Cantitate/Preț
Produs
Total produse
Vezi coșul
100 British Crime Writers de Esme Miskimmin

100 British Crime Writers: Crime Files

Editat de Esme Miskimmin
en Limba Engleză Paperback – 13 noi 2020
100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: ‘The Victorians, Edwardians, and World War One, 1855-1918’; ‘The Golden Age and World War Two, 1919-1945’; ‘Post-War and Cold War, 1946-1989’; and ‘To the Millennium and Beyond, 1990-2015’, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 42543 lei  38-44 zile
  Palgrave Macmillan UK – 13 noi 2020 42543 lei  38-44 zile
Hardback (1) 47194 lei  6-8 săpt.
  Palgrave Macmillan UK – 13 noi 2020 47194 lei  6-8 săpt.

Din seria Crime Files

  • A Narratological Approach to Lists in Detective Fiction
    Preț: 27972 lei
  • 20% Contemporary European Crime Fiction: Representing History and Politics
    Preț: 69132 lei
  • 20% British Murder Mysteries, 1880-1965: Facts and Fictions
    Preț: 69066 lei
  • Jack the Ripper in Film and Culture: Top Hat, Gladstone Bag and Fog
    Preț: 37979 lei
  • The Contemporary Irish Detective Novel
    Preț: 37713 lei
  • Masculinity, Crime and Self-Defence in Victorian Literature: Duelling with Danger
    Preț: 37863 lei
  • The Rise of the Detective in Early Nineteenth-Century Popular Fiction
    Preț: 37904 lei
  • Detective Fiction and the Ghost Story: The Haunted Text
    Preț: 40684 lei
  • British Crime Film: Subverting the Social Order
    Preț: 37622 lei
  • Late Victorian Crime Fiction in the Shadows of Sherlock
    Preț: 38092 lei
  • 15% Narratives of Enclosure in Detective Fiction: The Locked Room Mystery
    Preț: 57005 lei
  • James Ellroy: Demon Dog of Crime Fiction
    Preț: 38054 lei
  • 15% A Counter-History of Crime Fiction: Supernatural, Gothic, Sensational
    Preț: 62358 lei
  • 15% Gender and Representation in British ‘Golden Age’ Crime Fiction
    Preț: 57021 lei
  • The American Thriller: Generic Innovation and Social Change in the 1970s
    Preț: 37543 lei
  • The Legal Thriller from Gardner to Grisham: See you in Court!
    Preț: 37904 lei
  • Death in a Cold Climate: A Guide to Scandinavian Crime Fiction
    Preț: 37808 lei
  • Masquerade, Crime and Fiction: Criminal Deceptions
    Preț: 37826 lei
  • 15% American Gangster Cinema: From "Little Caesar" to "Pulp Fiction"
    Preț: 45558 lei
  • 15% The Postcolonial Detective
    Preț: 63015 lei
  • Middlebrow Feminism in Classic British Detective Fiction: The Female Gentleman
    Preț: 37808 lei
  • 15% 100 British Crime Writers
    Preț: 47194 lei
  • Criminal Femmes Fatales in American Hardboiled Crime Fiction
    Preț: 38150 lei
  • Hollywood's Detectives: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir
    Preț: 37996 lei
  • 15% American TV Detective Dramas: Serial Investigations
    Preț: 54309 lei
  • 15% From Agatha Christie to Ruth Rendell: British Women Writers in Detective and Crime Fiction
    Preț: 62502 lei
  • 15% Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre
    Preț: 57148 lei
  • 15% Globalization and the State in Contemporary Crime Fiction: A World of Crime
    Preț: 68336 lei
  • 15% Contemporary American Crime Fiction
    Preț: 62376 lei
  • 18% Queering Agatha Christie: Revisiting the Golden Age of Detective Fiction
    Preț: 76825 lei
  • Dime Novels and the Roots of American Detective Fiction
    Preț: 38187 lei
  • Possessed Child Narratives in Literature and Film: Contrary States
    Preț: 33370 lei
  • 15% Agatha Christie: Power and Illusion
    Preț: 65273 lei
  • 15% 100 American Crime Writers
    Preț: 63595 lei
  • Deviance in Contemporary Crime Fiction
    Preț: 37335 lei
  • Femininity, Crime and Self-Defence in Victorian Literature and Society: From Dagger-Fans to Suffragettes
    Preț: 37808 lei
  • Serial Crime Fiction: Dying for More
    Preț: 38204 lei

Preț: 42543 lei

Preț vechi: 46242 lei
-8% Nou

Puncte Express: 638
Preț estimativ în valută:
8143€ • 8464$ • 6745£

Carte tipărită la comandă

Livrare economică 01-07 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781349586059
ISBN-10: 1349586056
Pagini: 432
Ilustrații: XXXIX, 432 p. 1 illus.
Dimensiuni: 148 x 210 mm
Ediția:1st ed. 2020
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria Crime Files

Locul publicării:London, United Kingdom

Cuprins

1. Caroline Clive, Paul Ferroll (1855), Adrienne E. Gavin.- 2. Wilkie Collins, The Woman in White (1860), Adrienne E. Gavin.- 3. Mrs Henry Wood, East Lynne (1861), Anne-Marie Beller.- 4. Mary Elizabeth Braddon, Lady Audley’s Secret (1862), Adrienne E. Gavin.- 5. Arthur Conan Doyle, A Study in Scarlet (1887), Anne-Marie Beller.- 6. George R. Sims, The Case of George Candlemas (1890), Esme Miskimmin.- 7. C. L. Pirkis, ‘Loveday Brook’ stories (1893), Adrienne E. Gavin.- 8. Arthur Morrison, ‘Martin Hewitt’ stories (1894), Nick Freeman.- 9. E. Phillips Oppenheim, The Mysterious Mr Sabin (1898), Alexandra Phillips.- 10. E. W. Hornung The Amateur Cracksman (1899).- 11. Baroness Orczy, ‘The Old Man in the Corner’ stories (1901), Suzanne Bray.- 12. Erskine Childers, The Riddle of the Sands (1903), Christopher Routledge.- 13. Edgar Wallace, The Four Just Men (1905), Stephen Knight.- 14. R. Austin Freeman, The Red Thumb Mark (1907), Nick Freeman.- 15. G. K. Chesterton, The Man Who Was Thursday (1908), Christopher Routledge.- 16. Edwy Searles Brooks, ‘Sexton Blake’ stories (1912), Lucy Andrew.- 17. Sax Rohmer, ‘Fu Manchu’ stories (1912), Steven Powell.- 18. E. C. Bentley, Trent’s Last Case (1913), Suzanne Bray.- 19. Ernest Bramah, Max Carrados (1914), Nick Freeman.- 20. John William Bobin, Sexton Blake Library (1915), Lucy Andrew.- 21. John Buchan, The Thirty-Nine Steps (1915), Alexandra Phillips.- 22. H. C. Bailey, Call Mr Fortune (1920), Megan Hoffman.- 23. Agatha Christie, The Mysterious Affair at Styles (US 1920; UK 1921), Delphine Cingal.- 24. Freeman Wills Crofts, The Cask (1920), Diana Powell.- 25.H. C. McNeile, (a.k.a. Sapper) Bulldog Drummond (1920), Alexandra Phillips.- 26 and 27. G. D. H. Cole and Margaret Cole, The Brooklyn Murders (1923), Victoria Stewart.- 28. Dorothy L. Sayers, Whose Body? (1923), Esme Miskimmin.- 29. Patricia Wentworth, The Astonishing Case of Jane Smith (1923), Delphine Cingal.- 30. Philip MacDonald, The Rasp (1924), Alexandra Phillips.- 31. Anthony Berkeley, The Layton Court Mystery (1925), Christine R. Simpson.- 32. Margery Allingham, The White Cottage Mystery (1928), Jasmine Simeone.- 33. Graham Greene, The Man Within (1929), Steven Powell.- 34. Gladys Mitchell, Speedy Death (1929), Christine R. Simpson.- 35. Josephine Tey, The Man in the Queue (1929), Christine R. Simpson.- 36. Elizabeth Ferrars, Turn Single (1932), Victoria Stewart.- 37. Georgette Heyer, Footsteps in the Dark (1932), Greg Rees.- 38. C. P. Snow, Death Under Sail (1932), Christine R. Simpson.- 39. Ngaio Marsh, A Man Lay Dead (1934), Kate Watson.- 40. Eric Ambler, The Dark Frontier (1935), Steven Powell.- 41. Nicholas Blake, A Question of Proof (1935), Esme Miskimmin.- 42. Daphne du Maurier, Jamaica Inn (1936), Megan Hoffman.- 43. Michael Innes, Death at the President’s Lodging (1936), Christopher Routledge.- 44. John Creasey, Meet the Baron (1937), Martin Lightening.- 45. Francis Durbridge, Send for Paul Temple (1938), Victoria Stewart.- 46. Enid Blyton, Five on a Treasure Island (1942), Lucy Andrew.- 47. Edmund Crispin, The Case of the Gilded Fly (1944), Malcah Effron.- 48. Julian Symons, The Immaterial Murder Case (1945), Christopher Routledge.- 49. Michael Gilbert, Close Quarters (1947), Christopher Routledge.- 50. Ellis Peters, Fallen into the Pit (1951), Suzanne Bray.- 51. Ian Fleming, Casino Royale (1953), Christopher Routledge.- 52. H. R. F. Keating, Death and the Visiting Firemen (1959), Christopher Routledge.- 53. John Le Carré, A Call For the Dead (1961), Steven Powell.- 54. Dick Francis, Dead Cert (1962), Malcah Effron.- 55. P. D. James, Cover Her Face (1962).- 56. Simon Nash, Dead of a Counterplot (1962), Delphine Cingal.- 57. Peter O’Donnell, Modesty Blaise (1963), Esme Miskimmin.- 58. Joyce Porter, Dover One (1964), Heather Worthington.- 59. Ruth Rendell, From Doon with Death (1964), Anne-Marie Beller.- 60. Catherine Aird, The Religious Body (1966), Jasmine Simeone.- 61. Reginald Hill, A Clubbable Woman (1970), Malcah Effron.- 62. Frederick Forsyth, The Day of the Jackal (1971), Christopher Routledge.- 63. Robert Barnard, Death of an Old Goat (1974), Stephen Knight.- 64. Simon Brett, Cast, In Order Of Disappearance (1975), Jasmine Simeone.- 65. Colin Dexter, Last Bus to Woodstock (1975), Susan Massey.- 66. John Mortimer, Rumpole of the Bailey (1975), Diana Powell.- 67. John Harvey, Amphetamines and Pearls (1976), Delphine Cingal.- 68. Antonia Fraser, Quiet as a Nun (1977), Suzanne Bray.- 69. Anne Perry, The Cater Street Hangman (1979), Delphine Cingal.- 70. Dorothy Simpson, The Night She Died (1981), Christine R. Simpson.- 71. Linda La Plante, Widows (1983), Anne-Marie Beller.- 72. R. D. Wingfield, Frost at Christmas (1984), Steven Powell.- 73. Bill James, You’d Better Believe It (1985), Catherine Phelps.- 74. Anthony Horowitz, The Falcon’s Malteser (1986), Lucy Andrew.- 75. Val McDermid, Report for Murder (1987), Susan Massey.- 76. Ian Rankin, Knots and Crosses (1987), Christopher Routledge.- 77. Peter Robinson, Gallows View (1987), Greg Rees.- 78. Lindsey Davis, The Silver Pigs (1989), Heather Worthington.- 79. Martin Edwards, All the Lonely People (1991), Christine R. Simpson.- 80. D. M. Greenwood, Clerical Errors (1991), Suzanne Bray.- 81. Patricia Hall, The Poison Pool (1991), Steven Powell.- 82. Martina Cole, Dangerous Lady (1992), Esme Miskimmin.- 83. Minette Walters, The Ice House (1992), Heather Worthington.- 84. Malcolm Rose, The Smoking Gun (1993), Lucy Andrew.- 85. Veronica Stallwood, Death and the Oxford Box (1993), Megan Hoffman.- 86. Stella Duffy, Calendar Girl (1994), Susan Massey.- 87. Alison Taylor, Simeon’s Bride (1995), Catherine Phelps.- 88. Christopher Brookmyre, Quite Ugly One Morning (1996), Christopher Routledge.- 89. Susanna Gregory, A Plague on Both Your Houses (1996), Steven Powell.- 90. Denise Mina, Garnethill (1998), Esme Miskimmin.- 91. Alexander McCall Smith, The No. 1 Ladies’ Detective Agency (1999), Susan Massey.- 92. John Williams, Five Pubs, Two Bars and a Nightclub (1999), Catherine Phelps.- 93. Malcolm Pryce, Aberystwyth Mon Amour (2001), Catherine Phelps.- 94. Lindsay Ashford, Frozen (2003), Catherine Phelps.- 95. Justin Richards, The Paranormal Puppet Show (2003), Lucy Andrew.- 96. Adrian McKinty, Dead I May Well Be (2003), Gerard Brennan.- 97. C. J. Sansom, 2003: Dissolution (2003), Martin Lightening.- 98. Brian McGilloway, 2007: Borderlands (2007), Gerard Brennan.- 99. Stuart Neville, The Twelve(2010), Steven Powell.- 100. Gerard Brennan, The Point (2011), Esme Miskimmin.

Notă biografică

Esme Miskimmin is a Senior Lecturer in English Literature at the University of Liverpool, UK. She has research interests in Renaissance drama as well as crime writing, and sometimes combines the two.

Textul de pe ultima copertă

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: ‘The Victorians, Edwardians, and World War One, 1855-1918’; ‘The Golden Age and World War Two, 1919-1945’; ‘Post-War and Cold War, 1946-1989’; and ‘To the Millennium and Beyond, 1990-2015’, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

Caracteristici

Examines the contributions of 100 British crime writers Explores the evolution of British crime genre from 1855–2015 Offers an introduction to different eras in crime fiction