Words of the Prophets: Graffiti as Political Protest in Greece, Italy, Poland, and the United States: Studies in Critical Social Sciences, cartea 246
Autor Jonathan Grossen Limba Engleză Hardback – 23 mai 2023
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Specificații
ISBN-13: 9789004535190
ISBN-10: 9004535195
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Critical Social Sciences
ISBN-10: 9004535195
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Critical Social Sciences
Notă biografică
Jonathan Gross received his Ph.D. from Columbia University in 1992. A Professor at DePaul University, he has published monographs on Lord Byron, Anne Damer, and edited the letters of Lady Melbourne and Thomas Jefferson. His editions of the Sylph, Belmour, and Emma, or the Unfortunate Attachment highlight the achievements of women writers.
Cuprins
Preface
Acknowledgments
List of Figures
Introduction: from “Kilroy Was Here” to Krik Kong
Part 1
Four Murals and Their Environs
1Thessaloniki: a Born-Again Faith in Graffiti
1 Graffiti in Thessaloniki, 2014
2 Athens, Exarchia, and Missolonghi
2.1The Street Is My Gallery
3 Exarchia
3.1St. Paul Six Years Later: Graffiti Has Now Become Inartistic Sloganeering
3.2Messolonghi
4 Conclusion
2Naples, Graffiti in Naples, or Rubbish Is Gold
1 Two Visits to Naples
2 “Rubbish Is Gold”: Three Films on Neapolitan Garbage
2.1“We Want to Breathe! It’s Our Right!”
3 Parking among the Corpses of Syracuse
4 Approaching Florence
4.1Florence: Masterworks outside the Uffizi
4.2On Bullshit in Florence
5 Venice
6 Between Venice and Milan, 2020
7 Approaching Milan
8 Roma Termini
3Gdańsk: Remembering Solidarity
1 An Unguided Tour of Gdańsk
2 Krik Kong
3 Solidarity Museum
4 Courtesy Solidarity Museum, Gdańsk
5 Fonts of Fascism, or the Heaviness of the Solidarity Museum
5.1Westerplatte Tour
5.2A Closer Look at Krik Kong
6 My Interview with Krik Kong
6.1Art School vs. Street Knowledge
7 Conclusion: from Andrez Wajda’s Man of Iron to Warsaw
4Welcome to Chicago
1 Welcome to Chicago/ We Can Change the World (1971)
1.1Welcome to Chicagoland: Redux
1.2Is Rap a Black Art Form
2 Conclusion: Chicago, Philadelphia, New York
2.1Philadelphia
2.2New York
2.3One Last Mural
Part 2
Graffiti as Narrative Art
5Byron, Blake, and the George Floyd Protests: the Evolution of Fonts
1 Lord Byron: Graffiti Artist
1.1Byron’s Name at Ferrara
1.2Graffiti: Local and Global Practices
2 Graffiti Practices in England
3 Visions of Belshazzar: Ortygia, Syracuse, and the Book of Daniel
4 Graffiti in the South Bronx
5 Who’s John Lennon?
6 Lady Pink and Lord Byron: the Museum of Graffiti in Miami Beach
6Orozco, Pomona College’s Prometheus
1 Blake, Orozco, and the Graffiti/Mural Tradition
2 The Parable of the Ten Virgins
3 Lady Pink and the Art of Pointing
4 George Floyd: “Corporate Media, Graffiti, and the Visualizations of the George Floyd Protests” in 2020
5 Calligraphy: from Istanbul to the South Bronx
6 Hagia Sophia
7 Words of the Prophets on Walls and Curtains
8 Cultural Riches vs. Benign Neglect
7Conclusion
Appendix: In the Words of Contemporary Artists
Notes on Artists and Interviewers
References
Index
Acknowledgments
List of Figures
Introduction: from “Kilroy Was Here” to Krik Kong
Part 1
Four Murals and Their Environs
1Thessaloniki: a Born-Again Faith in Graffiti
1 Graffiti in Thessaloniki, 2014
2 Athens, Exarchia, and Missolonghi
2.1The Street Is My Gallery
3 Exarchia
3.1St. Paul Six Years Later: Graffiti Has Now Become Inartistic Sloganeering
3.2Messolonghi
4 Conclusion
2Naples, Graffiti in Naples, or Rubbish Is Gold
1 Two Visits to Naples
2 “Rubbish Is Gold”: Three Films on Neapolitan Garbage
2.1“We Want to Breathe! It’s Our Right!”
3 Parking among the Corpses of Syracuse
4 Approaching Florence
4.1Florence: Masterworks outside the Uffizi
4.2On Bullshit in Florence
5 Venice
6 Between Venice and Milan, 2020
7 Approaching Milan
8 Roma Termini
3Gdańsk: Remembering Solidarity
1 An Unguided Tour of Gdańsk
2 Krik Kong
3 Solidarity Museum
4 Courtesy Solidarity Museum, Gdańsk
5 Fonts of Fascism, or the Heaviness of the Solidarity Museum
5.1Westerplatte Tour
5.2A Closer Look at Krik Kong
6 My Interview with Krik Kong
6.1Art School vs. Street Knowledge
7 Conclusion: from Andrez Wajda’s Man of Iron to Warsaw
4Welcome to Chicago
1 Welcome to Chicago/ We Can Change the World (1971)
1.1Welcome to Chicagoland: Redux
1.2Is Rap a Black Art Form
2 Conclusion: Chicago, Philadelphia, New York
2.1Philadelphia
2.2New York
2.3One Last Mural
Part 2
Graffiti as Narrative Art
5Byron, Blake, and the George Floyd Protests: the Evolution of Fonts
1 Lord Byron: Graffiti Artist
1.1Byron’s Name at Ferrara
1.2Graffiti: Local and Global Practices
2 Graffiti Practices in England
3 Visions of Belshazzar: Ortygia, Syracuse, and the Book of Daniel
4 Graffiti in the South Bronx
5 Who’s John Lennon?
6 Lady Pink and Lord Byron: the Museum of Graffiti in Miami Beach
6Orozco, Pomona College’s Prometheus
1 Blake, Orozco, and the Graffiti/Mural Tradition
2 The Parable of the Ten Virgins
3 Lady Pink and the Art of Pointing
4 George Floyd: “Corporate Media, Graffiti, and the Visualizations of the George Floyd Protests” in 2020
5 Calligraphy: from Istanbul to the South Bronx
6 Hagia Sophia
7 Words of the Prophets on Walls and Curtains
8 Cultural Riches vs. Benign Neglect
7Conclusion
Appendix: In the Words of Contemporary Artists
Notes on Artists and Interviewers
References
Index