Woodstock: An Encyclopedia of the Music and Art Fair
Autor James E. Peroneen Limba Engleză Hardback – 29 ian 2005 – vârsta până la 17 ani
Preț: 339.64 lei
Preț vechi: 589.04 lei
-42% Nou
Puncte Express: 509
Preț estimativ în valută:
65.02€ • 67.59$ • 53.91£
65.02€ • 67.59$ • 53.91£
Carte tipărită la comandă
Livrare economică 06-20 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780313330575
ISBN-10: 0313330573
Pagini: 248
Dimensiuni: 178 x 254 x 21 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
ISBN-10: 0313330573
Pagini: 248
Dimensiuni: 178 x 254 x 21 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Greenwood
Locul publicării:New York, United States
Notă biografică
James E. Perone is Associate Professor of Music at Mount Union College. He is the author of several books on music, including Music of the Counterculture Era and Songs of the Vietnam Conflict.
Cuprins
AcknowledgmentsPrefaceList of PhotographsMusic Festivals of the Late 1960s and Early 1970sThe Woodstock Music and Art FairWoodstock '94: The Twenty-Fifth Anniversary FestivalWoodstock 1999 and A Day in the Garden 1999An A-to-Z of the Woodstock Music and Art FairBibliographyWoodstock Set ListsIndex
Recenzii
Though writing primarily for academic and informed fans, Perone has compiles a useful and exhaustive handbook/history to an important symbol of American social and music history; it appears to be the only resource of its kind. Recommended for strong reference collections.
High-school, college, and public library readers should find the book both interesting and educative, if not exhaustive. The encyclopedia entries are diverse enough to serve as jumping-off points for further research on the producers/performers of Woodstock '69 and the counterculture movement of the 1960s. Those who want to know more about the festival's place in American history and the logistics involved in developing and promoting it will find the narrative chapters beneficial, as will those who are intrigued by the 1994 and 1999 events. All in all, the book is an insightful work on a turning point in American musical and cultural history.
[A] valuable and apparently unique contribution to the music and pop culture literature with this concise and informative book about the August 1969 music and art fair known as Woodstock..[t]his book is carefully documented and is truly a paper-writing student's or diehard Woodstock fan's dream!.Woodstock: An Encyclopedia of the Music and Art Fair is well-written, easy to comprehend and appears to have been a labor of love for its author. However, if possible, it would best serve both academic and lay readers by being placed in circulating collections. It is recommended for academic libraries supporting music programs and perhaps courses concerning 1960s culture. Larger public libraries may wish to consider purchasing this book as well.
[T]his is a title that will appeal to libraries of all types. It will serve both the general enquirer checking or seeking basic facts and the students faced with a Woodstock or 1960s counterculture assignment.
Perone has established a useful foundation for further research on one of the seminal events in Amereican cultural history.
A symbol of the hippie movement and the 1960s counterculture, Woodstock was actually just one of several music festivals of the time. This volume describes and contextualizes the famous 1969 event and notes its legacy..The spirit of Woodstock appeals to several generations. This volume provides useful information about the event, the actions leading to it, and its aftermath and is recommended for high-school, college, and public libraries.
High-school, college, and public library readers should find the book both interesting and educative, if not exhaustive. The encyclopedia entries are diverse enough to serve as jumping-off points for further research on the producers/performers of Woodstock '69 and the counterculture movement of the 1960s. Those who want to know more about the festival's place in American history and the logistics involved in developing and promoting it will find the narrative chapters beneficial, as will those who are intrigued by the 1994 and 1999 events. All in all, the book is an insightful work on a turning point in American musical and cultural history.
[A] valuable and apparently unique contribution to the music and pop culture literature with this concise and informative book about the August 1969 music and art fair known as Woodstock..[t]his book is carefully documented and is truly a paper-writing student's or diehard Woodstock fan's dream!.Woodstock: An Encyclopedia of the Music and Art Fair is well-written, easy to comprehend and appears to have been a labor of love for its author. However, if possible, it would best serve both academic and lay readers by being placed in circulating collections. It is recommended for academic libraries supporting music programs and perhaps courses concerning 1960s culture. Larger public libraries may wish to consider purchasing this book as well.
[T]his is a title that will appeal to libraries of all types. It will serve both the general enquirer checking or seeking basic facts and the students faced with a Woodstock or 1960s counterculture assignment.
Perone has established a useful foundation for further research on one of the seminal events in Amereican cultural history.
A symbol of the hippie movement and the 1960s counterculture, Woodstock was actually just one of several music festivals of the time. This volume describes and contextualizes the famous 1969 event and notes its legacy..The spirit of Woodstock appeals to several generations. This volume provides useful information about the event, the actions leading to it, and its aftermath and is recommended for high-school, college, and public libraries.