This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of theoretical and interdisciplinary perspectives. The 13 essays discuss the adaptation of Zola's works within the limitations of the silent cinema; the challenges posed by film censorship and the notoriety of the author's naturalist text; the ideological inflection given to Zola's working class narratives; and Zola's representation of women. Zola's works are placed within their respective historical contexts, as the essays address encoded anti-Nazi sentiment in films produced under the German occupation of France during World War II and the French Communist Party's reception of the filmic adaptation of Germinal. Other adapted works addressed in these chapters include La Terre, Nana, La Bete humaine, Au Bonheur des Dames, Therese Raquin, Gervaise and Pot-Bouille.