Yellow Music – Media Culture and Colonial Modernity in the Chinese Jazz Age
Autor Andrew F. Jonesen Limba Engleză Paperback – 18 iun 2001
The personal and professional histories of three musicians in particular are the focus of Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music;" and leftist Nie Er, a former student of Li's whose musical idiom grew out of virulent opposition to this sinified jazz. In contemplating the emergence of global media cultures in the postcolonial world, Jones aims to undermine the parochialism of media studies in the West. He teaches us to hear not only the American influence in Chinese popular music but also the Chinese influence on American music and, in so doing, illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
Students and scholars of modern China, twentieth-century history, media studies, and jazz history will be informed and engaged by Yellow Music.
"Yellow Music is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China."- Ralph Litzinger, author of Other Chinas: The Yao and the Politics of National Belonging
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Specificații
ISBN-13: 9780822326946
ISBN-10: 0822326949
Pagini: 224
Ilustrații: 12 illustrations
Dimensiuni: 162 x 241 x 25 mm
Greutate: 0.39 kg
Editura: MD – Duke University Press
ISBN-10: 0822326949
Pagini: 224
Ilustrații: 12 illustrations
Dimensiuni: 162 x 241 x 25 mm
Greutate: 0.39 kg
Editura: MD – Duke University Press
Cuprins
Acknowledgments vii
Introduction: Listening to Jazz Age China 1
1. The Orchestration of Chinese Musical Life 21
2. The Gramophone in China 53
3. The Yellow Music of Li Jinhui 73
4. Mass Music and the Politics of Phonographic Realism 105
Glossary 137
Notes 147
Bibliography 183
Index 207
Introduction: Listening to Jazz Age China 1
1. The Orchestration of Chinese Musical Life 21
2. The Gramophone in China 53
3. The Yellow Music of Li Jinhui 73
4. Mass Music and the Politics of Phonographic Realism 105
Glossary 137
Notes 147
Bibliography 183
Index 207
Recenzii
"Yellow Music is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China."- Ralph Litzinger, author of Other Chinas: The Yao and the Politics of National Belonging
"Yellow Music pushes common sense presumptions forward by complicating theory with solid empirical study. Jones weaves rich information and intriguing conclusions throughout this historically grounded book."- Miram Silverberg, author of Changing Song: The Marxist Manifestos of Nakano Shigeharu
"Jones illuminates Chinese cultural and political history from an unknown angle-that of popular music and an emergent transnational mass culture. In doing so, he not only enriches our understanding of this history but also makes an original contribution."- Prasenjit Duara, author of Rescuing History from the Nation: Questioning Narratives of Modern China"Andrew F. Jones's essential and exciting study follows the importation of Western technologyand music into urban China, the creation of indigenous popular forms and the Chinesegovernment's attempt to regulate the 'types' of sounds circulating at this critical juncture in thenation's history . . . it is truly refreshing to read a history of individuals and record players thatreveals so much about the political climate and local culture of China."--The Wire, January2002
"Yellow Music is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China."- Ralph Litzinger, author of Other Chinas: The Yao and the Politics of National Belonging "Yellow Music pushes common sense presumptions forward by complicating theory with solid empirical study. Jones weaves rich information and intriguing conclusions throughout this historically grounded book."- Miram Silverberg, author of Changing Song: The Marxist Manifestos of Nakano Shigeharu "Jones illuminates Chinese cultural and political history from an unknown angle-that of popular music and an emergent transnational mass culture. In doing so, he not only enriches our understanding of this history but also makes an original contribution."- Prasenjit Duara, author of Rescuing History from the Nation: Questioning Narratives of Modern China "Andrew F. Jones's essential and exciting study follows the importation of Western technology and music into urban China, the creation of indigenous popular forms and the Chinese government's attempt to regulate the 'types' of sounds circulating at this critical juncture in the nation's history ... it is truly refreshing to read a history of individuals and record players that reveals so much about the political climate and local culture of China."--The Wire, January 2002
"Yellow Music pushes common sense presumptions forward by complicating theory with solid empirical study. Jones weaves rich information and intriguing conclusions throughout this historically grounded book."- Miram Silverberg, author of Changing Song: The Marxist Manifestos of Nakano Shigeharu
"Jones illuminates Chinese cultural and political history from an unknown angle-that of popular music and an emergent transnational mass culture. In doing so, he not only enriches our understanding of this history but also makes an original contribution."- Prasenjit Duara, author of Rescuing History from the Nation: Questioning Narratives of Modern China"Andrew F. Jones's essential and exciting study follows the importation of Western technologyand music into urban China, the creation of indigenous popular forms and the Chinesegovernment's attempt to regulate the 'types' of sounds circulating at this critical juncture in thenation's history . . . it is truly refreshing to read a history of individuals and record players thatreveals so much about the political climate and local culture of China."--The Wire, January2002
"Yellow Music is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China."- Ralph Litzinger, author of Other Chinas: The Yao and the Politics of National Belonging "Yellow Music pushes common sense presumptions forward by complicating theory with solid empirical study. Jones weaves rich information and intriguing conclusions throughout this historically grounded book."- Miram Silverberg, author of Changing Song: The Marxist Manifestos of Nakano Shigeharu "Jones illuminates Chinese cultural and political history from an unknown angle-that of popular music and an emergent transnational mass culture. In doing so, he not only enriches our understanding of this history but also makes an original contribution."- Prasenjit Duara, author of Rescuing History from the Nation: Questioning Narratives of Modern China "Andrew F. Jones's essential and exciting study follows the importation of Western technology and music into urban China, the creation of indigenous popular forms and the Chinese government's attempt to regulate the 'types' of sounds circulating at this critical juncture in the nation's history ... it is truly refreshing to read a history of individuals and record players that reveals so much about the political climate and local culture of China."--The Wire, January 2002
Notă biografică
Textul de pe ultima copertă
"Jones illuminates Chinese cultural and political history from an unknown angle--that of popular music and an emergent transnational mass culture. In doing so, he not only enriches our understanding of this history but also makes an original contribution."--Prasenjit Duara, author of "Rescuing History from the Nation: Questioning Narratives of Modern China"
Descriere
The distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China