Zero Waste Fashion Design
Autor Timo Rissanen, Holly McQuillanen Limba Engleză Paperback – noi 2023
Preț: 246.12 lei
Preț vechi: 278.31 lei
-12% Nou
Puncte Express: 369
Preț estimativ în valută:
47.12€ • 48.98$ • 39.07£
47.12€ • 48.98$ • 39.07£
Carte disponibilă
Livrare economică 18 ianuarie-01 februarie 25
Livrare express 04-10 ianuarie 25 pentru 81.52 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781350116962
ISBN-10: 1350116963
Pagini: 244
Ilustrații: 200 colour illus
Dimensiuni: 210 x 270 x 16 mm
Greutate: 0.78 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350116963
Pagini: 244
Ilustrații: 200 colour illus
Dimensiuni: 210 x 270 x 16 mm
Greutate: 0.78 kg
Ediția:2
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Grounded in practice-based research the book provides a wealth of techniques, adaptable to students' own practice so they can incorporate the techniques into their original designs
Notă biografică
Timo Rissanen is Associate Professor at the University of Technology Sydney, Australia. He is a fashion and textiles researcher with an interest in the interconnection between sustainability and social justice as they relate to the contemporary fashion industry.Holly McQuillan is a doctoral student at the University of Borås, Sweden. Her research articulates zero waste fashion design through exhibition and writing, and focuses on broad issues of sustainability and their links with risky design practice.
Cuprins
Preface 1. Zero Waste Fashion Design from History to Now Zero Waste over TimeModern Zero Waste Fashion DesignInterview with Lela JacobsZero Waste Fashion Design in ResearchInterview with Maja StabelShort Cuts 2. Pattern Cutting as a Fashion Design Tool Fashion Design and Pattern CuttingCreative Pattern CuttingInterview with Winifred AldrichInterview with Rickard LindqvistCreative Pattern Cutters From Around the WorldPatterns in Design IdeationShort Cuts3. Zero Waste Fashion Design: The BasicsCriteria for Zero Waste Fashion DesignThe Design Ideation ToolboxZero Waste Design MethodsSquare Cut GarmentsTailored GarmentsDraped GarmentsHybrid PracticesZero Waste Design SystemsAdapting an Existing Design for Zero WasteRisky Design PracticeDesigning with the Fabric WidthShort Cuts4. Zero Waste Fashion Design and CADMarker Making As Design ActivityInterview with Julia Banks (Formerly Lumsden)Transforming Zero Waste Design PracticeDigital Design Process before 3D ToolsThe Usefulness of 3D Software for Zero Waste Fashion Design PracticeDigital 3D Design Workflow for Zero Waste Design Practice.The Future of Zero Waste Design in a Time of AutomationDigital 2D/3D DesignNote about the Differences between ToolsDigital Tools in Fashion Design EducationCase Study: Zero Waste WorkshopsDigital Tools in the Fashion IndustryCase Study: High Price Outdoor Brand: Developing a Digital Prototype of Low Waste Design Using an Existing 2D PatternGrading and CADCombining Digital TechnologiesDigital Tools in Fashion ResearchCase Study: Zero + One: Developing a Digitized Analogue Drape DesignCase Study: Using 3D Software to Develop Zero Waste Whole Garment WeavingDesign WorkflowsZero Waste Tutorial for 3D Digital ToolsMaking a Make/Use Coat in 3D SoftwareThings to ConsiderInterview With Mylène L'Orguilloux - Milan AV-JCShort Cuts5. Manufacturing Zero-Waste GarmentsFashion Design and Fashion ManufacturingInterview with Mary Beth McDermottSizing Zero Waste GarmentsPathway 1: One-Size-Fits-MostPathway 2: Conventional GradingPathway 3: Designing Each SizePathway 4: Mixing Multiple Sizes in a MarkerPathway 5: Using a Different Fabric Width for Each SizePathway 6: A Hybrid MethodFabric in Manufacturing Zero Waste GarmentsCutting FabricFabric SelvagesFabric FlawsShort Cuts6. Zero Waste Fashion Design: Getting StartedOn InspirationInterview with Kia KoskiDocumenting and Reflecting On DesignOn SharingConversation with Yeohlee TengZero Waste Fashion Design in TransitionsGlossaryReferencesIndex Acknowledgements Credits