Cantitate/Preț
Produs

Words of the Prophets: Graffiti as Political Protest in Greece, Italy, Poland, and the United States: Studies in Critical Social Sciences, cartea 246

Autor Jonathan Gross
en Limba Engleză Hardback – 23 mai 2023
Words of the Prophets treats graffiti as a form of political prophecy. Whether we consider austerity in Thessaloniki, Camorra infiltration in Naples, the fall of Communism in Gdansk, or the rise of gang warfare in Chicago, graffiti is a form of democratic self-expression that dates back to Periclean Athens and the Book of Daniel. Words of the Prophets offers close readings of 400 original photographs taken between 2014 and 2021 in Philadelphia, Venice, Milan, Florence, Syracuse, and Warsaw, alongside literary works by Pawel Huelle, films by Andrezj Wajda, Antonio Capua, and music videos by Natasha Bedingfield and Beyoncé. A third of the book is dedicated to interviews with Krik Kong, Iwona Zajac, Ponchee.193, Jay Pop, Ser, Simoni Fontana, and Mattia Campo Dall’Orto.
Citește tot Restrânge

Din seria Studies in Critical Social Sciences

Preț: 107996 lei

Preț vechi: 131703 lei
-18% Nou

Puncte Express: 1620

Preț estimativ în valută:
20670 21544$ 17207£

Carte indisponibilă temporar

Doresc să fiu notificat când acest titlu va fi disponibil:

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9789004535190
ISBN-10: 9004535195
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Critical Social Sciences


Notă biografică

Jonathan Gross received his Ph.D. from Columbia University in 1992. A Professor at DePaul University, he has published monographs on Lord Byron, Anne Damer, and edited the letters of Lady Melbourne and Thomas Jefferson. His editions of the Sylph, Belmour, and Emma, or the Unfortunate Attachment highlight the achievements of women writers.

Cuprins

Preface

Acknowledgments

List of Figures

Introduction: from “Kilroy Was Here” to Krik Kong

Part 1
Four Murals and Their Environs
1Thessaloniki: a Born-Again Faith in Graffiti
1 Graffiti in Thessaloniki, 2014

2 Athens, Exarchia, and Missolonghi
2.1The Street Is My Gallery


3 Exarchia
3.1St. Paul Six Years Later: Graffiti Has Now Become Inartistic Sloganeering

3.2Messolonghi


4 Conclusion


2Naples, Graffiti in Naples, or Rubbish Is Gold
1 Two Visits to Naples

2 “Rubbish Is Gold”: Three Films on Neapolitan Garbage
2.1“We Want to Breathe! It’s Our Right!”


3 Parking among the Corpses of Syracuse

4 Approaching Florence
4.1Florence: Masterworks outside the Uffizi

4.2On Bullshit in Florence


5 Venice

6 Between Venice and Milan, 2020

7 Approaching Milan

8 Roma Termini


3Gdańsk: Remembering Solidarity
1 An Unguided Tour of Gdańsk

2 Krik Kong

3 Solidarity Museum

4 Courtesy Solidarity Museum, Gdańsk

5 Fonts of Fascism, or the Heaviness of the Solidarity Museum
5.1Westerplatte Tour

5.2A Closer Look at Krik Kong


6 My Interview with Krik Kong
6.1Art School vs. Street Knowledge


7 Conclusion: from Andrez Wajda’s Man of Iron to Warsaw


4Welcome to Chicago
1 Welcome to Chicago/ We Can Change the World (1971)
1.1Welcome to Chicagoland: Redux

1.2Is Rap a Black Art Form


2 Conclusion: Chicago, Philadelphia, New York
2.1Philadelphia

2.2New York

2.3One Last Mural



Part 2
Graffiti as Narrative Art
5Byron, Blake, and the George Floyd Protests: the Evolution of Fonts
1 Lord Byron: Graffiti Artist
1.1Byron’s Name at Ferrara

1.2Graffiti: Local and Global Practices


2 Graffiti Practices in England

3 Visions of Belshazzar: Ortygia, Syracuse, and the Book of Daniel

4 Graffiti in the South Bronx

5 Who’s John Lennon?

6 Lady Pink and Lord Byron: the Museum of Graffiti in Miami Beach


6Orozco, Pomona College’s Prometheus
1 Blake, Orozco, and the Graffiti/Mural Tradition

2 The Parable of the Ten Virgins

3 Lady Pink and the Art of Pointing

4 George Floyd: “Corporate Media, Graffiti, and the Visualizations of the George Floyd Protests” in 2020

5 Calligraphy: from Istanbul to the South Bronx

6 Hagia Sophia

7 Words of the Prophets on Walls and Curtains

8 Cultural Riches vs. Benign Neglect


7Conclusion


Appendix: In the Words of Contemporary Artists

Notes on Artists and Interviewers

References

Index