur Miller's The Crucible by Karen Bovard"A Nice Girl Ought to Know!": Henry James's Daisy Miller by Laurie F. LeachRedefining Female Absense in Death of a Salesman by Dana KinnisonBlack and White Womanhood in Sherely Anne Williams' Dessa Rose: Mammies, Ladies, and Rebels by Beverly Guy-SheftallAnne Frank's The Diary of a Young Girl: Writing a Self--The Female Adolescent Voice by Hedda Rosner KopfThe Slammed Door that Still Reverberates: Henrik Ibsen's A Doll's House by Ann R. ShapiroFrozen Lives: Edith Wharton's Ethan Frome by Melissa McFarland PennellCatherine Barkley: Ernest Hemingway's A Farewell to Arms by Suzanne del GizzoThe Invisible Black Female Artist in Alice Childress's Florence by Nassim W. BalestriniDaring Creation: Mary Shelley's Frankenstein by Lucy MorrisonShattered Rainbows in Translucent Glass: Tennessee Williams's The Glass Menagerie by Nassim W. BalestriniWhat It Means to Be a Lady: Margaret Mitchell's Gone with the Wind by Jane MarcellusPatriarchy and Property: Women in Pearl S. Buck's The Good Earth by Eleanor Pamo Expectations at All: Women in Charles Dickens' Great Expectations by James R. Simmons Jr.Beautiful Fools and Hulking Brutes: F. Scott Fitzgerald's The Great Gatsby by Linda C. PelzerReading Between the Lines: Connecting with Gertrude and Ophelia in Hamlet by Elizabeth KlettFreedom Reconsidered: Margaret Atwood's The Handmaid's Tale by Magali Cornier MichaelWhen Women Shape the World: Charlotte Perkins Gilman's Herland by Jerilyn FisherGirls and Women in Sandra Cisneros' The House on Mango Street