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Writing for the Screen: Creative and Critical Approaches: Approaches to Writing

Autor Craig Batty, Zara Waldeback
en Limba Engleză Paperback – 25 sep 2008
This fresh approach to scriptwriting, innovative in style and approach, incorporates both creativity and critical appraisal as essential methods in writing for the screen. Contemporary case studies, in-depth analyses and interactive exercises create a wealth of ideas for those wishing to work in the industry or deepen their study of the practice.
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Specificații

ISBN-13: 9780230550759
ISBN-10: 0230550754
Pagini: 201
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.27 kg
Ediția:2008
Editura: Macmillan Education UK
Colecția Red Globe Press
Seria Approaches to Writing

Locul publicării:London, United Kingdom

Cuprins

Acknowledgments.- Introduction.- PART I: FOUNDATIONS.- 1. Establishing Practice.- 2. Subject: Ideas into Character.- 3. Structure and Narrative.- 4. Visual Storytelling.- 5. Dialogue and Voice.- 6. The Cultures of Screenwriting.- 7. Key Points and Foundations Exercises.- PART II: SPECULATIONS.- 8. Exploring Possibilities.- 9. Subjects: Ideas into Character.- 10. Structures and Narratives.- 11. Visual Storytelling.- 12. Dialogues and Voices.- 13. Further Cultures of Screenwriting.- 14. Key Points and Speculations Exercises.- Notes.- Bibliography.- Index.

Notă biografică

Craig Batty is Senior Lecturer in Screenwriting at Bournemouth University, UK. He is a writer and script consultant, and has published widely on screenwriting.

Zara Waldeback devised the Creative Screenwriting MA at Thames Valley University and has previously worked at Brunel and Sussex Universities, UK. She freelances as a script editor and has worked for British Screen, First Film Foundation and Film London.

Caracteristici

An innovative and fresh approach to the art and practice of screenwriting, developing creative and critical awareness for writers, students and critics
Includes contemporary case studies, indepth analysis and unique writing exercises
Explores a wide variety of techniques, from detailed scene writing and nonlinear structure, to Documentary Drama and the Short Film