Women’s Lives: Self-Representation, Reception and Appropriation in the Middle Ages : Religion and Culture in the Middle Ages
Editat de Nahir I. Otaño Gracia, Daniel Armentien Limba Engleză Hardback – 21 iun 2022
The ubiquity of women’s voices among the medieval canon demands a reevaluation of women’s place in medieval culture. Women’s Lives reveals that the reception of women in medieval literature, often models of political transgression, suggests that women embodied more radical equality, agency, and authority than we commonly understand. Contributors explore the lives and stories of well-known medieval women, such as Hildegard of Bingen and Teresa of Cartagena, as well as lesser-known women such as Al-Kahina and Liang Hongyu.
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Specificații
ISBN-13: 9781786838339
ISBN-10: 1786838338
Pagini: 325
Ilustrații: 1 halftone
Dimensiuni: 159 x 235 x 20 mm
Greutate: 0.54 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria Religion and Culture in the Middle Ages
ISBN-10: 1786838338
Pagini: 325
Ilustrații: 1 halftone
Dimensiuni: 159 x 235 x 20 mm
Greutate: 0.54 kg
Editura: University of Wales Press
Colecția University of Wales Press
Seria Religion and Culture in the Middle Ages
Notă biografică
Nahir I. Otaño Gracia is assistant professor of English at the University of New Mexico and a member at the Institute for Advanced Study. Daniel Armenti is a visiting lecturer in Italian at the College of the Holy Cross.
Cuprins
Illustrations
Notes on Contributors
Acknowledgments
Introduction
Nahir I. Otaño Gracia and Daniel Armenti
IElizabeth Petroff and Mysticism
1Women and Mysticism in the Medieval World
Elizabeth Alvilda Petroff
2Male Confessors and Female Penitents: Possibilities for Dialogue
Elizabeth Alvilda Petroff
IISelf-Representation
3The Empowerment of Teresa de Cartagena through Her Patroness Juana de Mendoza
Borja de Cossío
4Hildegardian Remixes: Hildegard von Bingen and the Appropriation of Auctoritas
Andrés Amitai Wilson
5Language and Trance Theatre
Rebeca Sanmartín Bastida
IIIReception
6Smuggled Balsam and the Inscription of Memory: Hugeberc von Hildesheim and the Pilgrimage of Saint Willibald
Susan Signe Morrison
7Gender, Genre and Collaboration in the Life of Ida of Nivelles
Barbara Zimbalist
8History Meets Literary Imagination: The Making of a Twelfth-Century Woman Warrior
Lan Dong
9A Woman Mystic in Pre-Islamic North Africa: Al Kahina in the Futu? Mi?r
Denise K. Filios
IV Appropriation
10When Romance and Hagiography Meet: Inventing Saintly Women in The South English Legendary
Meriem Pagès
11Selfless Acts of Salvation as Self-Glorification: Saving the Prostitute in Hrotsvith’s Plays
Madalina Meirosu
12Liturgy and the Performance of the Mystical Self
Claire Taylor Jones
Notes on Contributors
Acknowledgments
Introduction
Nahir I. Otaño Gracia and Daniel Armenti
IElizabeth Petroff and Mysticism
1Women and Mysticism in the Medieval World
Elizabeth Alvilda Petroff
2Male Confessors and Female Penitents: Possibilities for Dialogue
Elizabeth Alvilda Petroff
IISelf-Representation
3The Empowerment of Teresa de Cartagena through Her Patroness Juana de Mendoza
Borja de Cossío
4Hildegardian Remixes: Hildegard von Bingen and the Appropriation of Auctoritas
Andrés Amitai Wilson
5Language and Trance Theatre
Rebeca Sanmartín Bastida
IIIReception
6Smuggled Balsam and the Inscription of Memory: Hugeberc von Hildesheim and the Pilgrimage of Saint Willibald
Susan Signe Morrison
7Gender, Genre and Collaboration in the Life of Ida of Nivelles
Barbara Zimbalist
8History Meets Literary Imagination: The Making of a Twelfth-Century Woman Warrior
Lan Dong
9A Woman Mystic in Pre-Islamic North Africa: Al Kahina in the Futu? Mi?r
Denise K. Filios
IV Appropriation
10When Romance and Hagiography Meet: Inventing Saintly Women in The South English Legendary
Meriem Pagès
11Selfless Acts of Salvation as Self-Glorification: Saving the Prostitute in Hrotsvith’s Plays
Madalina Meirosu
12Liturgy and the Performance of the Mystical Self
Claire Taylor Jones